Delusions of Grandeur -Grayson Perry at the Wallace Collection

Totally Unique Thing. AI generated image, glazed ceramic. Installed on bespoke wallpaper, designed by Perry and produced by Liberty of London

The Wallace Collection, a storied historic mansion in London that houses an extraordinary, far-ranging collection of art and objects, invited the artist Grayson Perry to embed and create an exhibition that responds to their collections. Collected during the18th and 19th Centuries, the museum is dripping in Rococo, houses breathtaking Old Master paintings, amour, ceramics, medieval relics and sculpture. It would be, for a lesser artist, a daunting assignment.

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Assembled Worlds: Hannah Höch at Lower Belvedere

A room with blue walls and a blue wall

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Installation view “Hannah Höch, Assembled Worlds”. Photo: kunst-dokumntation.com, Manuel Carreon Lopez, @ Bildrecht, Vienna 2024

“I wish to blur the firm boundaries which we tend to delineate around all we can achieve,” Hannah Höch once said, challenging the rigid limits that society often imposes on creativity, identity, and social roles. This sentiment resonates deeply throughout the Assembled Worlds exhibition at Vienna’s Lower Belvedere, curated by Martin Waldmeier from the Zentrum Paul Klee in Bern. This major showcase of Höch’s work in Austria feels long overdue, bringing together around 80 of her photomontages, alongside paintings, drawings, prints, and archival materials. Together, they offer a vivid glimpse into her groundbreaking contributions to 20th-century art.

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Emily Culver: The Idea of a Thing

In Dialogue

Portrait, photo courtesy of the artist

Virginia-based artist Emily Culver’s background is as multifaceted as her artwork. With a father who is a carpenter and contractor and a mother who transitioned from being a midwife to a nursing professor, she was raised in a world that merged craft and body. This upbringing influenced her own creative direction. Adept at procedural tasks, she nonetheless felt a pull towards a less constrained form of expression. College introduced her to painting, but she soon sought more than just surfaces, finding herself intrigued by the interplay of gravity, physics, and mechanics.

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‘Til The Moon Turns Pink at SPANTZO

Judy Giera and Nathaniel Garcia In Conversation

In her first solo exhibition at SPANTZO Gallery, Judy Giera, explores the nuances of girlhood and the expectations of the feminine through painting, video, and performance. Giera’s bright colors and synthetic materials reference Barbie and her Dream House as well as the patriarchal conceits of the action painters of the 1950s. Judy Giera and SPANTZO founder and director, Nathaniel Garcia, share their reflections on the exhibition.

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