Notice: Function WP_Object_Cache::add was called incorrectly. Cache key must not be an empty string. Please see Debugging in WordPress for more information. (This message was added in version 6.1.0.) in /www/artspiel_344/public/wp-includes/functions.php on line 6131
Group picture(Members in picture from left to right): Euijin V. Ra (artist), Julia D. Shaw (artist), Courteny Symone Staton (artist), Laura OsCam (artist), Sherwin Banfield (Program Manager), TEDF (artist), Marleen Moise (artist).
Wherever I Lay My Head, now on view at The Jamaica Center for Arts and Learning , began with an invitation to Indira A. Abiskaroon to curate the culminating ARTWorks exhibition. The offer came from Program Manager Sherwin Banfield and was formalized in conversation with Director of Program Operations Wendy Arimah Berot. Abiskaroon’s first priority was to spend time with the ARTWorks Fellows—to learn how their practices had developed over the course of the program and to hear what ideas had been resonating in their weekly sessions.
Installation view Desire Lines, photo Argenis, courtesy of KODA
Sa’dia Rehman:Desire Lines is a solo exhibition as part of artist’s residency with KODA on Governors Island, New York. Rehman’s exhibition focuses on the building of the Tarbela dam in Pakistan in 1968-1976 – a hydroelectric dam responsible for the displacement and forced migration of 184 villages and the climate devastation following the completion of this project.
In October 2021, at the periphery of the parking lot outside of the Time and Space Limited Center in Hudson, artwork by Linda Mussman appeared—about 20 large dictionaries and encyclopedias opened out on a crude wooden table. For several months, round the clock, these dictionaries were exposed to rain, sunlight, and snow, and rifled through by winds. Peach-colored streetlight bathed the texts some nights, and bright sunlight bleached the pages some days. The grass around the table receded and then returned with – mirabile dictu – a green shoot briefly fighting its way between 2 volumes.
Renana Neuman, Temporarily Removed, Part 1, Daydreaming, installation view, 2019, photo courtesy the artist
The Immigrant Artist Biennial (TIAB) is a volunteer, female-led, artist-run project. TIAB 2020 launched in March in New York City at Brooklyn Museum, and continued in September through December at EFA Project Space, Greenwood Cemetery, and virtually, presenting 60+ artists. This interview series features 10 participating artists.
Renana Neuman is a Brooklyn-based artist, producer, and curator born in Israel. In her artistic practice, Renana makes media-installations that mash together eras, continents, and modes of consciousness. She combines video, animation, and text to describe the emotion-driven political ambiguities of our contemporary moment. Renana’s works invoke the ghosts of our cultures and invite them to haunt us, to tell us their stories, to play.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Performance still from “In America, You are Asked Why Leaves are Green,” February, 2020; from left, artists JinJin Xu, Jiaoyang Li. Photo courtesy of artists
Silkworm Pupas is a new media arts collective consisting of NYC based Chinese poets Jiaoyang Li and JinJin Xu. Our projects strive for intimate ways to envision attainable, inclusive, and bleeding-edge futures through innovative storytelling, documentary poetics practice, sound installation and video-performance art.
Jiaoyang Li is a Chinese poet and visual artist. Her literary work has appeared in LA Reviews of Books-China channel, 3:AM, Spittoon Magazine, Voice and Verse poetry magazine, and others. Her interdisciplinary practices have been supported by the New York Foundation of Art, The Immigrants Artist Biennial and others. She co-founded the interdisciplinary poetry journal 叵CLIP.
JinJin Xu is a poet and filmmaker from Shanghai invested in docu-poetics. Her work has been featured in The High Line Public Arts, The Harun Farocki Institute, The Immigrant Artist Biennial, and anthologized in Nasty Women Poets. Honors include The Poetry Society of America’s George Borgin Prize and fellowships from The Thomas J. Watson Foundation and the Flaherty Seminar. She teaches hybrid workshops at NYU where she is a Lillian Vernon Fellow.
“Crossing Over: Immigration Stories – Anonymous” by Jackie Neale
Immigration is a hot issue. It has determined national elections and divided communities around the world. Artists have weighed in on it, often with projects lacking input from the immigrants themselves.
Jackie Neale is a fine art photographer, author, instructor, and former Imaging Producer of Online Features at the Metropolitan Museum of Art. In her project “Crossing Over: Immigration Stories,” she pairs large-scale cyanotype portraits of immigrants with audio of them telling their own stories. In May it will be on exhibit in Palazzo Mora at the Venice Biennale.
From de Tocqueville on, travelers have chronicled America, fascinated by its vast space, bustling cities, and diverse people, the gap between the idealized vision of itself and the version outsiders see. In 1947, before Jack Kerouac and Robert Frank took their famous road trips, Simone de Beauvoir took one of her own. Traveling East to West by trains, cars and Greyhound buses, she crossed nineteen states and visited fifty-six cities in four months, recording impressions that were published in 1948 as “America Day By Day”.
Brent Green, A Brief Spark Bookended by Darkness installation, Andrew Edlin Gallery 2018, photo by Olya Vysotskaya
Artist/performer/filmmaker Brent Green is known for the raw beauty and poetic power in his animations, performances, and art installations. For instance, as an artist in residence at the Park Avenue Armory from the fall of 2015 to early 2016, Green performed at the venue’s “Under Construction Series” animated works-in-progress with a live band. Later on that year, Green provided video projections and music for the first portion of “Empathy School/Love Story,” Aaron Landsman’s theater diptych of monologues at the Abrons Art Center, where the audience were seated on stage. We started our conversation when we first met at his superb recent installation exhibit at Andrew Edlin Gallery.Continue reading “Brent Green – Chickens Can’t Be Trained”
Francisco Donoso, Between Passages, installation, 2018, photo courtesy of the artist
Curated by Maria de Los Angeles and Susan Noyes Platt, the group show “Internalized Borders” at John Jay College of Criminal Justice examines the various ways in which language and legal systems create internal and external borders. It addresses urgent issues of immigration, detention, and deportation; especially focusing on how these issues are related to fear, criminalization of identity, economics of migration, and perception of otherness. Continue reading “Internalized Borders at John Jay”
