#ettyyaniv – Page 2

April 15, 2025April 14, 2025

DUMBO Open Studios 2025 with Woomin Kim

Woomin Kim sitting next to a work table and in front of textiles *Leslie’s Room* and *Live Work*

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Woomin Kim has been in DUMBO since September 2024. Woomin Kim’s studio is at Smack Mellon, 92 Plymouth. Street.

April 14, 2025April 14, 2025

DUMBO Open Studios 2025 with Rodney Ewing

Studies for “*The Architecture of Memory and Loss”* 2024-2025, Drawings: Ink and Colored Pencil on Paper.

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Rodney Ewing has been in DUMBO since 2022. His studio is at 20 Jay Street, #M09.

April 13, 2025April 14, 2025

DUMBO Open Studios 2025 with Cheryl Wing-Zi Wong

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Cheryl Wing-Zi Wong has been in DUMBO since 2015. Her studio is at 20 Jay Street #M10B (mezzanine level).

April 11, 2025April 10, 2025

DUMBO Open Studios 2025 with Anne Neely

Anne Neely, Eruption (2024). Oil on linen. 22 x 28 in. Photo credit: Kay Hickman, Julia Featheringill

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door.
Anne Neely has been in DUMBO since November 2024 as part of the Sharpe Walentas Studio Program at 20 Jay Street, #720.

April 2, 2025April 1, 2025

A Longing at Kaliner: Fanny Allié

Fanny Allié, Pairs, 2023, mixed media on textile, 33.5×31.5 in

Fanny Allié’s exhibition A Longing at Kaliner presents a series of works made from the materials of daily life. Using worn clothing, domestic linens, and fabric remnants from her own surroundings, Allié constructs layered compositions that speak to human connection, memory, and what remains after use. Her figures, built from these fragments, feel both familiar and distant—suspended in stillness, shaped by lived experience.

March 10, 2025March 8, 2025

Ellen Kozak and Scott D. Miller: River-Rising at Hunterdon Art Museum

A screens on a wall

AI-generated content may be incorrect. — **river-rising, installation views, 24″ x 16′**

Water moves. It reflects, absorbs, distorts. It never repeats itself. River-Rising, a four-channel video installation by Ellen Kozak and Scott D. Miller, is built on these elements. Filmed along three river estuaries—the Garonne in France, the Bilbao Estuary, and the Hudson River—the work isolates the shifting surfaces of water.

February 4, 2025February 4, 2025

Margaret Koval: The Uncanny Valley of Everyday Life at ArtWRKD

In Dialogue

Margaret Koval in her studio. Photo courtesy of Kate Hammett.

The paintings in Margaret Koval’s latest exhibition, The Uncanny Valley of Everyday Life, capture a sense of disorientation—recognizable urban and suburban scenes where something is slightly off. They are rich in color and composition, drawing viewers in with pleasing views, yet an underlying unease lingers. Like waking up to find someone has rearranged your furniture overnight, they create a feeling of estrangement within the familiar.

February 3, 2025February 2, 2025

Jim Condron: Collected Things at the New York Studio School

Installation view, photo courtesy of Etty Yaniv

Jim Condron’s exhibition at the New York Studio School, curated by Karen Wilkin, continues his consistently thoughtful Collected Things series, inviting viewers to see everyday objects as vessels of personal and cultural memory. The sculptures, varying in size from around 20 to 96 inches, playfully transform seemingly ordinary items into layered narratives that bring unexpected elements together.

December 2, 2024December 7, 2024

Louise P. Sloane: Optically charged text-ures

From an early age, Louise P. Sloane has been compelled by an intense fascination with how color and texture influence mood. “I was one of those art nerd kids who went nuts each time there was a new color crayon from Crayola!” she recalls, describing a childhood shaped by a relentless curiosity about different mediums and textures. Making art quickly became the dominant force in her life, guiding her on a creative journey that has spanned over fifty years.

November 26, 2024December 10, 2024

In and Out of Lineage: Tracing Artistic Heritage Through SUNY New Paltz Faculty

Eva Zanardi, the guest curator of the group show—In and Out of Lineage: Tracing Artistic Heritage Through SUNY New Paltz Faculty—observes that many times in her life, art has raised her awareness and consequently even made her reconsider her point of view on important issues. Zanardi says that the prerogative that should belong to most art is to be thought-provoking; as the educator and activist Cezar A. Cruz says, “Art should comfort the disturbed and disturb the comfortable.” Eva Zanardi shared some of her curatorial process and gave us here a brief guide through the show.