New York City loves a label the way it loves a line outside a new restaurant: there is the promise of significance and the reassurance that someone else has already decided what matters. The label flatters, then quietly ends the conversation. The oil painter Rifka Milder’s work refuses that bargain. Call her a “downtown painter,” and you’re not wrong, but her new solo show at Helm Contemporary, GREAT JONES, is what happens when someone who actually grew up downtown, in a household run on paint and argument, makes abstraction that declines to become neighborhood branding. Art in America once called her “an oil painter’s painter.”
Rifka Milder Paints Downtown Without the Downtown Act
