Passing through Thin Places with Sun Young Kang

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A person standing behind a curtain

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Sun Young Kang, Memories, Veiled installation view

If I could only choose one word to describe Sun Young Kang’s works, it would be inversion. Inversions are defined as the state of being reversed in position, changed to the contrary, or turned upside down, inside out, or inward. Experiencing Kang’s work does just that – it changes me to the contrary, beckons me to reorient from the inside out, and turns my receptors inward.

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Nexus, Echoes, and Connections – Stefano Caimi, Rachel Frank, Gayoung Jun, Kirstin Lamb at SARAHCROWN Gallery

Nexus, Echoes, and Connections, Installation Shot 2, Courtesy SARAHCROWN NY

The second-floor Sarah Crown Gallery in Tribeca features a group exhibition with work by Stefano Caimi, Rachel Frank, Gayoung Jun, and Kirstin Lamb. The show immediately draws viewers in as 3 drawings by Gayoung Jun grasp the eye with striking blue tones and dual circular shapes that seem to be moving in the optical illusion. The work is only made more impressive upon closer inspection as the eye reveals the minor flaws of the hand.

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Mark Tribe: Learning to Love the Future

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Mark Tribe, Bottsford Hollow, 2012, inkjet print, 24” x 38”. From the series Rare Earth.

A founder of Rhizome, Mark Tribe is known for his early contributions to the field of new media art and his socially-engaged performances and installations. His current practice engages the power of aesthetic experience to illuminate the challenges we and future generations will face in the climate crisis. Since 2012, he has made landscape pictures that unpack American ideas about nature and land, from Manifest Destiny to contemporary environmentalism. In this interview, Mark talks about his views on the climate, his landscapes, and his integration of machine learning tools (AI) into his latest project Learning to Love the Future.

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Après Coup: Transforming Trauma into Art

Samira Abbassy, Reincarnated Fears, Oil on Gesso Panel, 48” X 36”, 2016, photo courtesy of JEANETTE MAY photo studio

The group exhibition “Après Coup: Transforming Trauma into Art” was conceived in tandem with the conference, Translating Trauma into Art and Literature at the Hewitt gallery in Marymount Manhattan College. Curated by Hallie Cohen, Professor of Art, Director of the Hewitt Gallery, this thought provoking show features work by Samira AbbassySusan Erony, Joumana Jaber, Miriam Katin, jc lenochan,  Lance Letscher, Ruth Liberman, Tyson Robertson, and Stephanie Serpick who come from diverse backgrounds and refer to different adversities, but all share ongoing reflections on trauma – running the gamut from the deeply personal to the philosophical. Continue reading “Après Coup: Transforming Trauma into Art”