Myron Stout: Materiality, Meaning, and the Geometry of Abstraction

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Myron Stout (1908–1987), Untitled, at Peter Freeman, Inc.
Untitled, no date, charcoal on Strathmore paper, 25 1/8 x 19 inches, (63.8 x 48.3 cm), PF8230

An exciting exhibition of Myron Stout’s early charcoal drawings is currently on view at Peter Freeman Inc. in the SoHo district of NYC, running from January 16th to March 1st, 2025. This collection of approximately 35 works from the late 1940s and early 1950s offers a glimpse into the evolution of Stout’s personal style as he shifted toward reductive geometric abstraction. Positioned within the broader context of mid-20th-century abstraction, these drawings mark a bold departure from the era’s dominant trends, which often incorporated symbolic, gestural and representational elements.

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Nina Meledandri: Somewhere in Between

Nina Meledandri, starting w/(a) line: 7.27.18 – 8.3.18, 2018, 2018, watercolor and ink on paper, 5 x 7″ each, photo: Nina Meledandri

Nina Meledandri ‘s images mostly come in multiples. With sensibility that is both poetic and analytical, she creates series of photographs, paintings, and frequently a combination of both. Altogether her body of work forms a vibrant and imaginative internal dialogue. She shares with Art Spiel some of her thought process, what prompts her imagination, and what has brought her to art.

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