Contemporary Art and Culture
In February 2025, at a gathering of artists and friends, William Norton learned that two gallery spaces—#104 and #108—at 37 North 15th Street, Greenpoint, Brooklyn had become available. He had one week to assemble two exhibitions. He accepted the challenge.
Continue reading “PeepShow Space Redux: A New Chapter in Greenpoint’s Art Scene”
Artist and activist Sari Carel created A More Perfect Circle, a series of ceramic sculptures inspired by the single-use coffee cup, a ubiquitous object that brings into focus people’s daily experience of interacting with trash. Lentol Garden in Greenpoint, Brooklyn, hosts its first public art project that includes columns built of stacked ceramic forms and disks in the shape of plastic cup covers. The handmade, intentional, and individualized quality of each unit contrasts with the mass-manufactured coffee cup that inspires this project. Some of the drawings, experiments and observations that inform the installation are on view at the Greenpoint Library. A series of programs with 350Brooklyn and Climate Families NYC accompany the exhibition. Find out more here. The project is organized by KODA, a New York-based nonprofit arts organization dedicated to mid-career artists of diverse backgrounds. It is curated by Jennifer McGregor, who interviews Sari Carel for the Hot Air section in Art Spiel.
Continue reading “Sari Carel: A More Perfect Circle”
Brooklyn Arts Council announced in March 2022 an allocation of over $1.3 million to 238 Brooklyn-based artists and cultural organizations. This year marks the highest number of grantees and awardees as well as the largest amount of funding BAC has ever distributed. Art Spiel in collaboration with Brooklyn Arts Council features some artists who received a Brooklyn Arts Fund, Local Arts Support, and/or Creative Equations Fund grant in 2022.
Continue reading “Repopulations: New Horizons”
Installation view, Jim Condron (front), Ilse Sorensen Murdock (back)
At first glance, Jim Condron’s whimsical sculptures and Sørensen Murdock’s landscape paintings are an unexpected match for a two-person exhibition. Yet, in Toss, the current show at Platform Project Space, artist and curator Elizabeth Hazan made it into an engaging duet. The show runs the gamut from landscape paintings on canvas to paintings and sculptures made of scavenged materials, but regardless of the used media, both artists prioritize color, texture, and composition.
Continue reading “Jim Condron and Ilse Sørensen Murdock – Toss at Platform Project Space”During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Cathy Diamond is a New York City-based painter. For decades, her imagery has fused elements of nature and figuration into a kind of narrative abstraction. Residency fellowships in Wyoming, Virginia, Maine and elsewhere form the building blocks of works developed in her Queens studio. Diamond spent two decades in Williamsburg, exhibiting there at Farrell-Pollock Fine Art, Sideshow Gallery, Gallery Boreas and Janet Kurnatowksi Gallery. She has shown extensively in New York City. Diamond’s paper works travelled to national print fairs with Oehme Graphics. She recently exhibited at 490 Atlantic Gallery and at SRO Gallery in Brooklyn. Diamond is Adjunct Lecturer of Painting and Drawing at Borough of Manhattan Community College.
Continue reading “Artists on Coping: Cathy Diamond”During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Jennifer Coates is a painter living and working in New York City and Poyntelle, PA. She is a recent recipient of the Sharpe Walentas Studio (2018-2019) and was a fellow at the Civitella Ranieri Foundation in Italy (Fall 2019). Recent solo exhibitions include Toxic Halo (High Noon Gallery) and Correspondences and All U Can Eat (Freight & Volume Gallery). Her work has been written about in the Brooklyn Rail, Bomb Magazine, Art Critical, Hyperallergic, the Huffington Post, Smithsonian Journeys and Art News.
Continue reading “Artists on Coping: Jennifer Coates”
The Spanish born NYC based artist Rosa Valado has prompted in her immersive installations multi-layered sensory experiences, utilizing diverse approaches, from the smell of burning wax and music to architectural elements and engineering problem solving. Throughout her body of work which includes besides installation, drawings and paintings, she has been exploring notions of space and time by engaging with ideas on architecture and light. Rosa Valado shares with Art Spiel some of her formative art experiences, her process, ideas, and projects.
Continue reading “Rosa Valado: The Feeling of a Space”Microscope Gallery, Underdonk, Transmitter, TSA New York
Above are just a handful of hints and glimpses of notions of formal analogousness I noted among four quite different works by four different artists in four different excellent exhibits, all of which opened at the 1329 Willoughby building in Bushwick on the same night earlier this month.
At top left, an instant of a video involving a ‘vectorial world’ by Lisa Gwilliam & Ray Sweeten at Microscope Gallery . At top right, one of Amy Butowicz‘s amusingly alt-quotidian metamorphs in her bizarrely joyous solo show at Underdonk . This piece in particular seemed immediately suggestive of Humpty Dumpty’s pants, or The Penguin’s pants, or the pants worn by some bloviating politician in a parodical caricature by Daumier. I’m not sure if they’re supposed to be anything of the sort. I am sure I want pants, or I guess culottes, of just that sort. Moving along, the painting to which those pants, or maybe ‘pants,’ point is by Alessandro Keegan . It’s one of several strong works he’s showing in “Heed,” a winning two-person show at Transmitter that features also very strong work by Angela Hiesch . At bottom left, a sculpture that seemed to imply a distilled tincture of time frozen still in atemporal liquid motion, or something of such a strangely wordable sort, in “Object of Desire,” a large group show curated by Amanda Martinez at TSA .
Continue reading “Nota Bene with @postuccio”
Unveiled on June 9, 2018, the core object in the multidisciplinary public art project Ziemia (“Earth” in Polish), takes the form of a ceramic orb. The orb was created by the Greenpoint based artist Martynka Wawrzyniak in collaboration with The Polish Cultural Institute of New York, NYC Parks, and most importantly – Greenpoint residents.
Surrounded by the rolling meadow in McGolrick Park, the orb represents the collective portrait of the diverse Greenpoint community, with an emphasis on participation of the many Poles who have lived in the neighborhood for generations. Martynka Wawrzyniak shares with Art Spiel the ideas behind her intriguing public art project, as well as some thoughts regarding her overall art practice. Continue reading “Martynka Wawrzyniak – Ziemia: From Warsaw to Greenpoint”