Fluxus – Art Spiel

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February 10, 2023May 12, 2024, by Saul Ostrow

Impossible Failures at Zwirner

Opinion

A photo of Pope.L in his studio, dated 2022 — Pope.L, studio, 2022, photo courtesy of David Zwirner Gallery 52 Walker

When I heard about Impossible Failures it promised to be an exciting exhibition, in that it was to bring together Gordon Matta-Clark (1943–1978), a White post-Minimalist artist best known for his site-specific works of cutting through buildings and homes, and Pope.L (b.1955), a Black artist who used to describe himself as the friendliest Black man in America, and is known for his public performances and installations, which address Black racial stereotyping and other such hypocrisies. In a not un-interesting way, the resulting exhibition is a curatorial mash-up in which the works in it are overwhelmed. As such, this is not an exhibition where the works of each artist supply a context for the other, nor does it explore Matta-Clark’s legacy by focusing on Pope.L’s overlapping strategies. Instead it might be thought of as a collaborative installation authored by the curator Ebony L. Haynes.

October 21, 2022November 2, 2022, by Anne Sherwood Pundyk

Rainer Gross: Double Take, Solo Exhibition at East End Arts, Riverhead, NY

Gallery view, East End Arts, Riverhead, NY. Courtesy East End Arts and the artist.

In Double Take, Rainer Gross’ solo show at East End Arts through November 5, 2022 in Riverhead, NY, the artist invites the viewer to take a step closer to his abstract, intensely colorful paintings. Gross offers the viewer the satisfying experience of engaging intellectually with the underlying organizing principle of his compositions while savoring a sumptuously layered array of the results. His paintings are comprised of two (sometimes four) identically sized, stretched rectangular canvases shown side-by-side. He applies pools, bands, bars and patches of saturated hues of oil paint on one canvas and water-based pigment on the other. While the colors are still wet, the paired canvases are then placed together, face to face. When pulled apart, the forms on one canvas imprint on the other creating a shared Rorschach-like result. The artist refers to his paintings as “twins.” The side-by-side canvases are nearly identical, yet their differences become an intriguing puzzle to recognize, trace and sort. This easy-to-grasp concept offers a frisson of delight for the viewer as they experience the variety of its execution.

August 24, 2022August 24, 2022, by Saul Ostrow

Some last words on the Whitney Biennial as a cultural labyrinth

Opinion

I would hate to think I have become an old and conservative critic who believes our best days are behind us. I would rather believe that my structuralist perspective is capable of evaluating contemporary emerging practices and recognize the social, cultural and political value of these tendencies. What brought this on is having recently seen the 1962–64 exhibition at the Jewish Museum. This show examines how artists living and working in New York during this three-year period responded to rapidly changing social and cultural conditions, by questioning what was considered to be art’s normative forms and subjects. This post-AbEx generation was concerned with creating aesthetic configurations that would result in novel perceptual modes and political subjectivities.

April 21, 2020June 4, 2020, by Etty Yaniv

Artists on Coping: Barbara Lubliner

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Barbara Lubliner, "Two Zips" 2019, paper relief with staples and zipper, 12 x 16 inches, photo courtesy of Paul Takeuchi — *Two Zips, 2019, paper relief with staples, zipper, 12 x 16 inches. Photograph by Paul Takeuchi*

New York artist Barbara Lubliner transforms traditional and nontraditional materials into thought-provoking expressions that are both iconic and quirky. She moves fluidly from performance art to works on paper to sculpture, both large and small. Solo exhibitions include Gibson Gallery Museum at SUNY Potsdam; Carter Burden Gallery, NYC; Drawing Rooms, Jersey City, NJ; and Pierro Gallery, South Orange, NJ. Recent group exhibitions include City Reliquary Museum, NYC; Islip Art Museum, East Islip, NY; Edison Price Lighting Gallery, L.I.C., NY; and Ceres Gallery, NYC. Performance venues include the Brooklyn Museum and the Après Avant Garde Festival on the Staten Island Ferry.