The Immigrant Artist Biennial – In Dialogue

Interior Worlds of Sculpture and Performance: Bonam Kim, Raul De Lara, and Nyugen Smith

Nyugen Smith and Marvin Fabien, After the Fracture 2019. Performance at Pérez Art Museum, Miami. Photography Pascal Bernier.

Creating work that both resists and grapples with their immigrant experiences, Bonam Kim, Raul De Lara, and Nyugen Smith offer distinctive approaches to sculpture. Their perspectives on their immigrant experiences show some overlap but also many differences. As part of The Immigrant Artist Biennial, Kim’s work in Enmeshed, Dreams of Water explores how new morphologies of identity emerge across time, place, and patterns of self-reflection, while Smith and De Lara’s work that will be on view in Excavated Selves, Becoming Magic Bodies begs the viewer to interrogate place through storytelling. Together with the artists, co-curator Anna Mikaela Ekstrand discusses the politics of art and how the artists approach personal histories and historical and political events before the exhibit.

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The Immigrant Artist Biennial: Matilda Forsberg

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Matilda Forsberg, Feeding rite, 2019, acrylic on canvas, 48” x 36”

The Immigrant Artist Biennial (TIAB) is a volunteer, female-led, artist-run project. TIAB 2020 launched in March in New York City at Brooklyn Museum, and continued in September through December at EFA Project Space, Greenwood Cemetery, and virtually, presenting 60+ artists. This interview series features 10 participating artists.

Matilda Forsberg’s paintings explore heritage, identity, and the duality between the past and present. Her practice is inspired by the complexities of family and cultural tradition, and its emotional and psychological influence on individuals as independent beings. Originally from Sweden, Matilda Forsberg is based in Newark, NJ where she is currently a resident artist at Gallery Aferro. Her work has been exhibited across the country in New York, Los Angeles, Miami, and Portland (OR). She received her BFA in Painting from Pacific Northwest College of Art in Portland, Oregon.

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The Immigrant Artist Biennial: Priscilla Dobler Dzul

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Priscilla Dobler Dzul, The Performance of Labor, Class, Race and Gender, 2020. Artist interviewing migrant workers. Photo courtesy Rebecca Dobler-Chale

The Immigrant Artist Biennial (TIAB) is a volunteer, female-led, artist-run project. TIAB 2020 launched in March in New York City at Brooklyn Museum, and continued in September through December at EFA Project Space, Greenwood Cemetery, and virtually, presenting 60+ artists. This interview series features 10 participating artists.

Born in Merida, Yucatan, Mexico, Priscilla Dobler Dzul, is an interdisciplinary artist working in sculpture, ceramic, film, fiber arts, and performance. Her work has been exhibited nationally and internationally. She has shown at A.I.R. Gallery, Brooklyn, NY; The Bellevue Art Museum, Bellevue, WA; Consulate of Mexico, Seattle, WA; NARS Foundation, Brooklyn, NY; 125 Maiden Lane, NYC, NY; Olympic Sculpture Park, Seattle, WA; Form and Concept, Santa Fe, NM; The Orange County Center for Contemporary Art, Santa Ana, CA; Decentered Gallery, Puebla, Mexico, and DAC Gallery, Los Angeles, CA. 

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Zahra Nazari: Metamorphosing Gestures

Zahra Nazari, Tatlin’s Tower, 2018, acrylic on canvas, 68×56 inches, photo courtesy of the artist

In her lush paintings and complex installations Zahra Nazari draws largely on architecture and her Iranian roots both in terms of cultural heritage and personal experience as an immigrant, while utilizing gestural forms invoking early 20th modernists like Der Blaue Reiter (The Blue Rider) in Munich, or mid century Abstract Expressionists in NYC. This fertile amalgam of cultural cues makes her work current and thought provoking. Zahra Nazari shares with Art Spiel her experience as an artist, her approach to art making and some of her projects.

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