The Immigrant Artist Biennial: Nazanin Noroozi

A picture containing water, sitting, holding, person

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Nazanin Noroozi, The Rip Tide, 2020. Cyanotype, pastel and ink on paper, 20 x 28 inches, photo courtesy the artist

The Immigrant Artist Biennial (TIAB) is a volunteer, female-led, artist-run project. TIAB 2020 launched in March in New York City at Brooklyn Museum, and continued in September through December at EFA Project Space, Greenwood Cemetery, and virtually, presenting 60+ artists. This interview series features 10 participating artists.

Nazanin Noroozi works predominantly in the medium of printmaking, but also incorporates moving images and alternative photography processes exploring new ways to represent the notions of collective memory, displacement and diaspora. Noroozi’s work has been widely exhibited in both Iran and the United States, including the Museum of Russian Art, Noyes Museum of Art, NY Live Arts, Prizm Art Fair, and Columbia University. She is the recipient of awards and fellowships from , Elizabeth Foundation for the Arts, NYFA IAP 2018, Mass MoCA Residency, North Adams, MA and Saltonstall Foundation for the Arts Residency, Ithaca, NY and the winner of “Selection of A New Generation” competition. She is an editor-at-large of Kaarnamaa, a Journal of Art History and Criticism. Noroozi completed her MFA in painting and drawing from Pratt Institute in 2015. Her works have been featured in various publications including Elephant Magazine, Financial Times, and Brooklyn Rail.

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Lacey McKinney in Domestic Brutes at Pelham Art Center

In Dialogue with Lacey McKinney


Lacey McKinney at McColl Center for Art + Innovation, 2019,.Courtesy Chris Edwards Photography

Lacey McKinney who resides in Upstate New York, is drawn to the alchemy of processes like painting and alternative photography. For the last several years, McKinney has worked within the framework of painting, using figuration to reference embodiment. Usually splitting her time between working in the studio and teaching, this year she feels lucky enough to embark on a one-year teaching sabbatical, which has given her extra time for experimentation with other media such as using cyanotype process to make photograms that incorporate into collage and mixed media works. The artist shares some insights on her body of work in Domestic Brutes, the all women group show at the Pelham Art Center which engages the visitor with diverse approaches of what feminism means in American society today.

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