bushwick – Page 3

Notice: Function WP_Object_Cache::add was called incorrectly. Cache key must not be an empty string. Please see Debugging in WordPress for more information. (This message was added in version 6.1.0.) in /www/artspiel_344/public/wp-includes/functions.php on line 6131

May 15, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Ellen Hackl Fagan

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

:headshot_seeking the sound of cobalt blue_portrait.jpg — Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue, Installation during Bushwick Open Studios, 2018. Photo: Charles Geiger

Ellen Hackl Fagan is an artist and the creator of ODETTA, a contemporary fine art gallery in Harlem, NYC. Fagan builds connections between color and sound using color-saturated paintings, sculpture, installations and collaborative projects that explore our potential for synaesthesia, often resulting in ad hoc performances with viewers. Balanced between randomness and intention, like jazz music, Fagan’s art reveals limitless possibilities for improvisation. Fagan also invented The Reverse Color Organ (RCO), a web app that enables viewers to playfully interact aurally with color. Fagan exhibits her work extensively, curates, writes, and creates opportunities for collaborations with artists, curators, musicians, and coders to further her projects.

April 10, 2020April 10, 2020, by Etty Yaniv

Artists on Coping: Levan Mindiashvili

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Levan Mindiashvili, Self-Portrait in “Study of The Large Glass (M.D.)” 2019, hand-painted liquid mirror on glass mounted on steel frame, 14” x 12.” From the series “Plates for Decolonized Art History,” 2019 – .

Levan Mindiashvili is a Georgian born, Brooklyn based visual artist. He creates immersive modular installations that deal with fluidity as a current state of being and explores the shifting conditions of canonical truths regarding identity, language, and history. He is interested in expanding possibilities of contemporary cultural production, and by juxtaposing traditional art-making with social practices such as dinners and raves, his goal is to expand the outreach and create more inclusive experiences.

January 16, 2020November 15, 2020, by Etty Yaniv

Annesta Le at Yi Gallery

Art Spiel in Dialogue with Cecilia Zhang Jalboukh, founder of Yi Gallery in Bushwick

Installation view of Annesta Le solo exhibition “Inner Space” at Yi Gallery Project Room in Bushwick, Brooklyn, 2020. Photo by Yi Gallery.

The Bushwick based Yi Gallery evolved out of Cecilia Zhang Jalboukh’s experience and vision. At its current form it shares space with The Border at 56 Bogart. Yi Gallery’s founder elaborates on Annesta Le’s current solo exhibition, shares with Art Spiel the genesis of Yi Gallery, as well as her vision for the space.

December 18, 2019November 15, 2020, by Etty Yaniv

‘Openings’ at Studio 10

Art Spiel in Dialogue with Larry Greenberg and Kate Teale

A picture containing wall, indoor, bathroom, room

Description automatically generated — Installation view

Kate Teale and Larry Greenberg have been exchanging art ideas for many years. Recently, their conversations have transformed into a fascinating collaboration, resulting in a two person painting show at Studio 10 in Bushwick. Larry Greenberg, the founder of Studio 10, and Kate Teale, a painter who has showed her work there regularly, share with Art Spiel how ‘Openings’ came about.

November 19, 2019November 15, 2020, by Etty Yaniv

Juliette Dumas – Whale Flukes Paintings at The Neue House New York

In Dialogue with gallerist Silas Von Morisse on the Whale Flukes Paintings and beyond

Installation view, Juliette Dumas, Whale Fluke (Night) at The Neue House New York

Silas von Morisse founded a reputable gallery in Bushwick in 2014. Then, in 2018, due to notable shifts in the art world for small venues like hers, she decided to drastically change her model: from exhibiting in a physical venue, to featuring art as a mostly online presence paired with events which enable viewing in person. Silas von Morisse shares with Art Spiel her changed mode of operation, while highlighting the current show featuring Whale Flukes paintings by the French artist Juliette Dumas.

