#digital art – Page 2

June 22, 2023June 22, 2023, by Amy Talluto

Ruby Palmer: Painter with a Kaleidoscope Eye

A person sitting on a couch with a dog

Description automatically generated — Ruby Palmer with dog, “Oscar,” in her studio in Red Hook, NY, Photo credit: Yuko Yamamoto

Ruby Palmer’s new acrylic and Flashe paintings, currently on display in her solo show Shift at Morgan Lehman through June 30, look like colorfully doodled Rorschach tests. Each work is densely populated with swirling kaleidoscopic symbols like flowers, feathers, and geometric shapes, all set over jewel-toned or neutral grounds. At her previous exhibition with the gallery, she showed wall sculptures made up of painted clusters of basswood, and her new paintings seem to take those networks of wood a step further and expand them outward like Hoberman spheres in a big-bang fashion. It was my pleasure to speak with her and find out more about this exciting new direction in her work.

March 31, 2023March 31, 2023, by Hovey Brock

Eva Davidova: Re-coding Our Paradox

HOT AIR

*Garden for Drowning Descendant/*Garden Sequence from “Flying and Drowning Dream,“ interactive mixed reality installation, 2022, with performer Danielle McPhatter.

Eva Davidova makes new media works that focus on ecological disaster, our interdependence as a species, and the political implications of technology which she unpacks with performative works rooted in the absurd. She imagines the paradox that one day our descendants–human or cyborg–will be constructing our reality as a simulation, and asks: “If we are the games our children will program one day, can we influence the code they are writing?”

March 11, 2023May 12, 2024, by Saul Ostrow

Beyond the Digital at Venus Over Manhattan (uptown)

Opinion

Installation view of "Beyond Digital", Venus Over Manhattan, 2022 — Installation view of “Beyond Digital”, Venus Over Manhattan, 2022. Photo courtesy of Venus Over Manhattan

Artists have been working with technology since the beginning of the 20^th Century. This represents an important moment in artmaking’s evolution, which until recently collectors and institutions haven’t wanted much to do with—the result is a lack of historical presence for such works. Without recourse to a history, every few decades promoters herald the emergence of an exciting new realm of expression or experimentation related to a new media, which appears to the uninformed to be without precedence—most recently it was the crypto-driven NFT market. It is this lack of a sense of history that makes it possible for the organizers of Beyond Digital to claim that this exhibition brings together pioneering artists whose works explore the possibilities of bridging the digital and physical realms. Problematically, this project is more than 50 years old and is built upon one that dates back to the start of the 20th century, when artists working in the modernist tradition started to adapt technology to art to produce light organs, slideshows and kinetic art.

November 29, 2022November 26, 2022, by Taylor F. Engle

What it Means to Be Human: HEES Displays Paintings and NFTs at Bechtler Museum and Aktion Art

HEES. “SEE ME FLY.” 2021-22. Acrylic, mixed media, and paintstick on raw canvas with 55 in LED screen insert- 4 NFTs play simultaneously, 84×96 in. Courtesy of Aktion Art.

A former-beauty-photographer-turned-artist, HEES’s creative journey has been one of consistent, self-taught innovation. The creator pivoted to painting 36 months ago, when he realized it was time for him to take on a new form of expression.

November 21, 2022November 2, 2022, by Art Spiel

Woolpunk®: Sunflowers & Graffiti’d Sky in the Garden State at Montclair Art Museum

Photo Story

Background pattern

Description automatically generated — Detail, Sunflowers & Graffitit’d Sky in the Garden State, 2022, 24 x 36. Digital Image with embroidery and textiles. Photo Credit: Megan Maloy

Sunflowers & Grafitti’d Sky in the Garden State is a large-scale wall-based work by artist Woolpunk® in the Laurie Stairwell exhibition space at the Montclair Art Museum. It consists of a photo highlighting inspirational communal land use and dietary wellness, juxtaposed by a spray-painted sky-blue mural that is visible from behind the sunflowers. The use of the graffitied wall in the photo reminds us of the air-polluted sunsets, which are so beautiful that they make us almost forget what causes them. “The sunflowers are treated as mutating militants filled with patterns and iconic images multiplying throughout the community garden,” the artist says.

