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GLASSTRESS 2022: State of Mind at Fondazione Berengo Art Space

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Jimmie Durham, Untitled (detail), 2020- Photo credit Francesco Allegretto, Courtesy of the artist’s estate (6)

Coinciding with the 59th Venice Biennale, the seventh edition of Glasstress, running from 3 of June to 27 of November 2022 in Venice, features a group of leading contemporary artists from Europe, the United States, Latin America and Africa in an ambitious exhibition who explore the infinite creative possibilities of glass. The artworks will be exhibited at the Fondazione Berengo Art Space in Murano, an old abandoned furnace that was transformed into a unique exhibition space a few years ago. This extensive group show, curated by Adriano Berengo and Koen Vanmechelen with the contribution of Ludovico Pratesi, channels diverse contemporary art through the ancient art of Murano glassblowing, aiming to search for new contemporary visual vocabulary in glass art.

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Helen Twigge-Molecey: Fungi at Palazzo Mora

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Helen Twigge-Molecey with glass fungi sculptures photographed by Sylvain Deleu

UK based artist Helen Twigge-Molecey’s installation at Palazzo Mora in Venice depicts a group of colorful fungi. Each hand-blown recycled glass piece features individual shapes and interconnects with its neighbours through translucency and color. This installation is part of the Venice 2022 Art Biennial organized by the non-profit organization European Cultural Center, running from April 23, 2022 through November 27th, 2022.

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Artist Kristina Libby and the Village Alliance Welcome New Animal Inspired Public Art Exhibition – In Plain Sight

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Grimo, courtesy of the artist and photographer Adam Reich.

Artist Kristina Libby is no stranger to the power of public art: during the onset of COVID, Libby founded the Floral Heart Project. In collaboration with 1-800-Flowers, The Floral Heart Project created and distributed floral heart wreaths as a tribute to those who lost their lives to COVID-19. Moved by community response to the Floral Heart Project, Libby has created a series of large sculptures of apex animals known as the Chunkos. Greenwich Village, a hot-spot for both art and architecture, will play host to the Chunkos in an immersive exhibition titled In Plain Sight (on view from June 10-12). The exhibit is inspired by the unique history of animals in art and architecture in the neighborhood and is a celebration of the resilience, courage and creativity of New Yorkers from all walks of life. On Friday, June 10th, there will be an interactive public art painting exercise with Libby and the Village Alliance Business Improvement District from 5-7pm. She hopes that the installation of the Chunkos in Astor place will spark new conversations and evoke curiosity from passerbys. Curious artists of all ages are welcome to join as she paints in real time with the help of the community the inaugural animals in her Chunkos series.

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ELM Foundation: Art and Healing

In conversation with founder Melinda Riddle McCoy

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Melinda Riddle McCoy, inside Tomas Vu’s spherochromatic dome. Photo by Nathan West @nathanwestphoto

The mission of ELM Foundation is to promote the healing power of the arts. Our methods include advocating the benefits of arts therapy, providing multidisciplinary arts education, and building sustaining mentorships—all working together to cultivate a lifelong love of self-expression and awareness through a creative process. ELM Foundation was launched on February 20th, 2019 in honor of Emma Lauren McCoy whose intense childhood experience inspired the creation of this nonprofit organization which offers children who have experienced parental loss or family structure adjustments, paths for healing through art and art therapy. In addition to its multidisciplinary art education and therapy, ELM hosts at the adjacent boiler space exhibitions, currently featuring Tomas Vu’s solo project, The Man Who Fell to Earth 76/22. Melinda McCoy, the founder of ELM sheds some light on the foundation and how art plays a pivotal role in it.

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Nikki Lindt: The Underground Sound Project

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Nikki Lindt recording photo: Joe Klementovich

Artist Nikki Lindt created the interactive pubic artwork titled The Underground Sound Project in collaboration with NYC Parks, USDA Forest Service, the Nature of Cities, and Prospect Park Alliance. It explores the surprising and resonant world of sounds that can be heard underground in environments such as soils, streams, and trees, highlighting collaborations between art and science. The interactive project will be up in Prospect Park starting May14th for a year until May 14th 2023.

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What Happens When an Artist Goes to Eden

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Eden in Iraq Wastewater Garden Project (2011-present), site drawing of El Chibaish, 26,250 square meters (6.4 acres, 2.6 hectares), rendering by Bernard Du, 2017)

In 2011, photographer and environmental artist Meridel Rubenstein envisioned creating a garden in southern Iraq where the Tigris and Euphrates Rivers cross, near the supposed site of the biblical Garden of Eden. However, unlike its idyllic predecessor – a mythical paradise in a newly formed world – this new garden would help to heal what had become a fragile, desert wasteland by cleaning existing wastewater and establishing a culturally significant green space. 

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Fragile Rainbow: Traversing Habitats by ecoartspace

Featured Project: with curator Sue Spaid

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Tessa Grundon, Invasive Species, 2018-2021/2022, Asiatic Bittersweet root systems and border fencing, dimensions variable.

The group show Fragile Rainbow: Traversing Habitats at the Williamsburg Art and Historical Center in Brooklyn includes paintings, sculptures, videos, and installations addressing environmental issues by more than fifty artists from the New York City region who are members of ecoartspace. The title is based on Claire McConaughy’s oil painting, Fragile Rainbow, referencing both hope and loss. The show runs from May 7th through June 4th, 2022. Curator Sue Spaid elaborates on this large-scale group show.

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Jesus Benavente: Que no Quede Huella (Let There Be No Trace) at Home Gallery

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Jesus Benavente, Quede Huella (Let There Be No Trace), 2022, Neon video, 49.5 x 29 x 8 inches. Photo courtesy the artist.

At 291 Grand Street, a bright red glow radiates from Home Gallery, a storefront window exhibition space in the Lower East Side. The light comes from large, fluorescent neon letters that spell out “Que no Quede Huella,” which are layered over a flat screen TV playing a rotating series of videos. The installation is the latest iteration of multimedia artist Jesus Benavente’s neon video sculptures, displayed in the exhibition Que no Quede Huella (Let There Be No Trace), curated by Elisa Gutiérrez Eriksen. 

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