Maureen McCabe: Feminine Surrealism, Witch Culture and the Original Goth

Tod Gangler (b. 1953), Professor Maureen McCabe, 1975, Hand-altered photograph, 5″ × 4⅜”

I’ve never been to a séance; however, walking into Maureen McCabe’s exhibition Fate and Magic at the William Benton Museum of Art invokes strong séance vibes. Artworks on black slate whisper, engravings of shooting stars, goddesses, brew potions, and long-forgotten stage magicians appear at the Benton like reliquaries of the past.  For over six decades, Maureen McCabe has been an overlooked alchemist of memory, transmuting her personal experiences and arcane cultural references into this intimate magical retrospective.

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Art Spiel Picks: Boston Exhibitions in November 2025

HIGHLIGHTS
Beverly Semmes, Red Bird on Blue, 2017, 16” x 20”, oil and magazine page collage on glass

I’m deeply grateful for Boston’s university galleries—they consistently fill the gaps left by the local commercial gallery scene, which has been diluted, in my opinion, by the pressure to cover rent. These institutions reliably bring high-quality, thoughtful art and ideas to the city. A short but not exhaustive list would include the Rose Art Museum at Brandeis, the Aidekman Arts Center at Tufts, MIT’s List Visual Arts Center, and the Harvard Art Museums.

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Art Spiel Picks: NYC Exhibitions in August 2025

The Gatherers images courtesy of Yasmeen Abdallah

This month’s lineup takes us through Brooklyn, Queens, and Jersey City, where intimate thoughts, melded with the political repercussions we grapple with individually and collectively, are presented to the public in moving forms that are explorations in artistic practice as a means of activation against the norms we must confront to maintain our humanity. Through rejections of subjugation and exploitation, be it patriarchal economies or the fallout of colonialism, these selected exhibitions put artists at the forefront who contend with these issues and make space for constructive discourse.

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Nanette Carter: A Question of Balance at Montclair Art Museum

Installation view. Photographer Peter Jacobs

Nanette Carter: A Question of Balance at the Montclair Art Museum is an extensive survey of 46 works from throughout the artist’s career curated by Mary Birmingham. Carter is known for her boundless abstractions and innovative works on mylar. This long-awaited show reflects Carter’s long history with the museum, the community, and the town itself. As one enters the show, the first piece is a video titled The Weight from the pandemic days, where Carter films herself balancing various pieces of her two-dimensional painting as more pieces get “stacked” onto the main mass. Setting the mood for the show, it not only introduces Nanette Carter in flesh but also important themes she has been working on throughout her career.

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Art Spiel Picks: Philly Exhibitions in June 2025

HIGHLIGHTS
Installation view of Tea Party at Locks Gallery, courtesy of Locks Gallery

As we get into the summer months, June exhibition picks for Philadelphia are vibrant, sensuous, and bold. Works currently on display at the Pennsylvania Academy of the Fine Arts, Locks Gallery, and Moore College of Art touch on subjects surrounding how we see ourselves and each other, and the transitory nature of existence. All things physical and sensual ultimately act as a foil to death, and these surreal and vivid works offer the viewer insight into how each artist considers what makes us human. Whether created of glitter, paint, ceramic, velvet, or butterflies, the works in these exhibitions remind us that we are stardust, and golden.

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Ghada Amer: New Directions and Disobedient Thoughts at Marianne Boesky Gallery

Installation view

Upon entering this exhibition, I was taken to the wall pieces immediately, especially the use of vibrantly colored embroidery string mimicking paint strokes on the canvas. Art historical references and connections are very prevalent in the works of this exhibit. It was refreshing to see this conversation of the painting canon being brought up in a contemporary light by the use of this novel medium. Amer’s love and interest in the history of painting is apparent, and her works show art historical influences intertwined with intuition and a strong painterly hand that is present despite there being no paint in the show.

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Cosmic Sentiment and Sculptural Gesture: Jai Hart and Kelly Worman at Freight + Volume

Jai Hart, Finding Harmony from the Neckline to My Right Heel, 2025, Acrylic on canvas and poly-fill, 72h x 41w in

When I first heard about the pairing of Jai Hart and Kelly Worman in a two-person show at Freight + Volume, I was puzzled. Their formal vocabularies appeared too distinct, too dissonant. But upon entering the exhibition, my skepticism dissolved. Their differences are not discordant—they are dialectical. Both artists, working through abstraction and form, propose modes of seeing and making that are sensitive, inquisitive, and quietly defiant. While their materials and gestures diverge, Hart and Worman converge in a feminist-postmodern sensibility that challenges the hegemonic logics of painting, and, more subtly, the gendered histories that underpin it.

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Io Sono LEONOR FINI – Decoding the Sphinx of Surrealism

Installation view, Io Sono LEONOR FINI (I Am LEONOR FINI)

The grand halls of Milan’s Palazzo Reale currently host a seminal tribute to artistic defiance and fierce individuality. On view from February 26 through June 22, 2025, Io Sono LEONOR FINI (I Am LEONOR FINI) presents one of the most comprehensive retrospectives dedicated to an artist whose untamed, rebellious gaze still challenges and mesmerizes viewers from across the temporal divide.

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On This Spot: Histories of Women Artists in NYC

https://www.youtube.com/watch?v=Fpt8y0CP4sA&t=1s

On The Spot is a terrific new web series that seeks to document the histories of women artists in NYC from the 1950s to the 2000s. The ambitious mission is to document and present in three-minute videos the history of later 20th-century artists who have often been overlooked and underrepresented in the larger art world. They call themselves “a feminist art history nonprofit.” There are 40 videos so far produced, with plans for a great many more. The videos are a free public resource, accessible on the organization’s website.

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Care / Condition / Control at 601Artspace

In Dialogue
Works by John Coplans (left) Jarret Key (center) and Melissa Stern (right). Photo courtesy of Etienne Frossard/601Artspace

The group exhibition Care / Condition / Control, which ends its run at 601Artspace on April 27th, takes its conceptual root, quite literally, in the form of hair. Experienced by different generations, cultures, genders, and identities, one’s relationship to the very follicles that grow from us and upon us is deeply personal and unique to each of us. As each artist mines their own stories from these relationships, Chapman expands upon the inspiration and undertaking of such a complicated and tangled subject. Yasmeen Abdallah interviews curator A.E. Chapman about the ideas behind this show.

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