In and Out of Lineage: Tracing Artistic Heritage Through SUNY New Paltz Faculty 

Eva Zanardi, the guest curator of the group show—In and Out of Lineage: Tracing Artistic Heritage Through SUNY New Paltz Faculty—observes that many times in her life, art has raised her awareness and consequently even made her reconsider her point of view on important issues. Zanardi says that the prerogative that should belong to most art is to be thought-provoking; as the educator and activist Cezar A. Cruz says, “Art should comfort the disturbed and disturb the comfortable.” Eva Zanardi shared some of her curatorial process and gave us here a brief guide through the show.

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Aggregate at Studio 9D

Installation view of Bradley Milligan’s Scrimmage, 2023, tinted joint compound, scrap wood, used drop cloth, oil on panel, cotton thread, hardware. 79 x 49 x 51 inches; Down the River, tinted joint compound, scrap wood, automotive polish, hardware. 85 x 71 x 5 inches

In the three person show Aggregate at Studio 9D, artists Sammy Bennett, Bradley Milligan, and James Bertucci channel New York streetscapes and detritus to relay an earnest and affecting impression of the city. Bertucci’s trompe l’oeil paintings, Bennett’s fabric installation, and Milligan’s rugged sculptures overlap in a reverence for craftsmanship. Labor and construction are this show’s subject and, in many ways, its medium. In its use of material and representation Aggregate is boldly literal in its translation of the city’s chaos and beauty.

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Devon Gordon: OBSESSED at Zepster

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Installation shot: Paul-Sebastian Japaz, Inés Maestre, Lanyi Gao. Photo courtesy of Tyler Ward.

OBSESSED, the group exhibition Shelby Nelson Ward curated at Zepster in Bushwick, Brooklyn, is inspired by Mariah Carey’s hit song Obsessed and the developmental impact of social media on the millennial generation. This exhibition explores how contemporary culture influences our understanding of self-worth and authenticity. Devon Gordon, the gallery founder gives us an insight into the venue and the current show, which runs through November 17th, 2024.

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Everything Ends Eventually: Precious Objects for Eschatonic Times

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R+R artists’ paths converged during their 2019 residency at Millay Arts. United by their passion for sculpture and approach to life, they became fast friends committed to keeping their long-distance friendship going. E.E.E. is their inaugural project, for which they were awarded an LMCC Creative Engagement Award. Through their curatorial project, they aim to foster community by merging their NY/Miami worlds. As artists, they felt strongly about producing in-person experiences and giving their peers autonomy over their narratives—”Real people, real objects, real connections.” They envision E.E.E. to be more than just a group show.  It is a home base where, for two weeks, they host events and set up communal artwork. “We hope the show will be the first step in an ongoing dialogue that does not end when the exhibition doors close,” said the show curators, Rina AC Dweck and Richard Moreno.

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Spiritual World at RAINRAIN

Photo story
Installation view, photo courtesy of the gallery

Spiritual World, the title of the current group show at RAINRAIN, references Alfred Stieglitz’s Spiritual America, a 1923 photograph of a harnessed, castrated horse. The powerless restrained stallion—a traditional American symbol of unstoppable prowess—symbolized for Stieglitz the loss of spirituality in his contemporary American culture. The organizer of Spiritual World, Theodor Nymark, a Copenhagen-based artist who also shows work in it, brought together seven artists from Denmark, Korea, and the USA to explore how spirituality can exist today outside conservative religious ideals and ultra-liberal new-age paganism. In a text for the show, Nymark specifies further how he sees spirituality—”like a multifaceted metaphor, many-sided, a prism with no central outpost, only imagination. Not just a lake, a mirror. Not just a car, a vehicle.” These notions reflect the overall premise of this show.

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Art Spiel Picks: Lower East Side in July 2024

HIGHLIGHT
Installation view, Shadowland, at Marc Straus, photo courtesy of the gallery

Summer 2024 shows in Lower East Side galleries offer many super solo and group exhibitions. We will highlight three that range from an inaugural show at a new NYC flagship gallery, a solo show of a veteran NYC artist, and a group show of Eastern European artists. That Dog in Me at Jupiter Gallery is a solo exhibition featuring seven new paintings by Travis Fish, who continues their exploration of fandom. Susan Eley Fine Art features the work of the late artist James Moore (1938 – 2013) in the second posthumous exhibition, Something Beautiful Happened. The group show at Marc Straus features Eastern European artists of the post-communist era and their responses to the rapid acceleration of technological development.

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Art Spiel Picks: Boston Exhibitions in July 2024

Highlights
“Untitled (United States Marine Hospital)” by Firelei Báez at The Institute of Contemporary Art / Boston

There are many excellent art exhibitions to visit in and around Boston this summer. Museums and galleries have created an abundance of programming that’s playful and profound. Dance parties, concerts, salons, and festivals supplement what’s on view, making summertime feel even more celebratory for the arts community. A visit to the Cape and Islands is a must for a reprieve from the heat, but also a great place to see brilliantly curated shows and satellite exhibitions. Within the city you’ll find most galleries foregoing their beach time to maintain regular hours and offering a rich selection of dynamic shows. Here are some highlights.

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Rukh Art Hub

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Merging with the Garden Art Show by Rukh Art Hub. Mriya Gallery, Tribeca, NYC. Photo by Lesia Dutchak

The word Rukh stands for Movement in Ukrainian. Rukh Art Hub, the creative initiative promoting Ukrainian contemporary art in New York City, focuses on giving Ukrainian art momentum and a voice to Ukrainian creatives and curators. Polina Kuznetsova, Mariia Manuilenko, and Olga Severina are leading Rukh Art Hub, a project dedicated to cultivating and promoting Ukrainian art and culture in New York City and beyond.

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Hesse Flatow East- Reverse Cascade

Reverse Cascade, Hesse Flatow, Installation View- Curated by Kirsten Deirup

As the season of exhibitions at commercial galleries winds down, the need for enriching visual engagement becomes more demanding over the thick heat of the summer months. Out of the way for viewers and gallery dwellers, there are some noteworthy exhibitions that take place outside the boroughs of New York City that are worth noting and can easily be missed if you were not looking or aware. A good point of example is Hesse Flatow East. Karen Hess-Flatow has launched a unique exhibition at their Amagansett space, nestled on the east end of Long Island in the Hamptons, a location that adds to its allure.

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