cultural appropriation

March 12, 2025March 10, 2025, by William Corwin

Up: Janet Goldner’s Zigzags at FiveMyles

Janet Goldner, installation view at FiveMyles

A cavernous cubbyhole with a variety of enigmatic gunmetal stalagmites emerges from the relative monotony of the urban backdrop of St. John’s Place in Crown Heights. Janet Goldner’s collection of sculptures, called Zigzags, populate FiveMyles’ exterior space, and while the viewer can enter this space through the gallery, the initial impression of jagged edges, pent-up energy, and the cold solidity of the welded metal objects makes one relieved there is a metal gate between us, the viewer, and them, the sculptures.

September 7, 2022December 6, 2024, by Etty Yaniv

Małgorzata Mirga-Tas Re-enchanting the World – the Polish Pavilion at the 59th Venice Biennale

A picture containing text, indoor, bedroom, decorated

Description automatically generated — Małgorzata Mirga-Tas, Re-enchanting the World, Polish Pavillion, 59^th Venice Art Biennale

As you enter the Polish Pavillion at the Venice Biennale 2022 you are surrounded by Małgorzata Mirga-Tas’ stunning floor-to-ceiling hand-stitched tapestry panels, richly depicting mostly female protagonists in everyday life. If you had a lucky chance to visit the Renaissance Palazzo Schifanoia in Ferrara, Italy, you would most likely soon discover in Mirga-Tas’ images myriad allusions to the Palazzo’s splendid ‘Hall of the Months’ cycle of frescoes portraying Olympian gods, astrological figures, and scenes from court life in Ferrara. The name of the Ferara palazzo derives from the phrase ‘schivar la noia’, meaning ‘escape from boredom’, which accurately defines the purpose of this splendid architectural gem—built for the leisure of the powerful Este family over 500 years ago.

June 8, 2020July 10, 2020, by Etty Yaniv

David Rios Ferreira – Catalytic Lines

(detail) *Don’t you see I got everythin’ you need*, 2019. Photo: Jason Wyche

David Rios Ferreira‘s energetic drawings, paintings, sculptures and installations flirt with cacophony yet manage to stay on the verge, creating an idiosyncratic sense of order out of chaotic turmoils. Through turbulent lines and vibrant colors, his imagery projects a rigorous visual universe where Geo-political and mythical narratives fuse organically. David Rios Ferreira shares with Art Spiel the main ideas behind his work, elaborates on some specific projects, and sheds some light on his prolific curatorial practice. Although our interview process started a few months before the Corona pandemic and the recent global protests related to the Black Lives Matter movement, David Rios Ferreira added his response to the current events, implemented at the beginning of this interview.