community art – Art Spiel

November 21, 2025December 1, 2025, by William Corwin

Shervone Neckles: Steeping Memory

We do rely on art for healing purposes, but art that directly heals often requires a performative component. That is not to say that it delivers results, but there needs to be an interactive element in which the art appears to “give back” to the viewer. I visited the shrine of St. Anthony in Padua, for me, it was mostly to see the Donatello altarpiece and the Antonio and Tullio Lombardo friezes, but it was impossible to ignore the numerous worshippers at the shrine, their foreheads resting against the saint’s sarcophagus, inserting small pieces of paper with requests for St. Anthony. For nine years, Shervone Neckles has wheeled her healing cart — the Creative Wellness Gathering Station throughout the five boroughs and dispensed potions to fascinated and grateful onlookers.

July 30, 2025July 31, 2025, by Art Spiel

80th Anniversary of the USA-JAPAN Atomic Bombings: Sowing seeds for the future

A collage of pictures of people and monuments AI-generated content may be incorrect. — Photo: Yasuyo Tanaka – Nuclear Disaster

The Children’s Art Carnival presents Seed Bomb, an exhibition marking the 80th anniversary of the devastating atomic bombings of Hiroshima and Nagasaki. Coinciding with this solemn milestone, the exhibition and its accompanying workshops take place in a deeply resonant location—Harlem, just blocks from Manhattanville, where research for the Manhattan Project was once conducted.

June 17, 2025June 17, 2025, by Etty Yaniv

CITYarts: Murals of Shared Stories

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Tsipi Ben-Haim started CITYarts because she saw how often young people—especially teens—are left out of important conversations. She believed that if kids had the chance to express themselves through art, they could inspire real change in their communities. The idea was simple: when young people create, they don’t destroy—they build, they imagine, they connect.

May 27, 2025May 28, 2025, by Etty Yaniv

Wherever I Lay My Head at the Jamaica Center for Arts and Learning

In Dialogue

Group picture(Members in picture from left to right): Euijin V. Ra (artist), Julia D. Shaw (artist), Courteny Symone Staton (artist), Laura OsCam (artist), Sherwin Banfield (Program Manager), TEDF (artist), Marleen Moise (artist).

Wherever I Lay My Head, now on view at The Jamaica Center for Arts and Learning , began with an invitation to Indira A. Abiskaroon to curate the culminating ARTWorks exhibition. The offer came from Program Manager Sherwin Banfield and was formalized in conversation with Director of Program Operations Wendy Arimah Berot. Abiskaroon’s first priority was to spend time with the ARTWorks Fellows—to learn how their practices had developed over the course of the program and to hear what ideas had been resonating in their weekly sessions.

April 13, 2025April 14, 2025, by Etty Yaniv

DUMBO Open Studios 2025 with Cheryl Wing-Zi Wong

On April 26th and 27th, from 1 to 6 pm, artists in DUMBO will open their doors to the public as part of DUMBO Open Studios, offering a rare look inside the art studios along the Brooklyn waterfront. Since the 1970s, DUMBO has been shaped by its vibrant art community. This interview series highlights a handful of participating artists in 2025. Each response offers a glimpse of what’s waiting behind the studio door. Cheryl Wing-Zi Wong has been in DUMBO since 2015. Her studio is at 20 Jay Street #M10B (mezzanine level).

September 5, 2024October 6, 2024, by MICHELE JASLOW

Art Spiel Picks: Downtown Los Angeles in September 2024

HIGHLIghts

*Nancy Baker Cahill, Substrate Part #1: Universum*, video still, project artists Shereen Moustafa, Mark Sosa, Casper Torres, and Miguel Zavala-Lopez, Central Library Video Wall, Los Angeles Central Library, Los Angeles. On view through December 2024. Video still selected by the author.

