Double Vision: One Artist, Two Solo Shows, Double the Stripes

Portrait of the artist, photo courtesy of Elizabeth Haynes

In early September, painter Deborah Zlotsky pulled off what few artists even attempt: two solo shows opening at once, on opposite sides of Manhattan. The Light Gets In filled McKenzie Fine Art on the Lower East Side, while Genealogies took over Kathryn Markel Fine Arts in Chelsea. A double dip in one city, on one calendar page. It might sound like a scheduling accident, yet standing in front of her candy-striped canvases, the simultaneity feels deliberate. Zlotsky thrives on overlap: order brushing against disorder, geometry trembling at its edges, patterns that carry memory while stumbling into the present.

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Artists on Coping: Daniel Wiener

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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In the studio with my dog, Ollie. May 11, 2020

Daniel Wiener, who received a Guggenheim Fellowship in 2012, grew up near Los Angeles but has lived in NYC for thirty-nine years. A professional artist since 1977, Daniel’s first show was at the Stephen Wirtz gallery in San Francisco, held shortly after his graduation from UC at Berkeley. In 1982 Daniel was awarded a fellowship for an unusually long stay at Yaddo, which inspired his exodus to the East Coast. Daniel was affiliated with Lesley Heller Gallery, until it closed due to the Covid 19 pandemic, where he had a one-person exhibition titled Wide-eyed & Open-mouthed in September, 2019. In response to this show, Bomb Magazine published an interview with Daniel and Fawn Krieger called The Space of Intimacy: Daniel Wiener. He is currently working on a series of painting-like bas-reliefs made from self-hardening clay based on a technique he developed at Dieu Donne. Daniel lives and works in Boerum Hill, Brooklyn.

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