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The Art of Kimbap: A Reflection on Trust and Vulnerability

My Right Hands and Your Left Hand, Cooking with Joshua Kun Kyung Sok. 2025.

Kun Kyung Sok’s latest performance, “My Right Hand and Your Left Hand,” held at Space 776, invites audiences into an intimate and aromatic exploration of collaboration, creativity, and trust. The performance centers on Kun and her co-performer (a rolling cast of artists and non-artists) working together to prepare kimbap, a traditional Korean dish, using only her right hand and the other participant’s left hand. On opening night, while the salted streets of the Lower East Side froze, Kun’s audience huddled in close to witness a warm scene of clumsy vulnerability and palpable humor. “Armed” with a single knife, the two performers navigated the challenges of mutual control, toppling salt shakers and spilling rice, all the while the hypnotic scent of freshly prepared food permeated the space.

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Beijing Stories at the Liu Shiming Art Gallery

A sculpture of a building

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Residential Building. 2005. Copper. 12.2 x 10.3 x 8.7

In 2021, a group of friends, family members, and former colleagues of the renowned Chinese artist Liu Shiming (1926-2010) banded together to form the Liu Shiming Art Foundation, an organization dedicated to both preserving the artist’s legacy and furthering his dedication to the power of the arts. The Foundation has undertaken an ambitious program of granting scholarships to university students around the world with a goal of funding 100 scholarships per year. They also have opened a gallery space on 15 East 40th Street in Manhattan to showcase Mr. Liu’s work and eventually to showcase the work of pan-Asian artists.

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Prayer / Pattern / Prayer at Morgan Lehman

Installation view of Prayer / Pattern / Prayer

Installation view of Prayer / Pattern / Prayer

Prayer / Pattern / Prayer at Morgan Lehman offers a mesmerizing view of patterns as a deeply seated human instinct. Fittingly, a radial symmetry unfolds from the vertex of the L-shaped room. Yet curator Jan Dickey balances this evenness with a syncopated rhythm of paired artworks and bold standalone pieces. In creating a pattern of patterns, this show offers a metonymic view of artists running with different strands from the fabric of a species-wide impulse toward order and adornment.

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Expanding Asian Voices: Alchemyverse Leads the Inaugural Exhibition at Nunu Fine Art’s Project Space

Featured Project
Installation view of Networks of Kisses, photo credit Alchemyverse, images courtesy of Nunu Fine Art

The fall 2024 New York art season spotlighted exhibitions by the Asian diaspora, with prominent showcases like NYU 80WSE’s Legacies, featuring 90 artists and collective of Asian descent working between the 1970s and 1990s, and AS/COA New York’s The Appearance, which highlighted 33 Asian artists working in the Americas. Alongside these institutional exhibitions, numerous solo, dual, and group presentations were hosted across commercial galleries, while new spaces like SK Gallery emerged to center Asian artists in their programming. Among these efforts, Nunu Fine Art New York launched “Project Space: Asian Voices,” a platform to elevate experimental artistic expressions from Asia and its diaspora.

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Eileen Ferara at Guttenberg Arts

In dialogue

the Immense Activity of Being Alive II, 20 x 26 in, Lithograph with watercolor and colored pencil

During her time at Guttenberg Arts Residency (STAR), Eileen Ferara spent much time in the Gutten Garden, an urban community garden maintained by the organization. The plants—fruits we eat and companion plants we call weeds—became the focus of her drawings. She collected soil, seeds, and leaves, bringing bits of the garden into the studio to keep that connection alive. The Guttenberg Residency offers three months of access to professional workspaces for printmaking and ceramics. Eileen used goldenrod and indigo plants to dye paper for her prints. In the print shop, she worked through the process of stone lithography, gaining a hands-on understanding of the medium.

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PeepSpace: Five Years Later

Featured Project
PeepSpace’s Co-Directors meeting on Zoom

PeepSpace, a contemporary art gallery in Tarrytown, was founded in 2020 by artists Monica Carrier and Jane Kang Lawrence, who set out with a clear idea: artists creating space for other artists. They signed the lease on March 1, just as COVID-19 gripped New York, and by June, they were masked up and hosting their first show PlusOne—pushing forward when most things had come to a halt. Five years and 21 exhibitions later, PeepSpace has held its ground and grown. Now under the co-leadership of Jess Blaustein, Monica Carrier, Ian Etter, Kristen Jordan, Jacquelyn Strycker, and Rachel Sydlowski, the gallery has become a steady fixture for artists and their work.

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Aminah Brenda Lynn Robinson: Character Studies, Curator: Character Studies at Fort Gansvoort

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Dad’s Journey. 2003. Pen, ink, colored pencil, fabric, thread, buttons, on paper. 15 x 11

“She was weird,” said the Columbus Museum of Art curator affectionately of artist Aminah Brenda Lynn Robinson at the press preview celebrating the late artist’s work. She went on to explain that Robinson made her own art supplies, lived an unconventional and rich life, making art in many mediums and acted as an informal archivist and raconteur of her community. “Weird,” in this context is a high compliment. Fort Gansevoort, an eccentric gallery in New York’s Meatpacking District announced its representation of Robinson’s estate (1940-2015) in collaboration with the Columbus Museum, to which Robinson bequeathed her work and archives. It’s a perfect match between artist and gallery.

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Art Spiel Picks for January 2025: The Earthly and Celestial in Manhattan

HIGHLIGHTS

Lorna Simpson, did time elapse, 2024, acrylic and screenprint on gessoes fiberglass @Lorna Simpson

Cecilia Vicuña, Lorna Simpson and Nour Mobarak powerfully and eloquently broach heavy subject matter with diligent research in their attempts to preserve significant stories amidst the burdens of colonialism. Each artist speaks to various experiences as they contend with complicated histories of peoples, lands, and the dynamics between them in an array of circumstances. These exhibitions take on the task of engaging with past and present, depicting resourcefulness and perseverance amid the tangled threads of imperialism that wreak havoc across the globe. Viewers are offered context as they enter works that embody life through organic matter, curious objects, and ethereal modalities.

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Looking Back, Topping Off: 2024 Books

book review
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I had the pleasure of reading quite a few remarkable books this year. I had the additional pleasure of reviewing a number of them for Art Spiel.

I reviewed Rapper’s Deluxe: How Hip Hop Made the World, Dr. Todd Boyd’s sweeping and lushly illustrated account of hip hop history, published by Phaidon, back around its release date in February. You can read my full review here: “Even Greater Days: Rapper’s Deluxe: How Hip Hop Made the World”.

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