July 1, 2019November 15, 2020, by Etty Yaniv

Manju Shandler – Moxy for Un-branding

Manju Shandler, Wonder Whale 1, 2018, Mixed Media, 23 x 19 inches

Manju Shandler has moxy for un-branding. Incisive and diverse, her mixed media paintings, drawings, and sculptures are all layered with imaginative narratives which depart from her personal experience as a woman artist into contemporary socio-political terrains. Shandler shares with Art Spiel what brought her from theater and performance to painting and sculptural installations, her process of art making, and some of her current studio work.

May 12, 2019May 12, 2019, by Paul D'Agostino

Nota Bene with @postuccio [vi]

M. David & Co. ,Cosmic Veggies, El Sótano, C&M Creative

M. David & Co.

So certainly sonorous that it’s surely a song is the duet of solo shows by Len Bellinger and Denise Sfraga that didn’t just open, but robustly, vividly, gregariously and, in part, also florally burst into being at M. David & Co. a couple of weeks ago. The energy and dynamism of the works in both exhibits is readily infectious, such that the reception itself assumed the same airs. That might’ve even been what catalyzed some of the springtime climes we’ve felt of late. And if so, great. Let’s see more, please.

March 30, 2019March 31, 2019, by Danielle Burnham

Lizbeth Mitty & Dana James: The Thread

at M. DAVID & CO. GALLERY extended thru APRIL 21st, 2019 and an artist talk on April 14th at 4PM with Lilly Wei

Lizbeth Mitty in her studio. Photo courtesy of the artist.

Dana James in her studio. Photo courtesy of Drew Reynolds

I met with rising talent artist Dana James and her mother, veteran NYC artist Lizbeth Mitty, prior to their joint exhibition, “The Thread,” which opened March 15th at M. David & Co. Gallery in Bushwick. It was late February, and the artists were trying to answer the lingering question: Which new works should we display?

The debate was an extension of a conversation that had been running for months. Throughout the creative process, alone in their respective studios, the artists had frequently exchanged feedback on works in progress, eschewing criticism for constructive, “technical” suggestions that served to “open the floodgates” and renew the other’s creative energy.

February 16, 2019February 16, 2019, by Paul D'Agostino

Nota Bene with @postuccio [ii]

SRO Gallery, M. David & Co., ODETTA, Klaus Von Nichtssagend

SRO Gallery

Dozens of warmly chromatic landscapes with hints of fantasy and abstract intrigue are on view in “Unextinguished,” a kind of amuse-bouche of a genre-specific group show that opened at SRO Gallery a couple weeks ago. It features a great many paintings, and a great many relatively literal as well as apparently non-objective takes on landscapes by Sahand Tabatabai, Sheila Lanham , Cathy Diamond , Moses Hoskins, Cathy Nan Quinlan and Cecilia Whittaker-Doe. If you need a respite from the drudgery of winter (I always do), head over to SRO.

January 29, 2019February 7, 2019, by Paul D'Agostino

Nota Bene with @postuccio

Microscope Gallery, Underdonk, Transmitter, TSA New York, Studio 10, Amos Eno, The Border Project Space, Green Door Gallery, Scholes Street Studio

Microscope Gallery, Underdonk, Transmitter, TSA New York

Above are just a handful of hints and glimpses of notions of formal analogousness I noted among four quite different works by four different artists in four different excellent exhibits, all of which opened at the 1329 Willoughby building in Bushwick on the same night earlier this month.

At top left, an instant of a video involving a ‘vectorial world’ by Lisa Gwilliam & Ray Sweeten at Microscope Gallery . At top right, one of Amy Butowicz‘s amusingly alt-quotidian metamorphs in her bizarrely joyous solo show at Underdonk . This piece in particular seemed immediately suggestive of Humpty Dumpty’s pants, or The Penguin’s pants, or the pants worn by some bloviating politician in a parodical caricature by Daumier. I’m not sure if they’re supposed to be anything of the sort. I am sure I want pants, or I guess culottes, of just that sort. Moving along, the painting to which those pants, or maybe ‘pants,’ point is by Alessandro Keegan . It’s one of several strong works he’s showing in “Heed,” a winning two-person show at Transmitter that features also very strong work by Angela Hiesch . At bottom left, a sculpture that seemed to imply a distilled tincture of time frozen still in atemporal liquid motion, or something of such a strangely wordable sort, in “Object of Desire,” a large group show curated by Amanda Martinez at TSA .