Belonging to P.A.D. (Project Art Distribution)

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“Popular Jewelry” featuring Arkadiy Ryabin, Johanna Stroebel, Clarissa Hurst, and Ann Treesa Joy, on September 26, 2020, photo credit to Adam Golfer, image courtesy of P.A.D.

The artist-run Project Art Distribution (better known as P.A.D. or @project_art_distribution on Instagram) hosts day-long outdoor exhibitions on versatile packing 72”x80” pads. Set up in Soho, one of New York’s art and retail hubs, the padded surfaces become the metaphorical and physical exhibition space of the usual pristine white cube galleries. Unlike the current Soho rental clientele of luxury brands and gallery spaces, P.A.D. has no walls. Lacking barriers in more than one way, the sidewalk gallery provides the public, the artists, the curators, and the organizational collaborators a welcomed openness to art and discussion. The project creates an ongoing network that ever-expands its community.

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Yvette Molina: Big Bang Votive at the Visual Arts Center of New Jersey

In Dialogue with Yvette Molina


Yvette Molina in residence at the VACNJ before shutdown. Photo credit: Ettienne Frossard.

Big Bang Votive, Yvette Molina’s collaborative storytelling art installation has evolved over fifteen weeks, utilizing the Mitzi and Warren Eisenberg Gallery at the Visual Arts Center of New Jersey through January 18th, 2021. Yvette Molina creates an immersive audio-visual experience — accompanied by a 30-minute surround sound composition played on a loop, her installation includes three hundred paintings of starry skies, some with votive symbols of delight or love taken from stories gathered from the public, a work-table with the artist’s materials, and an on-going “story catcher” project involving public participation.

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In Accordion Time, Unfolding : A Pandemic Archive at Ursa Gallery

In Dialogue with Alexandra Rutsch Brock


Patricia Fabricant, Jo Yarrington, Katherine Jackson, Ellen Hackl Fagan, Alexandra Rutsch Brock, Patricia Miranda (missing Josette Urso) – watching President-elect Joe Biden’s victory speech Nov. 7, 2020 – after our gallery reception. Photo courtesy Dustin Malstrom

The group exhibition In Accordion Time, Unfolding : A Pandemic Archive marks the opening of Ursa Gallery, an experimental gallery showcasing contemporary art and design located at the historic Arcade Mall in Bridgeport, Connecticut. This art venue was founded by Cris Dam and conceived in collaboration with Dustin Malstrom. Cris was also cofounder of Dam Stultrager in 1998 – one of the earliest galleries in Williamsburg, Brooklyn. Co-curated by Alexandra Rutsch Brock and Patricia Miranda, the exhibition features mail art in the form of accordion-fold books and digital dialogues by the London Calling Collective over the challenging past year. It runs through February 12th, 2021.

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Artists on Coping: Morgan Jesse Lappin

Morgan Lappin photographed by Hannah Bryan, 2012

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Morgan Jesse Lappin b. 1979 is a visual artist, entertainer, musician and image-maker Lappin first started creating collage art in 2007 for a clothing company creating original designs. In 2008, Lappin moved to Brooklyn and began working with paper to create contemporary collages. His art, like his mind, is a combination of comedy and chaos with elements of music, vintage horror and sci-fi. Lappin’s work ranges from seven-foot- long cartoon metropolises, to fictional album covers, to take-out Greek diner coffee cups embedded with tiny paper worlds. He uses nostalgic material from his childhood from the 80s, such as VHS Tape boxes, video game cartridges, and any other 80’s household items that could cause you to experience flashbacks. Having a background in collecting and curating, he set out to assemble some of his favorite collage artists from NYC, and so in 2013 the Brooklyn Collage Collective was born. The BCC has now exhibited all over the world and has a strong global presence amongst collage makers and collectors alike.

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Christina Massey’s USPS Art Project

Hema Bharadwwaj and Eileen Ferara, USPS Art Project Collaboration

When the lockdown began in mid-late March in New York City, artist Christina Massey felt it was too soon for her to address the pandemic in her own artwork. While desperately trying to process the disorienting news shifting by the hour, she was noticing an uptick in posts calling for people to save the Postal Service by buying stamps. The idea for the USPS Art Project came to her with immediate clarity. An artist starts making an artwork and mails it to a partner to complete and vice versa.

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Artists on Coping: Alison Lowry

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Alison Lowry

Alison Lowry, with handmade glass awards at the Business to Arts awards ceremony in Belfast

Alison Lowry is a glass artist living and working from her studio, ‘Schoolhouse Glass’ in Saintfield, Co. Down in Northern Ireland. In 2009 she graduated from Ulster University with an Honors degree in Art and Design. Since then she has won numerous awards including first place in the category, ‘Glass Art’ at the Royal Dublin Society in 2015 and 2009, the Silver Medal at the Royal Ulster Arts Club’s Annual Exhibition in 2010, the Warm Glass Prize in 2010 and 2011 and more recently the Bronze Award at Bullseye Glass’ exhibition for emerging artists, ‘Emerge’. Alison exhibits nationally and internationally, and her work is held in several public collections. Her current exhibition, ‘(A)Dressing our hidden truths’ is currently on display at the National Museum of Ireland in Dublin

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Artists on Coping: Kay Sirikul Pattachote

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Kay Sirikul Pattachote in her studio. Photograph by Pratya Junkong

Kay Sirikul Pattachote‘s paintings utilize the abstracted forms of flowering plants as a vessel for channeling her daily meditations. These plant forms provide parameters for her interpretive brushwork and within them she is able to record her experienced energies and emotions. Ritualistic actions, such as sewing and repetition, further her meditative practice and deepen her ability to record the ephemeral on her surfaces.

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Susan Luss at the Museum of Art & Culture in New Rochelle

Artist in Residence Susan Luss highlights her installation in House 4 MAC Gallery and windows.

Partial installation view, today, I am…Photo credit: Susan Luss

In 2019 Artist Susan Luss was invited by the New Rochelle High School to be their first visiting artist working on site responsive installations. The school has its own museum and cultural center on its campus, called The Museum of Arts & Culture, which is the only Regents-chartered museum inside of a school in the state of New York. This collaborative project became a formative experience for the artist. Susan Luss describes the ways she formed her ideas, her collaborative work with students and faculty, as well as her takeaway from this multi layered project overall. The exhibition runs through Feb 13th.

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Nota Bene with @postuccio [ix]

TSA & Transmitter, The New York Studio School

TSA & Transmitter

It is often the case that the immediate juxtaposition of aesthetically kindred galleries TSA and Transmitter allows, maybe accidentally encourages visitors to make observations about concurrent exhibitions with relation to one another. I’m not sure the curators at the respective spaces are always keen on hearing such thoughts – especially from me, since over the years they’ve likely tired of knowing that I’ll always be looking for something – but there are times when the formal or conceptual fluidities or contrasts between shows are so striking that commentary of the sort proves simply irresistible. Continue reading “Nota Bene with @postuccio [ix]”

Nota Bene with @postuccio [vi]

M. David & Co. ,Cosmic Veggies, El Sótano, C&M Creative

M. David & Co.

So certainly sonorous that it’s surely a song is the duet of solo shows by Len Bellinger and Denise Sfraga that didn’t just open, but robustly, vividly, gregariously and, in part, also florally burst into being at M. David & Co. a couple of weeks ago. The energy and dynamism of the works in both exhibits is readily infectious, such that the reception itself assumed the same airs. That might’ve even been what catalyzed some of the springtime climes we’ve felt of late. And if so, great. Let’s see more, please.

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