October 14, 2022October 14, 2022, by Roman Kalinovski

Michael A. Robinson — Somma at DISPLAY

Michael A. Robinson’s site-specific project Somma, at DISPLAY in Parma, Italy, is the sum of many parts, all operating in tandem. The installation appears simple, featuring three wall-mounted LED works and metal arcs and hoops suspended from the ceiling. The space’s glossy floor and glass façade and door reflect the light emitted by the LEDs, potentially multiplying their presence based on the viewer’s position and the level of ambient light.

October 7, 2022November 2, 2022, by Art Spiel

Arden Bendler Browning at Bridgette Mayer Gallery

Featured Artist

Image from the opening reception of *Wayfinding* at Bridgette Mayer Gallery, photo courtesy of the artist

Wayfinding, Arden Bendler Browning’s solo exhibition at Bridgette Mayer Gallery in Philadelphia, follows the artist’s recent completion of a major public art project, Elastic Geography, a 25 by 140 foot mural on the side of Yards Brewery, commissioned by Mural Arts Philadelphia. The show includes 21 new paintings, a Vault installation of over 50 mixed media works on panel, and a custom interactive virtual reality. It runs through October 22^nd.

October 3, 2022December 30, 2022, by Etty Yaniv

Rec Lobe TV at The University of Wyoming Art Museum

In Conversation with NonCoreProjector collective

*Rec Lobe TV*, University of Wyoming Art Museum, 2022, Police Scanner, monitor, projections, sound, laptop, printer, printouts, speakers

NonCoreProjector is a collective of visual artists, technologists, scientists, and musicians experimenting with physical, biological, conceptual, and political data systems, along with human/AI symbiosis. In their projects they explore consequential relationships between spoken and written language and multisensory, visceral experience. Their project Rec Lobe TV is currently exhibiting at The University of Wyoming Art Museum through December 23, 2022. The NCP collective members—Jack Colton, Elias Jarzombek, John O’Connor, Rollo Carpenter and Nat Clark—are in conversation with Art Spiel about their projects and collaborative work.

September 12, 2022December 30, 2022, by Etty Yaniv

Sophia Sobers: How Life Might Look

Sophia Sobers, Power Tools, 2018, artist with plush fabric sculptures

Sophia Sobers started making site-specific and installation art in what she sees as a somewhat “meandering path.” She studied Architecture at the New Jersey Institute of Technology while taking art courses at Rutgers. There she started learning about working with space, concept, and materials. Simultaneously taking Art and Architectural History as well as Theory, expanded what she imagined as possible in the arts. Site specific works by artists like Robert Smithson and Gordon Matta-Clark as well as architectural projects like the Blur Building by Diller and Scofidio, inspired her deeply and set her on a path of wanting to create large scale installations.

December 6, 2021November 2, 2022, by Ágnes Berecz

Remote Work

A picture containing floor, wall, indoor, room

Description automatically generated — Kris Grey (NYC) and Barbara Maria Neu (Austria), *Miss(ing),* 2021. Video (runtime: 4 minutes, 8 seconds), performance (15 minutes) and sculptures. Photos: un/mute team

How can artists unmute themselves and make work in creative dialogue with each other while they experience forced solitude at faraway places? How can collaborative practices be reinvented in social isolation? And how can virtual and chance encounters between strangers can lead to the making of jointly authored images and objects? The un/mute project, initiated by EUNIC New York and Undercurrent, the independent exhibition space in DUMBO, was an attempt to probe these questions by inviting 32 artists to work across borders, languages, and media, while sharing the global experience of the Covid-19 pandemic at distant locations, under varied social circumstances, and in cultural contexts.