Three Downtown Lost Angeles exhibitions use data, disaster, and a shared history to explore community connections. They tap into the past, present, and imagined future to speak about class, labor, and inequity through the use of storage systems, pride of place, and what happens when things fall apart. At Gallery Luisotti’s El Cuerpo: The (Performing) Body and the Photographic Stage Chicano/a artists use themselves as subject to connect through a shared history, at the Los Angeles Central Library Nancy Baker Cahill: Substrate Part #1: Universum uses civic institutions, cultural resources, and data storage systems to forge a connection of community driven by data and at The Museum of Contemporary Art MOCA Grand exhibition Josh Kline: Climate Change community members connect to survive the aftermath of the climate crisis.

August 19, 2024August 16, 2024, by Claire Haik

Art Spiel Picks: Philly Exhibitions in August 2024

HIGHLIGHTS

*The Woodmere Annual: 82nd Juried Exhibition*, partial installation view at the Woodmere Art Museum, photograph courtesy of the gallery

This August in Philly, there are some unexpected gems in what is a typically quieter art season. If you want to experience artwork that recasts the familiar in fantastical ways, spend time at Paradigm Gallery + Studio in Old City with Megan Rea’s reimaginings of Italian frescos. North of the city, at the Woodmere Art Museum, the 82nd Annual Juried Exhibition showcases exceptional Philadelphia artists meditating on what it means to “belong.” Finally, the Institute of Contemporary Art in University City presents an emotionally intense video and photography installation by Polish artist Joanna Piotrowska.

August 13, 2024August 12, 2024, by Art Spiel

Everything Ends Eventually: Precious Objects for Eschatonic Times

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R+R artists’ paths converged during their 2019 residency at Millay Arts. United by their passion for sculpture and approach to life, they became fast friends committed to keeping their long-distance friendship going. E.E.E. is their inaugural project, for which they were awarded an LMCC Creative Engagement Award. Through their curatorial project, they aim to foster community by merging their NY/Miami worlds. As artists, they felt strongly about producing in-person experiences and giving their peers autonomy over their narratives—”Real people, real objects, real connections.” They envision E.E.E. to be more than just a group show. It is a home base where, for two weeks, they host events and set up communal artwork. “We hope the show will be the first step in an ongoing dialogue that does not end when the exhibition doors close,” said the show curators, Rina AC Dweck and Richard Moreno.

April 1, 2024April 1, 2024, by Etty Yaniv

Among Friends

In Conversation

In the summer of 2017, Beth Dary and Patricia Fabricant visited the Museum of Modern Art to see the Robert Rauschenberg show Among Friends. As they were looking at the exhibition, they separated and later found each other at the installation of Hiccups, which consisted of ninety-seven sheets of handmade paper with original Xerox transfer collages zipped together. “At that moment, we both had the same thought—we could hand out zipper papers to our friends to create a great collaborative show,” they recall. Patty had been simultaneously talking with Alexandra Rutsch Brock, who was similarly inspired by Hiccups and had even gone so far as purchasing some zippers. They reached out to their friend groups, and it took off from there. “We had no idea how it would turn out, but we knew it would be a fun adventure,” the co-curators say. Since this art project initiative started during the Trump administration, when women’s rights were under attack. it was important for them to include a charitable component such as Planned Parenthood.

March 4, 2024March 4, 2024, by MICHELE JASLOW

Jody Wood Is Taking Care

Social Pharmacy (Installation View), Skövde Art Museum, Sweden

Jody Wood uses mediums of social practice, video, photography, and performance in her art practice. On a brisk January afternoon in Brooklyn, we discussed the joys of transformation and the metrics to determine success and trauma in healing. Wood’s recent work re-imagines routines in poverty support agencies, aiming to sculpt power dynamics and relationship networks and resist stigmas surrounding poverty. Her solo show Collecting Health at Open Source Gallery features Social Pharmacy (2021-ongoing), a project that redefines public health as a collaborative performance and asks what healing rituals can be found in simple acts of generosity between members of society and by utilizing the natural world around us. Collecting Health at Open Source Gallery runs from February 10 to March 22, 2024.