Crazy River: Umwelt Series Part III

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Crazy River Umwelt Series Part III

A central theme in my Crazy River project has been highlighting the emotional toll of the climate crisis by putting under a microscope, so to speak, my own feelings about not only the impacts of the crisis but the knowledge that humans’ actions are the cause. This series of three on-line essays, thought experiments if you like, expands that project to change the POV to non-human actors that are inextricably bound with the habitat in the Western Catskills: the black-legged or deer tick (Ixodes scapularis), the white-tail deer (Odocoileus virginianus), and Japanese knotweed (Reynoutria japonica). All three have seen their habitat change dramatically through climate change and human interventions. Using my imagination and research, I try to enter the umwelt of all three species, an impossible task, as Thomas Nagel pointed out in “What Is It LIke to Be a Bat,” for which artistic license may give us the best chance to accomplish. My intentions in doing so fall along three axes: theoretical, aesthetic, and spiritual, dimensions all essential to my own art practice. Part III looks at the umwelt–a term normally applied only to animals whose use in this instance I will explain later–of Japanese knotweed from the perspective of the Vajrayana, or Tantric Buddhism.

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Artists on Coping: Andra Samelson

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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“ Circling”, 30 x 30 inches Acrylic on Canvas 2018 Courtesy of the Artist

Andra Samelson is a multi-media artist whose work explores the relationship of microcosm and macrocosm with imagery associated with molecular and galactic systems. She holds a B.A. degree from Sarah Lawrence College and has received fellowships from the NY Foundation for the Arts, the Corporation of Yaddo, and the Virginia Center for the Creative Arts. Her work has been exhibited extensively in galleries and museums both nationally and internationally, and is represented in several private and public collections including the Rubin Museum of Art, the Library of Congress, Chase Manhattan Bank, Dow Jones, and the Loyola University Museum of Art.

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Mary DeVincentis – Conscious Rituals

Mary DeVincentis paintings conjure worlds that are simultaneously inner and cosmic, personal and universal, unexpected yet strangely familiar. Some of the core concepts of Buddhism, such as impermanence, emptiness, interdependence and the origins of suffering, aversion and ignorance, often surface in her work in allegorical forms. Her imagery, conveyed with a remarkable fluidity of color and form, takes the viewer deep into their own inner worlds.  The artist shared with Art Spiel some of the experiences that led her to art, some of the ideas behind her work, and her overall process.

Mary DeVincentis, Heaven Can’t Wait, 23” x 35”, acrylic on yupo on panel, 2017, photo courtesy of the artist

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