Join us Dec 19 for the Art Spiel 2025 Brooklyn fundraiser featuring 200+ artists’ works RSVP here

Paddy Johnson’s VVrkshop: Game On for Artists

Featured Project
Photo courtesy of Barbara Nitke

Throughout her career in the arts, Paddy Johnson, a writer and now founder of VVrkshop, an organization that offers professional development services for mid-career artists, has observed a consistent, disheartening reality: incredibly talented artists creating work for audiences of virtually no one. As she puts it, “It felt crushing that there wasn’t enough prose in the world to bring these artists more attention.” This frustration reached its peak with Impractical Spaces, a collaborative national project, and anthology designed to document defunct and active artist-run projects across the United States. The ambition was substantial: engage fifty cities in fifty states and compile the results into a book charting the national significance of the artist-run scene.

On paper, the project fulfilled Johnson’s vision. “It brought people together, gave exposure to unsung artist heroes, and historicized events I believed needed historicizing,” she recalls.

The reality was far less fulfilling. Outside of the participants, very few people seemed interested in reading the books, and the project lacked a funding model that would make it sustainable. Yet, recognizing the project’s shortcomings sparked a new idea. Johnson realized that connecting people on a larger scale—across states, across disciplines—was not just necessary but possible. This led to the creation of membership for mid-career artists, Netvvrk.

Continue reading “Paddy Johnson’s VVrkshop: Game On for Artists”

The Sam & Adele Golden Foundation Auction’24: Dedicated to the Art of Paint 

Featured Project
A group of people sitting at a table

Description automatically generated
Artists in residence in a training session at the Golden Lab

In 2012, the Sam & Adele Golden Foundation for the Arts introduced a one-of-a-kind residency program dedicated to the art of paint. Situated in the heart of central New York, mere steps from the Golden Artist Colors manufacturing facility, a 19th-century barn was transformed into a space that seamlessly blends history and modernity. It offers spacious studios and private apartments, providing a haven for artists to engage with materials and technologies that define contemporary artistic practice. The Golden Foundation Residency Program is a deliberate endeavor to aid professional artists in their quest to explore and master innovative materials and techniques. Each year, the Foundation hosts six Exploratory Residency Sessions, each lasting four weeks and accommodating three artists at a time.

Continue reading “The Sam & Adele Golden Foundation Auction’24: Dedicated to the Art of Paint “

Intimate Space, Entangling Threads – Sharon Liu and Hanna Hirakawa with Naomi Okubo

In Conversation
Naomi Okubo, Little Mama – Closely Glazed Space, 2024, acrylic on canvas, ©Naomi Okubo, courtesy of Fou Gallery

Naomi Okubo has been creating works that explore the themes of identity and relationships with others. Her paintings, sculptures, and installations often feature multiple portraits of herself in imaginary, fantasized settings full of decorative patterns and vibrant colors that blur the boundary between the self and the surrounding environment. This ambiguity regarding identity stems from her experiences of struggling to establish selfhood in relation to others during her adolescence. One of her turning points was when she developed her interest in Wardian cases or what she calls “closely glazed spaces.”

Continue reading “Intimate Space, Entangling Threads – Sharon Liu and Hanna Hirakawa with Naomi Okubo”

Judith Braun’s, I’m Bad at Kiddie Pool is So Good

Featured Exhibition
A poster on the wall

Description automatically generated
Judith Braun, I’m Bad, installation view, photo courtesy of Kiddie Pool and the artist

Veteran, age-defying, feminist artist Judith Braun’s exhibit, I’m Bad, opened on June 28 in a pristine, Victorian-era brownstone that doubles as Kiddie Pool, a residential project space in downtown Albany, NY. As contemporary contronym phrases go, I’m Bad conjures a sense that exemplifies Braun as a person and her body of work. Through decades whether it was as a generation-defining member of the lower east side collaborative Group Material, where she created Pussy Works, as part of the seminal 1988 show, Democracy: Cultural Participation to exquisitely painted angels to her current exhibit that includes new monumental collages at Kiddie Pool, Braun consistently challenges and baits the status quo with unbridled glee.

