Beyond the Digital at Venus Over Manhattan (uptown)

Opinion

Installation view of "Beyond Digital", Venus Over Manhattan, 2022
Installation view of “Beyond Digital”, Venus Over Manhattan, 2022. Photo courtesy of Venus Over Manhattan

Artists have been working with technology since the beginning of the 20th Century. This represents an important moment in artmaking’s evolution, which until recently collectors and institutions haven’t wanted much to do with—the result is a lack of historical presence for such works. Without recourse to a history, every few decades promoters herald the emergence of an exciting new realm of expression or experimentation related to a new media, which appears to the uninformed to be without precedence—most recently it was the crypto-driven NFT market. It is this lack of a sense of history that makes it possible for the organizers of Beyond Digital to claim that this exhibition brings together pioneering artists whose works explore the possibilities of bridging the digital and physical realms. Problematically, this project is more than 50 years old and is built upon one that dates back to the start of the 20th century, when artists working in the modernist tradition started to adapt technology to art to produce light organs, slideshows and kinetic art.

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Color Matters at Galerie Richard

Color is a function of reflected light and it is intrinsic to everything we see. Color is also freighted with emotion for humans – certain colors can excite or depress us even without our awareness – teases, shouts, whispers, sings. Color can be fugitive or it may sound an alarm. As a painter and former paint-maker, color has been a lifelong obsession for me. It’s also the focus of a new, stunning group show at Galerie Richard on the Lower East Side.

Work by Carl Fudge facing work by Jamie Martinez
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