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Keren Kroul, An Architecture of Longing, series of four works, 2021, watercolor on paper, 60” x 48” each. Photo courtesy of Keren Kroul.
Minnesota based artist Keren Kroul shows watercolor on paper in her current solo exhibition at the Hopkins Center for the Arts. The show runs through October 23rd, 2021.
From left to right: Spandita Malik ‘Salwar-Kameez on Clothesline’ 2021 Sun-printing, Phulkari silk thread embroidery on Khaddar fabric, 32 x 40 inches ; Geuryung Lee‘The movement’ 2019 Drypoint on paper 18 x 24 inches; Sofia Luisa Suazo Monsalve ‘Post-photographic landscape #1,2,3’ 2019 Digital chromogenic print on paper, 9 x 18 inches; j.p.mot ‘Stool + boogey’ 2017 Mixed media, 7ft x 5ft x 6ft; Hyun Jung Ahn ‘Blanket Windows’ 2021 Felt and linen, 72 x 62 inches
SHIFTING SANDS is a group exhibition showcasing the creative breadth of 20 artists from the 2020 New York Foundation for the Arts Immigrant Artist Mentoring Program. Each of these artists has crossed physical borders, leaving one part of the world for another – in doing so, they hold space for various identities and shifting realities. From this common experience emerges unique perspectives on identity, belonging, home, memory, hope and resilience. Many of the pieces exhibited were created during the pandemic. They express the rollercoaster of emotions, the shifting states of being, and new possibility.
O for the days to be yowling down the valley at a full galoop! On Pfizer! On Moderna! On AstraZeneca! clip from 22 second cg animation, 2021
In his stop-motion animation and mixed media installations the Brooklyn based artist Brian Zegeer creates fantastic landscapes which draw on his domestic family life, dissecting what is the meaning of identity – body as an organism, cultural heritage of childhood in Appalachia with Lebanese roots –altogether fuse into a mysterious and complex system where the viewer is prompted to get immersed.
Heather V McLeod, Wreath IV, oil on canvas, 16” diameter, 2020. On view at and photograph courtesy of Trotter&Sholer.
Heather V McLeod is an artist exploring identity and the psychology by which we perceive others. Interested primarily in portraiture and representative work, McLeod creates pieces with the intent of capturing the character of the figure portrayed. She plays with the use of symbolism and concealment to enhance the narrative and evoke a playful yet ominous side to portraiture.
Samira Abbassy’s paintings and drawings portray mysterious iconic figures, primarily female, who inhabit an ambiguous space. While her pictorial world resonates with archetypal imagery from eastern and western cultures, it equally pulsates with an urgent psychological core, creating an invigorating tension which prompts the viewer to search and discover rich layers for meaning.
Matilda Forsberg, Feeding rite, 2019, acrylic on canvas, 48” x 36”
The Immigrant Artist Biennial (TIAB) is a volunteer, female-led, artist-run project. TIAB 2020 launched in March in New York City at Brooklyn Museum, and continued in September through December at EFA Project Space, Greenwood Cemetery, and virtually, presenting 60+ artists. This interview series features 10 participating artists.
Matilda Forsberg’s paintings explore heritage, identity, and the duality between the past and present. Her practice is inspired by the complexities of family and cultural tradition, and its emotional and psychological influence on individuals as independent beings. Originally from Sweden, Matilda Forsberg is based in Newark, NJ where she is currently a resident artist at Gallery Aferro. Her work has been exhibited across the country in New York, Los Angeles, Miami, and Portland (OR). She received her BFA in Painting from Pacific Northwest College of Art in Portland, Oregon.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Ronit Levin Delgado by Written in Water (detail), site-specific installation at SPRING/BREAK Art Show 2018, NY.
Ronit Levin Delgado is an Israeli–born, New York–based multidisciplinary visual artist and a Fulbright Scholar. Her work explores conditions and experiences of instinctual human interactions through the use of the body, rituals, and the intimacy of a kiss. In performances, videos, paintings and sculptural objects, she calls into question the personal narratives of vulnerability and desire. In immersive installations she invites the viewers to engage and share a private intimate moment in a collective environment experience. The artist’s personal rituals fuse the fragments of cultural traditions, rituals and beliefs into performative actions and objects.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Robin Holder
Robin Holder is a 2020 Clark Hulings Fund For Artists Executive Fellow. Her recent exhibit “Access and Inequities. I Hear You. Do You See Me?” featured works exploring identity conflicts. She has presented one-person exhibitions at the Mobile Museum of Art, The NCCU Art Museum, The Labor Museum, and The Spelman College Museum. She was awarded an Individual Artist Grant by The Brooklyn Arts Council as well as a Mid Atlantic Arts Foundation Artist As Catalyst Residency. Holder has completed 5 public art commissions, and her work is included in significant collections including the Library of Congress and The Schomburg Center for Research in Black Culture.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Madonna of the Roses, Acrylic on Canvas, 36 x 48 inches, 2020
Maria de Los Angeles is a multidisciplinary artist who addresses issues of migration, displacement, identity, and otherness through her drawing, painting, printmaking, and fashion. She holds an MFA in Painting & Printmaking from Yale School of Art (2015), a BFA in Painting from Pratt Institute (2013), and an Associate Degree in Fine Arts from Santa Rosa Junior College (2010). In 2015, she was awarded the Blair Dickinson Memorial Prize by Yale University for her art and role in the community. Recent exhibitions include a solo show at the Museum of Sonoma County, and group shows at Schneider Museum of Art in Ashland, Oregon, and the Colorado Springs Fine Arts Center. Her work has been featured in Hyperallergic, New York Magazine, and Hellowgiggles.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Levan Mindiashvili, Self-Portrait in “Study of The Large Glass (M.D.)” 2019, hand-painted liquid mirror on glass mounted on steel frame, 14” x 12.” From the series “Plates for Decolonized Art History,” 2019 – .
Levan Mindiashvili is a Georgian born, Brooklyn based visual artist. He creates immersive modular installations that deal with fluidity as a current state of being and explores the shifting conditions of canonical truths regarding identity, language, and history. He is interested in expanding possibilities of contemporary cultural production, and by juxtaposing traditional art-making with social practices such as dinners and raves, his goal is to expand the outreach and create more inclusive experiences.