Hudson NY – Art Spiel

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April 26, 2024April 26, 2024, by Riad Miah

Farrell Brickhouse Looking Back at Tomorrow at JJ Murphy Gallery

New Bather, 2023, 20″ x 16″, oil, glitter on canvas

Farrell Brickhouse’s exhibition at JJ Murphy Gallery in the Lower East Side marks a significant milestone in Brickhouse’s artistic journey. It is his first solo exhibition at the gallery and his first one-person show in over a decade. The works on display, all created between 2020 and 2024 at his new home and studio in Hudson, NY, provide an insight into the artist’s evolution in painting and picture-making over this period.

September 29, 2023September 23, 2023, by Art Spiel

Mimi Graminski: Between Shadow and Light at Window on Hudson

Featured Project

Window on Hudson *Between Shadow and Light* Photo: Jeremy Bullis

Mimi Graminski started her work for Between Shadow and Light with small textile sculptures, using remnants from other projects. She pinned these pieces to the wall and experimented with light to produce pronounced shadows. Graminski was invited to create a new installation for her second exhibition at Window On Hudson. She magnified these small textile sculptures, suspending them using monofilament (fishing line), a method she had previously applied with other materials.

August 28, 2023August 28, 2023, by Matt Moment

David Dew Bruner reinterprets still life in Equipoise at Carrie Haddad Gallery

Artist Profile

A person sitting in a chair with his legs crossed

Description automatically generated — Portrait of the Artist in his studio, Hudson, NY. Image Credit: Matt Moment

David Dew Bruner is no more a thief than the next artist—it’s only that he is candid enough to tell us outright who he has stolen from. In “Equipoise: Stasis and The Power of Suggestion in Still Life,” a group show on view at Carrie Haddad Gallery through October 1, Bruner presents a series of drawings, each titled “Morandi Bottle.” More accurately, it is not so much Morandi’s bottles that Bruner has lifted (he’s the first to admit that the works “don’t look anything like Morandi paintings”) but rather the essence of Morandi’s mark-making. “Sometimes, I just love the way other people make marks,” Bruner enthuses. “My endeavor is [to riff off] the gesture of the form, the gesture in the detail, the quality of the line. It may be a subject matter that’s dull as dishwater to me, but the way it’s painted… I’m jealous.”

July 18, 2023July 17, 2023, by Matt Moment

Time as Space: Alaina Enslen in The Summer Show at Carrie Haddad Gallery

Artist Profile

A person using a drill to drill a picture

Description automatically generated — Alaina Enslen in her studio in Cornwall-on-Hudson. Image Credit: Matt Moment

Around six in the morning, Alaina Enslen scales the steps of her Hudson Valley home to the attic where she works. Skylights invite brightness into the whitewashed studio. A hotplate rests upon a wax-spattered tabletop; she turns it on, waiting until it reaches about 170°F. After five minutes, the surface is finally hot enough to melt pigmented beeswax, an integral ingredient in her paintings. She collages in an 11-inch by 14-inch sketchbook, teasing out new ideas with pieces of fabric and leftover monotypes. “I set no expectations for the work,” the artist insists. “It’s all about experiment and play.”

July 17, 2023July 15, 2023, by Sara Farrell Okamura

Remnants of the Past As Omens of the Future at Turley Gallery

Martine Kaczynski, *Threshold,* Installation, Turley Gallery

Why is home so important? Is it like religion, where we have faith that once we turn the key in the door and step over the threshold, we are safe from all those events that we believe cannot happen to us, orhappen in the place we call home? We now live in a world where the mundane, the environment we know as home is threatened. Common places are invisible because they are part of the warp and weft of our everyday existence. Our personal landmarks such as the library, the elementary school, and the ugly grocery store we quickly stop in, are no longer safe spaces. Self help and self care are great strategies for maintaining equilibrium, but may not extract the roots of our anxiety. Art obviously cannot solve these issues, but sometimes an artist who combines intellect, skill, and personal experience can act as the parakeet in the mine shaft.

July 7, 2022September 12, 2022, by Louisa Pancoast

David Konigsberg at Carrie Haddad Gallery

A picture containing wall, indoor, decorated, painted

Description automatically generated — Carrie Haddad Gallery, Hudson, NY – My Own Backyard, a group show featuring work by David Konigsberg on view through July 31^st (image courtesy of Carrie Haddad Gallery)

Traditional, yet innovative; reflective, yet distant, David Konigsberg’s landscapes and still lifes are rife with double-backs and unexpected turns. A self-proclaimed “solitary wanderer,” Konigsberg gathers imagery and visions from long walks through the Catskills, through surrounding terrain, and through his own backyard. He views all as equally minute and equally monumental, from a peaked horizon to a burst of petals collected from his garden. This confluence of near and distant perspectives creates an almost literary quality; the intimacy of first-person voice jockeying with the scope of an omniscient narrator. David’s paintings resist a certain aboutness, allowing simultaneous narratives to proliferate across the bodies of his canvases, culminating in an emotional sucker punch.

July 24, 2021November 2, 2022, by Carter Ratcliff

Jeanette Fintz at Carrie Haddad Gallery

In Dialogue with Jeanette Fintz

As an abstract artist, Jeanette Fintz has long been interested in the contrast of hard-edged planar geometry (circles, squares, hexagons) existing within an atmospheric field where shapes can float or hold the plane, in a space that appears expansive, transient and increasingly released from the canvas’s edge.Of her newest body of work currently on view through August 1^st at Carrie Haddad Gallery in Hudson, NY, she explains “these paintings are about giving structure to something intangible, ephemeral, in-flux or conversely, revealing the dissolving of structure that has been.” The following is the artist in conversation with writer and art critic, Carter Ratcliff, to discuss her influences and process.

May 7, 2020April 22, 2020, by Etty Yaniv

Artists on Coping: Farrell Brickhouse

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Experimenting with my wife Beverly Peterson’s VR gear

As a mature artist Farrell Brickhouse states: “I have this large vocabulary to draw from, imagery that has woven its way thru my entire career is available and malleable even as new stories continue to emerge.” He has a long Exhibition history in New York and across the U.S. A. including One Person Shows @ Julian Pretto Gallery, Max Protetch Gallery, Pamela Auchincloss Gallery, Life on Mars Gallery, John Davis Gallery, Fred Giampietro Gallery and elsewhere. His work has been reviewed in the major publications. Farrell has taught at The School of Visual Arts since 1980 and recently retired.

April 3, 2020April 3, 2020, by Etty Yaniv

Artists on Coping: Julie Torres/LABspace

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

gouache, acrylic, dried paint, collage on envelope, 2020

Julie Torres is a Hudson NY-based artist and co-director of LABspace gallery, a vibrant cultural hub in Hillsdale NY. She runs it with her partner, artist Ellen Letcher.