Kejoo Park: A Reflective Landscape Architect Turned Visual Artist

Kejoo Park. Courtesy of the artist.

Kejoo Park is a Korean-American artist, landscape artist and architect. In her works, Park focuses on the duality of the internal and external worlds and her paintings, objects and installations manifest the alienation between man and nature; they address external nature, which is revealed in what man did not create himself. However, its potential and uniqueness lie in its creative ideas and actions, which develop through the influence of external structures and the engagement with culture and society.

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A Conversation with Curators of Pro-Ukrainian Exhibit Sovereignty Reimagined

Sovereignty Reimagined. Installation view, Maenad Collective, NY, US © photo by Alex Faoro. From left to right: Jaroslav Pobezhan, Marina Naprushkina, Dana Kavelina, Serhiy Popov, Daria Maiier x Äsc3ea.

Pro-Ukrainian video art from antiwarcoalition.art (https://antiwarcoalition.art/) curated by Alex Faoro, Maxim Tyminko and Aleksander Komarov both members of The International Coalition of Cultural Workers In Solidarity with Ukraine were on view in the group exhibition Sovereignty Reimagined March 18-24, 2023 at Maenad Collective in Brooklyn.

With artists: Oksana Chepelyk (UA), Helena Deda & Alex Faoro (US), Daniil Galkin (UA), Uladzimir Hramovich And Lesia Pcholka (BY), Zhanna Kadyrova (UA), Anton Karyuk (UA), Dana Kavelina (UA), Daria Maiier x Äsc3ea (UA), Elturan Mammadov (AZ), Metasitu (GR), Vladimir Miladinovic (RS), Marina Naprushkina (DE), Valentyna Petrova (UA), Iaroslav Pobezhan (UA), Serhiy Popov (UA), Mykola Ridnyi (UA), and Igor Sevcuk (NL).

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Hedwig Brouckaert: Un-Informing

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Hedwig Brouckaert in her Studio in the Beginage in Ghent Belgium, August 2021

New York city based artist Hedwig Brouckaert is currently working on a body of work for two solo shows, one at the Emory & Henry College in Virginia, where she is invited as visiting artist in January 2022, and one for Galerie El in September in Belgium. She has been developing Peel (America), a collage series of magazine images of skin on marble tiles, which she started during the lockdown. She says the tiled walls in public spaces have become like skin surfaces that were feared during the pandemic, as touch has become complicated. She is fascinated by the contrast between the depth and time visible in a marble tile, created by age-old geographical processes, and the temporality of magazine paper. “Even though magazines – and mass media images in general – arrive as pristine, glowing objects in the mail or on the newsstand they are meant to disappear quickly and to become trash, to be replaced by the most recent up-to-date information,” she says.

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Ararat: Artists Coming Together in a Time of Crisis


Ararat Collective zoom session screen capture; Clockwise from left: Tusia Dabrowska, Orly Noa Rabiniyan, Jon Adam Ross, Diana Wyenn, Noa Charuvi, Randy Ginsburg, Agustin Jais and Robyn Awend

A new art collective was born out of the need to find purpose and connection during the shut down period caused by the Covid 19 pandemic. Now the collective members launch a webzine that invites everyone to peer into their minds, get inspired and think of the various ways creativity has a potential to help cope with a global disaster.

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Rachel MacFarlane’s Paradise at Super Dutchess Gallery

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Rachel MacFarlane | Beacon | Single-channel video | 32” (Animation still) | 2020

I haven’t seen Rachel MacFarlane’s painting Sliver (2020). It would be reasonable to assume that I had, because Sliver is the centerpiece of Paradise, the show that this review is about. In fact, Sliver is the only painting in Paradise.

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