Artist Melissa Stern says that the chance to work with dancer Louisa Pancoast on their Strange Girls Dance project at Garvey / Simon was a wonderful bit of serendipity. They met at exactly the right time. Pancoast is the Assistant Director of Garvey Simon Gallery, but her real passion is dance. “She is a gifted dancer and choreographer,” says Stern.
Andrea Burgay, Nothing’s Ever Lost (Turn The Page), 2018, Mixed-media collage, acrylic, UV glaze, 30 x 44″, photo courtesy of the artist
The combination of material and abstracted imagery in Andrea Burgay’s complex and richly layered collage work makes the passage of time tangible – traces of destruction along with a sense of potential renewal. She shares with Art Spiel some of her main art processes, core ideas, and current projects, including her recently launched art magazine “Cut Me Up,” a publication with a fresh twist. Continue reading “Andrea Burgay – Sorting Through Chaos”
Melissa Stern‘s artworks depict abstracted narratives with complex emotional layers, projecting altogether an urgent psychological presence. The figures in her drawings and sculptures inhabit an absurd universe which is darkly funny in a deeply felt way. Her imagery is precise, poetic, and overall underscores a close affinity with language – bringing to mind an artist who is both an acute observer and a witty commentator. That said, it is Stern’s sensibility of raw and expressive forms that makes her not only an observant narrator but also an empathetic participant in her own human comedy. The artist shares with Art Spiel her modes of thinking, process of making, and some plans, including her solo show opening on Oct 11 at Garvey Simon Gallery.
Melissa Stern, Red Boots 30 x 8 x 10 inches, Clay, graphite, object, linoleum, 2016
Anne Gilman, Up close / in the distance / now, 2018, pencil, graphite, tape, ink, BIC ballpoint pen, matte medium on mulberry paper, 340 x 38 inches, photo courtesy of the artist
The surface of Anne Gilman’s scrolls and drawings is characterized by incisive and often repetitive graphic marks which altogether create portals to the artist’s fluid emotive states. In her Interview for Art Spiel, Gilman reflects on the roots of her intricate process-oriented approach and also sheds light on some of her current projects. Continue reading “Anne Gilman: Marking Beneath the Surface”
David Wojnarowicz , Untitled (Face in Dirt), 1991 (printed 1993). Gelatin silver print, 19 × 23 in. (48.3 × 58.4 cm). Collection of Ted and Maryanne Ellison Simmons. Image courtesy the Estate of David Wojnarowicz and P.P.O.W, New York
Like a gut-punch for the eyes, The David Wojnarowicz show History Keeps Me Awake at Night at the Whitney Museum of American Art hits the viewer with a visceral, almost-physical jolt of emotion. Bodies are veiled in photographic shadow and light, primary colors leap off large canvases stuffed with collage, lighted globes and spoken words combine to map out the passion and rage experienced by the artist in his relatively short life. There is such variety in the exhibition that my friend and I almost missed a whole gallery, mistaking it for a different artist’s work.
Leslie Kerby,Shots and Ills, 2015, mixed media collage, oil, paper, litho transfer ink, 18-x-20 inches. Photo credit Bill Orcutt
Leslie Kerby creates mixed media collages, installations, and diverse collaborative work with nuanced commentary on current social and cultural climate. In her interview with Art Spiel she sheds some light on her diverse professional background, art-making process, ideas, and plans. Continue reading “Leslie Kerby: At a Moment of Change”
In her poetic and playful installations Viviane Rombaldi Seppey coalesces everyday objects and materials, altogether bringing to mind contemporary issues of identity, culture and environment. Maps, phonebooks, and books become directly embedded in her work as drawings, collages or sculptural objects. She has recently shared in an interview with Art Spiel some of her ideas and experiences. Continue reading “Viviane Rombaldi Seppey – Mapping her Road”
Get Loose, installation view, photo courtesy Rick Wester Fine Art
Get Loose, the three person show Curated by Tracy McKenna at Rick Wester Fine Art, features work by Cat Balco, Ben Godward, and Jason Rohlf, who all show a knack for unexpected twists of material resulting in exuberant abstracted forms and unorthodox color across the board. The abstract paintings and sculptures in the show prompt loose interpretations of Geometric Abstraction, where the hand is rigorously present. Continue reading “Get Loose at Rick Wester Fine Art”
“Containment”, partial Installation view at Visual Arts Center of New Jersey, (right wall: Erin Diebboll, center front: Linda Ganjian, left: david Packer), photo by Etienne Frossard
The group of international artists throughout the two exhibitions at the Visual Arts Center of New Jersey – “Containment” and “Oh what a world! What a world!” are altogether reflecting on social, political, and cultural changes in recent history. “Oh what a world! What a world!”, located in the Main Gallery, addresses a wide array of issues related to immigration, gender equality, civil rights, policing, protest, and the state of our Democracy. “Containment”, at the Eisenberg and Strolling Gallery, addresses specifically hot trade issues – how the use of shipping containers affects our ability to trade and ship goods globally, coming to the forefront with Trump’s attempts to remove the country from existing trade deals. Both shows were curated by Mary Birmingham. The following preview on the two shows is largely based on text provided by the NJ Visual Arts Center.
Installation view, (Christina Massey), courtesy of efa Project Space Program
Studio Immersion Project (SIP) is an intensive 3 month studio fellowship designed to immerse artists in the world of printmaking. Throughout the fellowship period SIP Fellows build upon existing skills and acquire new techniques. Through a selective application process the SIP invites artists from all media who are interested in exploring printmaking as an integral part of their art making. Continue reading “Studio Immersion Project Annual Exhibitions”