Continue reading “Judith Braun’s, I’m Bad at Kiddie Pool is So Good”

Hesse Flatow East- Reverse Cascade

Reverse Cascade, Hesse Flatow, Installation View- Curated by Kirsten Deirup

As the season of exhibitions at commercial galleries winds down, the need for enriching visual engagement becomes more demanding over the thick heat of the summer months. Out of the way for viewers and gallery dwellers, there are some noteworthy exhibitions that take place outside the boroughs of New York City that are worth noting and can easily be missed if you were not looking or aware. A good point of example is Hesse Flatow East. Karen Hess-Flatow has launched a unique exhibition at their Amagansett space, nestled on the east end of Long Island in the Hamptons, a location that adds to its allure.

Continue reading “Hesse Flatow East- Reverse Cascade”

Art Spiel Picks: Chelsea Exhibitions for July 2024

HIGHLIGHTS
Crossings, partial Installation view at Kasmin, photo by Etty Yaniv

Chelsea has multiple exciting shows this summer, ranging from large group shows to solo retrospectives. We will highlight three shows with different curatorial premises. The Swimmer, a large-scale group show sprawling over the 9th and 10th floors of the FLAG Art Foundation, centers around the narrative of John Cheever’s short story from 1964, presenting works that dig into its themes and imagery. Another impressive large-scale group show surveys the increasing presence of weaving, textiles, and embroidery in contemporary art, featuring an international and intergenerational group of artists whose works push the boundaries of these traditional mediums. Lastly, at Pretzel, there is a beautifully curated retrospective of Malcolm Morley, offering a glimpse into the fascinating work of the late artist (1931–2018).

Continue reading “Art Spiel Picks: Chelsea Exhibitions for July 2024”

Eileen Neff: The Bigger World in Categories

14. Self Shelf
Self Shelf, UV pigment on dibond, 30 x 38 inches

Eileen Neff, a multidisciplinary artist with a background in literature and painting, has been creating “photo-based images and installations” since 1981. She recounts her understanding of poetry long before grasping painting. Her academic path led her from being an English major at Temple University, where she immersed herself in painting studios, to the Philadelphia College of Art (the recently closed University of the Arts). While teaching at a private secondary school, a tuition-free photography class captured her unexpectedly. “I began photographing pieces of my paintings and, before long, had convinced a couple of students to build a black and white darkroom in my apartment,” she recalls. This transition directed her focus to natural elements and interiors, subjects she still rigorously explores. Though she no longer paints, Neff states, “I still think more like a painter than a photographer; my photographs are still very driven by how a poem means.” Neff currently exhibits her work in In Some Light Reading, a group show at the Mitchell Art Museum featuring work by five artists and poetic texts by four writers addressing the life-making qualities of light. The show runs through July 7th.

Continue reading “Eileen Neff: The Bigger World in Categories”

Jiwon Rhie: Suddenly, Images Explain Everything at La Mama Galleria

Installation view: Jiwon Rhie: Suddenly, Images Explain Everything at La Mama Galleria. Photo by flaneurshan. studio. @flaneurshan.studio

Jiwon Rhie often explores moments of deep personal depression, social misanthropy, and cultural alienation in her work. You would never know it, though, from first viewing. Walking into La Mama Galleria in the East Village, NY, visitors are greeted by the playful whirring sound of over a dozen mechanical toy dogs, each covered in exploding layers of colorful, fake flowers. The dogs walk across a blue moving pad, bumping into walls, each other, or the artificial boundaries Rhie erected. In the center of the moving pad, two quarter candy vending dispensers shake with the motion of encased and enflowered toys, which act, of course, unperturbed by their enclosures. Viewers are invited to borrow quarters from the gallery to dispense pods filled with custom keychains and temporary tattoos from the candy machines. Though only a corner of a room within a larger exhibition, Rhie’s Flower Dogs make it impossible to enter the gallery without stopping to smile, take a photo or video, and procure ones own custom keychain art.

Continue reading “Jiwon Rhie: Suddenly, Images Explain Everything at La Mama Galleria”