Tag: Equity Gallery


Notice: Function WP_Object_Cache::add was called incorrectly. Cache key must not be an empty string. Please see Debugging in WordPress for more information. (This message was added in version 6.1.0.) in /www/artspiel_344/public/wp-includes/functions.php on line 6131
Posted on , by Etty Yaniv

Among Friends

In Conversation
Co Curators of Among Friends, 2018, 2019, 2022

In the summer of 2017, Beth Dary and Patricia Fabricant visited the Museum of Modern Art to see the Robert Rauschenberg show Among Friends. As they were looking at the exhibition, they separated and later found each other at the installation of Hiccups, which consisted of ninety-seven sheets of handmade paper with original Xerox transfer collages zipped together. “At that moment, we both had the same thought—we could hand out zipper papers to our friends to create a great collaborative show,” they recall. Patty had been simultaneously talking with Alexandra Rutsch Brock, who was similarly inspired by Hiccups and had even gone so far as purchasing some zippers. They reached out to their friend groups, and it took off from there. “We had no idea how it would turn out, but we knew it would be a fun adventure,” the co-curators say. Since this art project initiative started during the Trump administration, when women’s rights were under attack. it was important for them to include a charitable component such as Planned Parenthood.

Continue reading “Among Friends”
Posted on , by Christopher Stout

Making Sense Without Consensus at Equity

A picture containing wall, indoor Description automatically generated

The curatorial team held a fascination with exploring and activating the ceiling, corners, and floors of Equity Gallery via the works that comprise Making Sense Without Consensus. Here are 2 examples of this; on the left, Linda King Ferguson’s work stretching downward to the floor; and on the right, Diogo Pimentão’s work installed to live and extend around the corner of a gallery wall.

Now on view at Equity Gallery in the Lower East Side is a notable group exhibition, cogently titled Making Sense Without Consensus, with works by 14 remarkable artists and 3 astute curators at the helm. The exhibition statement says that these artists explore reality through fragmented connections and geometric materiality, “investigating whether the linearity of time is real or if past and future overlap.” 
In further absorbing what this exhibition might represent, I also want to offer an illuminating quote from The Radicant (2009), an essay by celebrated curator and critic Nicolas Bourriaud. This thought piece provides context for the development of Making Sense Without Consensus:

“In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating that of the last century, would be specific to our epoch and would echo its own problematics: an alter modernity …”

Continue reading “Making Sense Without Consensus at Equity”
Posted on , by Catherine Kirkpatrick

Artists on Coping: Melanie Vote

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Melanie Vote, In Studio, photo credit: Jessica Glick

Though Melanie Vote has lived in NYC for over 20 years, she grew up on a functional farm in Iowa. Her work straddles these two worlds, investigating the complexities of the human-land relationship, the cyclical nature of all life, and the impossibility of permanence. In temperate months she works remotely, painting outside. She is a visual scavenger collecting passages, then returns to the studio to reconstruct layers of a place, weaving them together into open-ended narratives. Her most recent body of work, The Washhouse, Nothing Ever Happened Here, at Equity gallery is on view virtually, via Artsy.

Continue reading “Artists on Coping: Melanie Vote”