Judy Pfaff, Barcelona, 1990, steel, plastic, glass, table and chairs, 168 x 168 x 168 inches
It began, as many enduring ideas do, over wine and conversation. Michael David, painter, curator, and gallerist of M. David & Co., was speaking at a dinner with Judy Pfaff about her close friend and early champion Al Held. The talk drifted to another dear friend, Elizabeth Murray, and then to her admiration for Frank Stella. From that exchange evolved the idea for Singing in Unison, Part 12: Painting in Space, curated by Michael David, and now on view at Art Cake in cooperation with The Brooklyn Rail.
Installation View. Phong H. Bui and Sol LeWitt. Craig Starr Gallery (1)
For both Phong Bui and Sol LeWitt, the line is a democratizing gesture. The line as a line: a mark; steering focus towards the method of an image’s creation rather than convincing the viewer of the realism of its ultimate subject. And, at least for both of these artists, this means we begin to deal with units. With LeWitt, the unit is the geometric shape — a square, cube, or even a diagram-a nugget of information, often placed within another diagram, offering multiple levels in the narrative of the work’s process and arrangement.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Heather and Raphael Rubinstein
Heather and Raphael Rubinstein divide their time between New York City, northeastern Pennsylvania and Houston. Heather’s most recent exhibitions of her paintings were at the beginning of 2020 in New York, pre-covid, with a solo in Houston at McClain Gallery. Raphael had two books come out in early March as New York was shutting down: a monograph on artist Guillermo Kuitca, published by Lund Humphries, London, as part of their Contemporary Painters Series edited by Barry Schwabsky; and Albert Oehlen: Spiegelbilder 1982-1990, published by Holzwarth Publications, Galerie Max Hetzler Berlin and Nahmad Contemporary. Planned for 2020 was a new curatorial project of theirs: an exhibition on the topic of Poet+Painter collaborations—scheduled to open at a downtown non-profit in New York (pre-covid)—and in many ways, an extension of their 2019 “Under-Erasure” exhibition that took place at Pierogi Gallery in New York. In lieu of in-person projects, Heather is working on expanding their “Under-Erasure” digital archive, publishing an Under-Erasure image-book, and a virtual Poet+Painter exhibition. Raphael is currently writing The Miraculous: New York—with episodes appearing monthly in The Brooklyn Rail —a sequel to his book, The Miraculous (Paper Monument, 2014). They are currently working towards publishing The Miraculous: New York as a public art project in New York for 2021-22.
