Field in The Wind: Scott Sueme at Uprise Art

The Field is All Around Us: Scott Sueme’s Solo at Uprise Art Will Change How You See Space
Installation shot of Field in The Wind, Scott Sueme, Uprise Art, 2025

In Scott Sueme’s latest collaboration with Uprise Art, the artist asks, “If you are called to look, what do you see?” In fact, I pose the question to you right now. As you lie in bed reading this when you really should be asleep or as you doomscroll art news to avoid doomscrolling national news, Sueme calls you to look with the consideration of someone devoted to noticing the breath within the breath, the moment within the moment.

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Peter Gynd: 10989 Dunlop Road

In Dialogue
Peter Gynd, Figures which do not behave within the structure of a Story, 2023, oil on linen, 48 x 36 inches

10989 Dunlop Road features Peter Gynd’s recent oil paintings, inspired by the tranquil garden of his mother’s home in kwekwenis (Lang Bay), British Columbia. This series captures the shifting essence of cedar and fir trees that stand at the garden’s entrance, embodying themes of rebirth and spiritual renewal. Each painting serves as a reflection of Gynd’s connection to this place of refuge during a pivotal time.

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Tina Struthers: Life in Fiber


Tina Marais Struthers, studio in Montreal, 2020, Photo courtesy of Josiane Farand

Tina Marais Struthers’ work develops from a rigorous, personal, and highly technical consideration of fiber as an evocative medium deftly addressing subjective experience, memories of place, and processes of change and growth. Struthers says she is fascinated by how fabric reflects and absorbs light, how it can entice us to touch, and feel comfort, or discomfort, by visual directing textures—”In this world during the pandemic, this need to touch, to feel textural comfort I think has really been amplified. I often challenge the notion of textile as being soft, in manipulating it to appear as metal sculptural forms.”

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Melanie Daniel – No Man’s Land at Asya Geisberg


Melanie Daniel, No Man’s Land, Installation view. Courtesy of the artist and Asya Geisberg Gallery, New York

Melanie Daniel’s fifth solo exhibition at Asya Geisberg Gallery, No Man’s Land, continues the artist’s fascination with creating post-disaster environments, radiating with neon vibrancy and highly dense compositions. Her non-place surroundings are reminiscent of jungle clearings and scorched forests, where the trees are scarred and chopped, the water is acidic and the backgrounds swirl around the central protagonists, whether people or objects, with a restless tempo that leaves no room for the imagined tranquility.

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Iris Häussler – Invented Biographies

Iris Häussler, Apartment 5

Throughout her multi-faceted installations, the German-born Canadian based artist Iris Häussler has been slipping in and out of multiple characters. Her invented underdog protagonists live through diverse historical periods and traverse vast geographies. Häussler’s rigorous installations transform any categorization. They are placed between life and art, coalescing multi-disciplinary collaborations including performance, literature, and richly layered visual vocabularies such as drawing, installation and sculpture. The visitor is invited to experience an individual’s life within a specific context of place and history, to decipher the clues from the artifacts and materials throughout installations that reflect on fiction, history and the meaning of a creative identity.

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Peter Gynd – Studio on the Road

Peter Gynd, Blanketed 15-003, 2017, archival inkjet print on Hahnemulhe  photo rag 308gsm, 15.875 x 23.75 inches framed, Edition of 5 +1AP , photo courtesy of the artist

Peter Gynd is a prolific artist, curator, and gallery director. As a Canadian artist who has been well immersed in the New York City art world, Gynd has a vista on both worlds from a unique perspective. We have been in dialogue for several years and this is a compilation of the issues we have touched upon in our conversations. Continue reading “Peter Gynd – Studio on the Road”