Tempestry Project: Emily McNeil and Asy Connelly with Amy Brady

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Amy Brady published in her newsletter Burning World a conversation with Emily McNeil and Asy Connelly, a knitter and data scientist who founded the Tempestry Project, a fiber art collaboration that uses yarn and other fibers to create artful representations of climate data. This summer, they are partnering with Colossal Magazine and the Design Museum of Chicago in two different ways: first, their “Paleo New Normal Tempestry” will be exhibited in the museum’s group show, At the Precipice. And secondly, they’re collaborating with the museum to develop a Chicago Tempestry Collection that will be exhibited along with the Paleo piece. Amy Brady asked Emily and Asy about their work and what they hope viewers take away from their art. 

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Myth Maker: Laleh Khorramian at SEPTEMBER Gallery

Installation view. Photo courtesy of Alon Koppol

Finally! What a joy to meander through a show that is not just a formulaic scaffolding rendered to execute a marketing plan rather than make art. Walking into the building that houses September Gallery’s new space in Kinderhook, NY, The first thing you see is not a wall or architectural ornamentation but a monumental scroll that immediately hints you might be here for a while. This colossal collage introduces Myth Maker, the second exhibition at September Gallery by Laleh Khorramian.

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The Art of Getting It Together

Jesse Benson, Packaging, 2003/2023. Ephemera from all projects completed in grad school, vacuum-formed plastic, plexiglass, silkscreen on board. Installation dimensions variable, individual dimensions 21 x 28.8 x 3 in. Photo by Jeff McLane. Courtesy As-Is LA.

In Organizer, Jesse Benson’s first solo gallery show since 2017, the Los Angeles artist unpacks the “dialectic of order and chaos” by introducing heterogeneity to organizing systems.

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Here Now: Contemporary Photographers of the Hudson Valley

Phyllis Galembo  Photographer, Carnival Mexico. Fujiflex print. 30 x 30 2017.

The Kleinart James Center in Woodstock, New York, is currently presenting a very ambitious and interesting photography exhibition. Entitled Here Now: Contemporary Photographers of the Hudson Valley, the show presents 17 artists representing a portion of the many photographers working in this geography. Organized by curator Jane Hart, the show offers a wide range of aesthetic visions and techniques.

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Martha Bone and Janice Caswell: Two Solo Shows at Garrison Art Center

A painting of a snake

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Martha Bone, Mapping the Invisible #3, 2020, acrylic, aluminum enamel, charcoal, joint compound, pastel on pieced paper, 63 x 88 in., photo courtesy of the artist.

Two artists currently showing at Garrison Art Center use scale, structure, and geometry to examine and reinterpret their respective environments. Martha Bone’s large-scale paintings and assemblages express a sweeping view of the cosmos, bringing the macrocosm within our reach, while Janice Caswell’s small-scale sculptures find the infinite within the microcosm, showing us the vast potential in all forms. Both Bone and Caswell photograph their natural and man-made landscapes, later referring to these images when creating their works. And both artists construct their forms as improvisations inspired by their observations, although neither artist is interested in a literal interpretation of nature. But this is where the similarities end, their distinctive styles diverging toward an expansive contemplation of form and space and an intimate exploration of the fabricated structures that inhabit our lives.

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Bay Ridge Through an Ecological Lens: Kate Dodd

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Kate Dodd installing “Bay Ridge Tree Collection”

Bay Ridge through an Ecological Lens is a multi-faceted public art exhibition hosted by Stand4 Gallery and presented in collaboration with ecoartspace

This interactive, public, community arts exhibition is curated by Jennifer McGregor, featuring artists  Rebecca AllanAaron AsisChris CostanKate Dodd,  Peter EdlundKristin Reiber-HarrisEllen Coleman-IzzoSergey Jivetin,  Nathan KensingerRita LeducChristopher LinNikki LindtE.J. McAdamsJimbo Blachly Nancy Nowacek in collaboration with Carla Kihlstedt and Carlos Alomar,  Benjamin Swett and filmmakers:  Aaron Assis, Nate DorrSean Hanley, Nathan Kensinger, Nikki Lindt, Emily Packer and Lesley Steele, and Kristin Reiber-Harris

It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel features a series of interviews related to this project throughout its duration. Kate Dodd, whose library installation will be until after Labor Day, is featured here.

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Gabriel Chaile: Longing For Nature

A group of people walking on a path near a large pot

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Gabriel Chaile, El viento sopla donde quiere (The Wind Blows Where It Wishes), 2023. Adobe and mixed metal. 303 (L) x 173 (H) x 109 (W) in. Photo by Timothy Schenck. Courtesy the High Line.

Nestled in the constructed landscape of the High Line, Argentine artist Gabriel Chaile’s colossal sculpture, El viento sopla donde quiere (2023), embodies a nostalgic, transhistorical exploration of humanity’s place within and through nature. 

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Jean Shin the Alchemist: Turning Waste into Art

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Jean Shin, Home Base, 2022. Installation at Laumeier Sculpture Park, St. Louis, MO. Photo Credit ProPhotoSTL. Courtesy of the artist and Laumeier Sculpture Park.

With her public sculptures, Jean Shin makes powerful statements about the climate crisis out of discarded and obsolete materials. She often engages communities in her materials sourcing, mixing social practice into her public sculpture practice to create platforms for discussion. Ingenious and esthetically considered, her works show novel ways to engage with the climate crisis.

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Inner Landscapes | Paesaggi Interiori at MuSA Museum

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A room with large screens

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Inner Landscapes | Paesaggi Interiori, a video installation by Angelica Bergamini and curated by Alessandro Romanini and Maurizio Marco Tozzi, marks the beginning of a new season of multimedia work at the MuSA museum in Pietrasanta, a city in northern Tuscany, Italy. This installation artfully weaves together a rich tapestry of visual and auditory elements.

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Remnants of the Past As Omens of the Future at Turley Gallery

Martine Kaczynski, Threshold, Installation, Turley Gallery

Why is home so important? Is it like religion, where we have faith that once we turn the key in the door and step over the threshold, we are safe from all those events that we believe cannot happen to us, orhappen in the place we call home? We now live in a world where the mundane, the environment we know as home is threatened. Common places are invisible because they are part of the warp and weft of our everyday existence. Our personal landmarks such as the library, the elementary school, and the ugly grocery store we quickly stop in, are no longer safe spaces. Self help and self care are great strategies for maintaining equilibrium, but may not extract the roots of our anxiety. Art obviously cannot solve these issues, but sometimes an artist who combines intellect, skill, and personal experience can act as the parakeet in the mine shaft.

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