Wave Hill* is a twenty eight acre public garden and cultural center overlooking the spectacular Hudson River and Palisades. Wave Hill aims to celebrate the artistry and legacy of its gardens, to preserve its magnificent views, and to explore human connections to the natural world through programs in horticulture, education and the arts. For the ninth consecutive year, Wave Hill opens Glyndor Gallery as workspace for selected New York-area artists, giving them the unique opportunity to explore the winter landscape and develop innovative work based on direct observation from nature. Continue reading “Meet the artists at Wave Hill’s Open Studios”
Planet Ax4+1 at David&Schweitzer Contemporary

Concern with Climate Change and how it impinges on our planet links the five artists featured in the impressive sculpture show at David&Schweitzer. Running the gamut from minimalist to narrative sensibilities and from found objects to fabricated materials, the sculptures created by Ruth Hardinger, Babs Reingold, Rebecca Smith, Kelin Perry, and Christy Rupp, engage the space in juxtaposition to one another – visually situating the overall exhibition at the intersection of natural history and archaeological excavation, thematically layered and at times poetic. The artworks in the show refer to the underground, trees, atmosphere, underwater, and animals- each of the individual parts that is essential for life on Earth. Continue reading “Planet Ax4+1 at David&Schweitzer Contemporary”
A Genuine Urge to Behold: ‘Meltdown’ by Kurt Steger

Suspended murky waterdrops on the verge of dripping from an icicle onto a sheet of paper prove to be almost hypnotic in Kurt Steger’s interactive project at ArtHelix. Utilizing elegant wooden contraptions made of a rotating large-scale low wooden table, a transportable tall crane-like sculpture, and a few low benches, Steger’s participatory performance evokes a genuine urge to behold the genesis of a fresh mark, from the first drip to the final circular tracing. The resulting drip drawings hang on the walls, mostly depicting circular forms that range from dark sepias to vibrant yellows and rusty oranges. Continue reading “A Genuine Urge to Behold: ‘Meltdown’ by Kurt Steger”