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The Children’s Art Carnival presents Seed Bomb, an exhibition marking the 80th anniversary of the devastating atomic bombings of Hiroshima and Nagasaki. Coinciding with this solemn milestone, the exhibition and its accompanying workshops take place in a deeply resonant location—Harlem, just blocks from Manhattanville, where research for the Manhattan Project was once conducted.
Algernon Miller’s work bends space, time, and expectations, redefining what abstraction means when history isn’t optional
Algernon Miller Afrofuturism and Beyond, Installation view, courtesy of Ethan Cohen Gallery
I met Algernon Miller the way I tend to meet people in the art world: by asking too many earnest questions at a panel. That day, at a Mel Edwards talk at Hauser & Wirth, I caught a smile from the soft-spoken man next to me. We chatted and clicked. Two native New Yorkers—he from Harlem, I from the Lower East Side—drawn together by chance, we followed each other with no particular reason, and what felt like nothing quietly became something.
On The Spot is a terrific new web series that seeks to document the histories of women artists in NYC from the 1950s to the 2000s. The ambitious mission is to document and present in three-minute videos the history of later 20th-century artists who have often been overlooked and underrepresented in the larger art world. They call themselves “a feminist art history nonprofit.” There are 40 videos so far produced, with plans for a great many more. The videos are a free public resource, accessible on the organization’s website.
Even Greater Days: Rapper’s Deluxe: How Hip Hop Made the World
In the latter third of Dr. Todd Boyd’s highly anticipated new tome Rapper’s Deluxe is a “A Great Day in Hip Hop,” a subsection of a chapter called “It Was All a Dream: The 1990s,” which covers a broad range of shifts and trends in and around hip hop culture over the course of a decade that many longtime fans of rap music consider, for various reasons, the genre’s golden era.
Filling the gap, 2020. 24″x30″. Acrylic, painted canvas fabric on masonite board.
Tomo Mori is a Japanese-born and New York City-based fiber artist who has been focusing on two main bodies of work: wall based collage series and sculptural installations . In both she is working with used materials like old clothes and linens, fabrics she keeps reusing and transforming into new forms. During this 2021 Asian American and Pacific Islander Heritage Month, Tomo Mori shares what brought her to art making, what role her cultural background plays in her work, and what are some of her recurrent themes and processes.
Michele Brody, working in home studio in The Bronx on handmade paper body sculpture for Annual Earth Celebrations Eco Pageant, paper made from recycled linen table cloths and caning, 2020. Photo by Olivier Marcaud
A fourth generation NY builder, artist Michele Brody loves working with materials. She recalls how her father groomed her early on to become an architect so that she could continue the family tradition of builders and land developers. Although she excelled in the study of Architecture, she was not attracted to pursue it as career. ” I prefer building with my own hands,” she says. So in 1994, instead of getting a degree in Architecture, she graduated with an MFA from the School of the Art Institute of Chicago from the Fiber and Material Studies Department.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue, Installation during Bushwick Open Studios, 2018. Photo: Charles Geiger
Ellen Hackl Fagan is an artist and the creator of ODETTA, a contemporary fine art gallery in Harlem, NYC. Fagan builds connections between color and sound using color-saturated paintings, sculpture, installations and collaborative projects that explore our potential for synaesthesia, often resulting in ad hoc performances with viewers. Balanced between randomness and intention, like jazz music, Fagan’s art reveals limitless possibilities for improvisation. Fagan also invented The Reverse Color Organ (RCO), a web app that enables viewers to playfully interact aurally with color. Fagan exhibits her work extensively, curates, writes, and creates opportunities for collaborations with artists, curators, musicians, and coders to further her projects.
Wave Hill* is a twenty eight acre public garden and cultural center overlooking the spectacular Hudson River and Palisades. Wave Hill aims to celebrate the artistry and legacy of its gardens, to preserve its magnificent views, and to explore human connections to the natural world through programs in horticulture, education and the arts. For the ninth consecutive year, Wave Hill opens Glyndor Gallery as workspace for selected New York-area artists, giving them the unique opportunity to explore the winter landscape and develop innovative work based on direct observation from nature. Continue reading “Meet the artists at Wave Hill’s Open Studios”