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Sarah Bednarek – ChiChi DooDad

In her sculptures Sarah Bednarek refers to minimalism with humor and love. She  turns minimalism’s aesthetics on its head – utilizing  minimalist language of precision to highlight the chaotic and unexpected . Her sculptures are on a human scale – witty and  visceral through playful material and form.  Bednarek shares with Art Spiel some insight on her life and her recent exhibition, ChiChi DooDad at Tiger Strikes Asteroid New York.

Sarah Bednarek, Hi There, 2018, mdf, velvet, paint, 33 x 68 x 10 in. , photo Courtesy of Yael Eban

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A Visit With Jaynie Crimmins

All photos by Catherine Kirkpatrick
Jaynie Gillman Crimmins in her studio

Just inside Jaynie Gillman Crimmins studio is a small table with a mirror, a piece of coral, and jar of shells. By the time you leave, you understand what they say about her inspiration and concerns. But they’re quickly forgotten as you go further, encounter the artist’s work and fall under its spell. Continue reading “A Visit With Jaynie Crimmins”

Austin Thomas – Lots of little things at LABspace

All images: Austin Thomas collages, photographed by the author

 

Austin Thomas’s drawings, Lots of little things, currently on view at LABspace, a small gallery in a tiny town, are diminutive in size but vast in scope.  Arranged in three irregular rows on one wall, these forty-odd drawings offer the viewer enough to look at for several hours.  I have been to the show three times and was sorry to leave each time. They seem to display almost everything drawing can be.
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Strange Girls at Garvey Simon

Artist Melissa Stern says that the chance to work with dancer Louisa Pancoast on their Strange Girls Dance project at Garvey / Simon was a wonderful bit of serendipity. They met at exactly the right time. Pancoast is the Assistant Director of Garvey Simon Gallery, but her real  passion is dance. “She is a gifted dancer and choreographer,” says Stern.

Melissa Stern, Clay, wood, resin, paint. 34 x 12 x 7 inches. 2018 Continue reading “Strange Girls at Garvey Simon”

Julia von Eichel – Portraits of Emotional States

Although Julia Von Eichel‘s sculptures appear to be fragile, at times almost on the verge of collapse, they are held together as if against all odds due to their obstinate resilience. Whether mounted on the wall, hanging on a wire, or drawn on mylar, her shapes embody a restless exploration of the dimensional form – how its defined by line and light. In this interview for Art Spiel the artist talks in depth about her thought and work process.

Julia von Eichel, I’ll eat you up, I love you so, 2016, silk, acrylic, wood, thread, plastic, and epoxy, 40 x 30 inches x 24 inches, courtesy of Julia von Eichel

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Jeanne Heifetz – Ordered Chance

Jeanne Heifetz‘s art has evolved from weaving and fiber early on to drawing and painting later on.  While her previous body of work has typically derived from a process of material  exploration, the impetus for her more recent work has been prompted by concept. As Heifetz puts it, “in spite of herself,” after the election it can  also be seen as politicized.  She was recently awarded a LABA fellowship for 2018-2019 at the 14th Street Y, where she will study ancient Jewish texts on a given theme with other artists of different disciplines. In this interview for Art Spiel Jeanne Heifetz talks about her art, ideas, and projects.

Jeanne Heifetz, Pre-Occupied 18, 2016, silver graphite on flax paper tinted with iron oxide, 21″ x 29″ Photo: Paul Takeuchi

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Elisa Jensen: Gazing Inward

Elisa Jensen‘s imagery draws upon pre-historic narratives – ancient  rock art scattered in pristine Irish landscapes, a Danish bog person  sacrificed during the Iron age, or stone age burial mounds spotted in a Danish island.  Her paintings and sculptures bring to mind mysterious rites and myths salvaged from a forgotten ancient past or perhaps from the depth of our collective unconscious memory.  In her interview for Art Spiel Jensen shares some thoughts on her process, imagery, and context.

Elisa Jensen , Gold Boat detail, 2018, self drying clay, acrylic paint, gold leaf 2 x 7 inches, photo by Apiwich

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Debra Ramsay: Painting Time

Debra Ramsay embraces “beauty” as a core in her work.  Throughout her installations and paintings she reflects on the relationship between color, light, time, and place with a minimalist’s impulse and a colorist’s flair.  Mara Williams, the curator of “Painting Time”, her recent show at Brattleboro Museum, eloquently describes it as both “reductionist and exuberant.” In this interview for Art Spiel the artist elaborates on her background,  ideas, and projects.

Debra Ramsay, Painting Time Exhibition, 2018, acrylic on museum board and polyester resin film, photo courtesy of the artist

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Nancy Cohen – One Substance from the Start

Nancy Cohen‘s sensibility for the ephemeral is evident throughout her wide range of forms – from small sculptural pieces to large scale room installations. With fluid agility she utilizes diverse material such as glass, paper, rubber, and ceramics, to form a thematically rigorous body of work – both visceral and inquisitive. The artist shares with Art Spiel some of her ideas on process, use of material, themes, and projects.

Nancy Cohen, Merge, 2018, Handmade paper, 81 x 68 inches, photo courtesy of Edward Fausty

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Katya Grokhovsky’s Rigorous Play

Katya Grokhovsky‘s performances and sculptural works embody raw energy fueled by her rigorous and uncompromising process. Grokhovsky’s work is  extreme, fearless, cohesive, and ambitious. With great agility she combines media like performance, video, drawing, and sculpture to create immersive environments that delve us deep into a chaotic unknown – the complexity of self, the duplicity of social norms, the twilight  zones of life and art. In this interview for Art Spiel Grokhovsky elaborates on her impetus, ideas, and projects as a prolific artist and curator.

Katya Grokhovsky,Bad Woman, 2017, video still

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