The Center for Cuban Studies and Art in DUMBO Open Studios

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Courtesy of the Center for Cuban Studies / Cuban Art Space

Each spring over 100 artists and art organizations in DUMBO And Vinegar Hill open their studio doors to the public for a weekend. This year the event takes place on April 22 and 23 from 1 to 6 PM. Art Spiel created a Mixed Media Guide for this event in addition to other curated guides on the Art In Dumbo website here. In conjunction with the event Art Spiel conducted a few interviews with individual participating artists. This one is with Sandra Levinson, the executive Director of the Center for Cuban Studies / Cuban Art Space.

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My Upstate Art Weekend Adventure

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Vanessa German,  Black on Black, 2021, Handmade folk art cloth Black woman pin cushion, glory, wood, love, astroturf, Black seed beads, confusion, Black rhinestone trim, Black bead trim, (they traded your grandmother for a handful of beads), vintage hand purse, rage, old doll parts, ptsd, the fallout from white supremacist delusion, cork, Black pigment, sorrow, vintage mirror, self loathing, cotton, a miracle, twine, tears, yarn, heartbreak, love. 26 x 18 x 9 1/2 in

Last weekend was the third annual Upstate Art Weekend, a wildly ambitious and fun three-day art fair that winds its way from Westchester to Catskill NY. Founded by impresario Helen Toomer in 2020, Upstate Art Weekend celebrates and promotes visual arts throughout the Hudson Valley. One hundred and forty venues participated this year, and there was everything from art in a big-box truck in Kerhonkson to the gallery/studio campus of Foreland in Catskill.  The intense heat of last week made this year’s event a challenge, but totally worth the sweat. Here is a brief travelogue of my schlep around the Hudson Valley: 

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Padma Rajendran – On Cultural Tenderness


Padma Rajendran, Along the way, 2019, Dye on silk with stitching, dimensions varied, photo courtesy of the artist

Malaysian born and New York based artist Padma Rajendran works in diverse media yet currently views paper and fabric as her primary materials. She highlights the portable nature of paper and fabric, along with their significance as “keepers of culture, comfort, and call upon the function of the decorative”. Padma Rajendran shares here some insight on her work, what brought her there and where she is heading from here.

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Mary Tooley Parker – The Process of Making

Mary Tooley Parker, Back Room, 2019, textile, 48×33 inches, photo by the artist

Mary Tooley Parker ‘s fiber artworks pay a warm homage to folk art – throughout her recurrent themes and elaborate process. Her fascination with all things fiber –
weaving, knitting, quilting, rug hooking – started from an early age and she has continued honing her skills and color sensibility ever since. The artist shares with Art Spiel what draws her to fiber art, her process, and the ideas behind her work.

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James Castle: People, Places & Things at the NY Studio School

James Castle (1899-1977), Untitled (drive-through tree), n.d. Found paper, soot, 5 7/8 x 7 3/4 in. CAS09-0179 © 2008 James Castle Collection and Archive LP, All Rights Reserved
James Castle (1899-1977), Untitled (drive-through tree), n.d. Found paper, soot, 5 7/8 x 7 3/4 in. CAS09-0179
© 2008 James Castle Collection and Archive LP, All Rights Reserved

The exhibition James Castle: People, Places & Things, curated by Karen Wilkin and currently on view at the New York Studio School Gallery, features over fifty important works and ephemera, surveying Castle’s diverse modes of working. It runs the gamut from his well-known drawings of farmyards and interiors to the less familiar depictions of house, machines, clothing, and people, to his books and objects. It includes even more rarely exhibited objects – some sources for his imagery borrowed from the James Castle Collection and Archive LP and from the William Louis-Dreyfus Foundation. In her curatorial statement Wilkin says she aims to affirm why Castle should be regarded as an American master. Indeed, the breadth of his work is jaw dropping and the emotional resonance is deeply moving.

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