Upstate Art Weekend, If You Missed It, It is Still Here!

Pauline Decarmo, CHAMPION, 2024, acrylic on wood panel, 24 x 24 inches, LABspace

145 galleries, venues, historical sites, performances, and a few fashion stops and upscale grocers for foodies thrown in for good measure, all scattered across 10 counties north of New York City. This comprised Upstate Art Weekend, a four-day festival highlighting the diversity and breadth of culture in Upstate New York. This was not for the faint of stamina. This is not an art fair. It is a celebration of the creative communities lining the Hudson and the enclaves embedded in the Catskills. I have to believe the intent was never for escapees from urbanity to stop at each little circle on clustered maps. Below are some of the galleries that are the marrow, the heartbeat of the cultural community in specific regions. These are also galleries that exhibit small group and one-person shows that provide a larger window into the artist’s or artists’ thought process. If you missed Upstate Art Weekend, don’t despair; these and other sites are a stable part of the Hudson Valley, enabling anybody to make their own Upstate Art Weekend on their own time. It’s always here, 12 months of the year.

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Dov Talpaz: The Sound of Longing at SARAHCROWN

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A painting of a person riding a horse

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Holding the Mountain, 2018-23, Oil on Wood, 36X24 Inches

An acute sense of yearning permeates the ten artworks showcased in Dov Talpaz’s debut exhibition at SARAHCROWN in Tribeca. The exhibition, The Sound of Longing, was thoughtfully composed by curator Sarah Corona, who selected small to medium-sized oil paintings characterized by their strikingly vivid hues. The modest dimension of the paintings enhances a sense of an intimate space, while the rich, dynamic colors seem to resonate with a loud auditory experience.

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Noa Charuvi: Gal’Ed at York College Arts Gallery

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A painting of a landscape

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Noa Charuvi, Cairn, 2023, oil on canvas, 36×72 inches

45 Jacob took a stone and erected it as a pillar. 46 He instructed his kin, “Collect some stones.” They gathered stones, formed a heap, and shared a meal beside it. 47 Laban named it Jegar Sahadutha, while Jacob named it Galeed. 48 Laban declared, “This heap stands as a witness between us today.” Hence, it became known as Galeed.

Genesis, Chapter 31, Verse 45

A Gal’Ed symbolizes a location marked by significant events—deathly moments or sacrifices. As it appears in the Old Testament, it signifies a covenant. In Hebrew, ‘Gal’ is a heap of stones, and it is the same word for ‘wave.’ ‘Ed’ means a witness. This heap of stones becomes an emblem of the pact between Jacob and his father-in-law: their agreement not to harm each other’s possessions or families. Serving as a symbol of shared promises, Jacob sanctifies it, offering to God on this stone.

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Painting the Narrative at the National Arts Club

In Dialogue with Dee Shapiro

A picture containing indoor, floor, wall, ceiling

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Installation view

In the group exhibition Painting the Narrative at the National Arts Club in New York City the artist Dee Shapiro brings together six contemporary artists who explore content and form of narrative painting ranging from interiors to landscapes, personal to imagined, realistic to fantastic. Featured artists: Jennifer Coates, Laura Karetzky, Judith Linhares, Ernesto Renda, Kyle Staver, and George Towne. The show runs through June 28th.

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