Tag: figurative art


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Posted on , by Etty Yaniv

Kyle Staver – New Work at Zürcher

In Dialogue with Kyle Staver


Kyle Stave, Venus and the Octopus, 2020, Oil on canvas, 70 x 58 in / 177,8 cm x 147,3 cm, Image courtesy of the Artist and Zürcher Gallery, NY/Paris

Kyle Staver’s second solo show at Zürcher Gallery in New York features new paintings, relief sculptures, drawings, and aquatint etchings through July 24th. In this interview Kyle Staver shares some ideas on her work process, touches upon the narrative and mythological elements in her work, and gives us an insight on her notion of art history.

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Posted on , by Etty Yaniv

Artists on Coping: Dasha Bazanova

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


What To Where When, September 2019, burnt wood installation in progress,
@Gridspace gallery

Dasha Bazanova was born in Arkhangelsk, Russia right before the collapse of the Soviet Union. As a child she spent most of her time at her grandparents’ farm in a small village called Kulikovo. In 2004 she moved to Moscow where she got her Master’s Degree in 2011 at the Moscow State University of International Relations. In 2012 she moved to New York. She earned an MFA at Long Island University in 2014, and in the intervening years she has shown extensively all across the United States.Her artwork is inspired by her childhood memories and Russian folklore, but with an ironic 21st Century twist. She lives and works in Bushwick, NY. Her work is currently featured in The Making of… at Art Port Kingston, which has just reopened again for visits during weekends.

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Posted on , by Etty Yaniv

Artists on Coping: Miles Hall

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Deconstructing the Apocalypse in her own Image, 72 x 84, Oil on panel, 2018. (in studio)

Miles Hall is a painter and draftsman. He has lived in California, Massachusetts, Japan, and New York, but now resides in Richmond, VA. His work explores the mythological relationship between the landscape and human figure. The science and psychology of visual perception is important to his practice. He currently teaches in the Communication Arts Department at Virginia Commonwealth University and maintains a critical visual arts review for the Richmond area called Lucid.

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Posted on , by Etty Yaniv

Artists on Coping: Ashley Norwood Cooper

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Easter Eggs, 2020, oil on linen, 80” x 72”

Ashley Norwood Cooper’s paintings are intensely colored, painterly figurative work, exploring the creative lives of women, the awkwardness of family relationships, and the schizophrenic role of the artist-mother-wife teacher. She has exhibited in solo and group exhibits throughout the US including First Street Gallery (NYC) and ZINC contemporary (Seattle). Her work has been featured in New American Paintings and on the I Like Your Work Podcast. Her recent debut at VOLTA NYC 2020 garnered write ups in the NY Times and Arcade Projects Zine (Columbia University).

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Posted on , by Catherine Kirkpatrick

Artists on Coping: Robin Holder

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Robin Holder

Robin Holder is a 2020 Clark Hulings Fund For Artists Executive Fellow. Her recent exhibit “Access and Inequities. I Hear You. Do You See Me?” featured works exploring identity conflicts. She has presented one-person exhibitions at the Mobile Museum of Art, The NCCU Art Museum, The Labor Museum, and The Spelman College Museum. She was awarded an Individual Artist Grant by The Brooklyn Arts Council as well as a Mid Atlantic Arts Foundation Artist As Catalyst Residency. Holder has completed 5 public art commissions, and her work is included in significant collections including the Library of Congress and The Schomburg Center for Research in Black Culture.

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Posted on , by Etty Yaniv

Artists on Coping: Patricia Fabricant

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Patricia Fabricant, Alexi Rutsch Brock, Beth Dary at the opening for Among Friends, May 2019

Patricia Fabricant is a painter and book designer, from New York City. She received her BA from Wesleyan University and studied painting in Italy. Her abstract paintings have been exhibited widely at such galleries as SFA projects, M David & Co, Front Room, Morgan Lehman, the Painting Center and the National Arts Club. More recently she has worked figuratively, both on a political series, Paper Dolls, and on woven self-portraits, which she began in response to the 2016 election and its aftermath. She is also curating shows. She lives in Brooklyn and shares a studio at the EFA, in Manhattan.

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Posted on , by Etty Yaniv

Artists on Coping: Anki King

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Anki King courtesy of Grace Roselli. Image was taken as a part of Pandoras Box Project

Anki King creates oil paintings and sculptures of life-sized figures that act as symbols for feelings that can’t be accurately described in words. The viewers meeting with the figure frees the narrative from being contained within subject matter and brings it into the viewing space.

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Posted on , by Melissa Stern

Artists on Coping: Vito Desalvo

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Simple Pyscho- Vito Desalvo

Can we ever really know another person?  I ask myself that frequently  when thinking of the great Vito Desalvo. Though I have known Vito for nearly 60 years, he is still an enigma to me. A huge fan of his work, I tentatively  approached Desalvo about this interview. He demanded a carton of cigarettes in return for sharing his thoughts. I then turned to his friend and colleague Stan Klein who graciously agreed to approach the inscrutable Desalvo on my behalf. The following is the result.

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Posted on , by Torey Akers

TRAPS! Ebecho Muslimova at Magenta Plains

Exhibition review by Torey Akers


Ebecho Muslimova, Fatebe Deep Frog Organza, 2019, oil and acrylic on cavas, 60” x 66”, courtesy of Magenta Plains

Human civilization has always maintained an uneasy relationship with female monstrosity—just watch the cavalcade of sirens, witches, harpies and hags that stalk the perimeters of every major mythology on earth, luring hapless men to their deaths. This hyper-visible, oft-storied, but deeply erasive marginalization has long plagued the non-normative woman; however, there’s a certain freedom in the fringes. Take Baubo, the Orphic goddess of chaos and mirth, whose paunchy, wizened appearance belied a frisky bawdiness that ancient Greeks adored. Ebecho Muslimova’s ‘Fatebe’ character, whom she has been drawing since 2011 and features vivaciously in her latest solo exhibition, TRAPS!, at Magenta Plains, New York, builds on Baubo’s cultural legacy with appropriately grotesque panache, taking a wide-eyed, manic approach to the tandem joys and pitfalls of embodiment.

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Posted on , by Katie Hector

Americana Archetypes Frolic Centerstage in Rebecca Morgan’s Solo Show Town and Country at Asya Geisberg Gallery

Image courtesy of Rebecca Morgan and Asya Geisberg Gallery. Photography by Etienne Frossard.

Rebecca Morgan’s solo exhibition “Town and Country“ at Asya Geisberg offers viewers a subversive and unflinching look into aesthetics of Americana. Panty raiding hillbillies, buxom bonnet sporting milkmaids, and characters engaged in Appalachian revelry scrupulously rendered in paint, graphite, and brass galavant throughout the exhibition. Morgan’s cringeworthy figuration walks the line between portraiture and allegory and highlights the pitfalls of romanticization. Inspired by the sucker-punch illustrations of R Crumb, Morgan’s depictions of rural life speak to notions of voyeurism, power dynamics, and the ubiquity of toxic masculinity within contemporary American culture. The works included in “Town and Country” strike a balance between hilarity and horror and provide a fantastical portal into the American psyche. I had the opportunity to chat with Morgan about her fourth solo show with the gallery and reflect upon her personal fascination with the subjects she portrays.

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