Ashley Garrett: Psyche at September

Welling, 2025, oil on canvas, 65” x 115”

Psyche, Ashley Garrett’s exhibition of paintings at September Gallery in Kinderhook, has a mix of large and small oil paintings, and pastels. The small works have a restless energy emphasized by Garrett’s staccato mark-making. The large canvases give Garrett’s brush plenty of room to deliver longer, more fluid gestures. This freedom allows her paint strokes to slide over and under each other in a flow that can give her compositions a quiet intensity, like tall grass seething in a high wind. Garrett has lightened up her palette to include more pinks and a range of whites and pale grays.

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Continental Presence: Europe’s Defining Voice at The Armory Show 2025

The Armory Show 2025 – Daniel Zeller “Inference,” 2015, Mixed media, Approx. 95 x. , Pierogi Gallery. Photo by Eva Zanardi

September in New York is a sensory crescendo—fashion, tennis, and art converge in a city that thrives on spectacle. At the center of it all, The Armory Show 2025 returned to the Javits Center from September 4–7, hosting over 230 exhibitors from 35 countries and drawing more than 50,000 visitors. This year’s edition, the second since its acquisition by Frieze, was slightly smaller than last year’s—but no less ambitious. Dealers reported strong momentum from VIP day onward, especially for works at lower price points, while higher-priced pieces moved at a measured pace. Many noted a noticeably younger crowd—engaged, curious, and eager to discover.

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Mary Heilmann: Water Way at Guild Hall

Mary Heilmann, Broken Wave, 2022,Acrylic and paper mache pulp on wood and panel, 10×26.75×3-1/2 inches, photo by Dan Bradica. @Mary Heilmann. Image courtesy of the artist, 303 Gallery, New York, and Hauser & Wirth

Water Way, Mary Heilmann’s newly opened show at Guild Hall in East Hampton and her first large-scale museum show on Long Island’s East End, is a joyous celebration of 40 years of the artist’s career. The water-themed exhibition includes not only paintings and works on paper but also chairs, a small table, and ceramics, the latter either on its own or incorporated into a painting as in the 2020’s red acrylic Barrel and Tube. Heilmann is a longtime resident of Bridgehampton and her reverence for the ocean reverberates throughout, underpinned by an underground, punk rock/new wave, California surf culture ethos.

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Desert Forest: Life with Joshua Trees

Book Review

Desert Forest: Life with Joshua Trees is a revelatory compendium—part elegy, part manifesto—centered on that spiky, iconic sentinel of the Mojave Desert. Assembled by scientists, historians, and artists, this is no ordinary nature book. It’s a multi-vocal chorus, grappling with ecological fragility and political urgency, yet always rooted in some primary form of awe. The Joshua tree becomes muse and metric, measuring our numerous planetary trespasses. Published by Inlandia Institute—in tangent with the past eponymous art exhibitions at MOAH in Lancaster and Hey There Projects in Joshua Tree—Desert Forest is a dazzling interdisciplinary work, arresting in both imagery and intellect. In many ways, it’s a bittersweet love letter to a disappearing biome—written in science, art, and memory.

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Open Books at Mana Contemporary

Installation view. Photo credit Mike O’Shea

There is a hidden gem on view at Mana Contemporary in Jersey City—an art book group show of 15 artists carefully curated by the directors and curators of Monira Foundation and Mana Contemporary. The exhibition unfolds across two rooms. In the first space, the viewer encounters a dimly lit room of suspended tables uniquely designed by Kele McComsey. On each table, there is a carefully curated display of artist books—a rare opportunity to view this uniquely expressive form of art. During the run of the show, the curators periodically shift some books, while others are welcome to be handled. This is an incredible opportunity to see artist books and experience their magic. Blurring the lines between book and sculpture, these magnetic art objects have always been a curatorial challenge. They are meant to be experienced, unlike most other art pieces.

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Cambridge-based Contemporary Landscape Painter Julia S. Powell in Conversation with MFA Boston Curator of Painting Katie Hanson

In Dialogue

Julia S. Powell, Kitchen Morning, 2024. Oil on canvas

MFA Boston Curator of Painting Katie Hanson visited the studio of the landscape painter Julia S. Powell. The resulting interview gives us an insight into Powell’s artistic process and her concept of a “fiction painter,” one that creates work at the intersection of abstraction and realism. Besides references to contemporary Impressionism, the interview addresses creating thickly-layered artworks that inspire introspection and acceptance of previous experiences—especially the unwanted ones. These layers serve as metaphors for embracing past struggles without regret. Powell’s work also provides an emotional refuge as a response to a chaotic and increasingly anxious life.

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L.W.D: Rooted in LA

In Dialogue
Courtesy of the artist

L.W.D. sees himself as an observer of modern society—a world that has, in many ways, passed him by over the last three decades. L.W.D.’s work is rooted in the assertion of his personal identity within the fractured American society. His art reflects the painful shift from childhood to adulthood, a transformation that feels almost brutal, marked by the loss of innocence in the face of America’s historical realities. His perspective of the American way of life, capturing both the disappointments and fleeting joys, recalls the social commentary of Philip Guston—particularly in the simplicity of his cityscapes, yet with a distinctive handwriting, palette, and choice of subjects. L.W.D.’s visual language fuses the emotional character originating from blues lyrics and the iconic symbolism of Roy Lichtenstein’s pop art. Working within the tradition of the naive picturesque narrative, L.W.D. incorporates the humor of a comic book while maintaining his focus on the historical and the social.

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Art Spiel Picks: Philly Exhibitions in January 2025

HIGHLIGHTS
Naoko Serino’s Generating 9, in Japandi Revisited: shared aesthetics and influences at Wayne Art Center, photograph courtesy of Wayne Art Center

Out on the Main Line, the world of craft takes center stage at Wayne Art Center in two distinct but complementary shows. CraftForms 2024, 29th International Juried Exhibition of Contemporary Fine Craft and Japandi Revisited: shared aesthetics and influences, together invite viewers to contemplate the power of form, material, and cultural aesthetics. In Old City, at the Museum for Art in Wood, Mark Sfirri explores the many definitions of family through his exquisite woodworking in La Famiglia. Cerulean Arts Gallery and Studio in Center City pairs the dreamy drawings and paintings of two Philadelphia artists, Gary Grissom and Louise Vinueza, in A Day in The Life. Together, these four exhibitions offer a diverse range of artistic viewpoints from the global scope of contemporary craft to the exploration of family and nostalgia.

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Object Relations: Michael Gac Levin at My Pet Ram

A painting of a living room

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We Had an Agreement, 28”x24”, Acrylic on canvas

As one enters My Pet Ram’s humble gallery space full of moderately-sized Gustonesque paintings, the viewer is transported into the surreal personal nooks and crannies of Michael Gac Levin’s reality. His paintings are heavily influenced by his family life. Familiar landscapes are juxtaposed with foreign characters and shapes. The artist tells a fantastical story in this new body of work through a day in the life of two characters embodied by an apple and a tree-like figure.

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Art Spiel Picks: Governors Island in September 2024

HIGHLIGHTS

A room with a large chess board

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Dario Mohr’s Don’t Forget to Check. Image by Yasmeen Abdallah

Themes of searching and connection to ancestors through practice, ritual, and persistence are intertwined through work that depicts aspects of migration, objecthood, and the complexities of humanity itself. The winds moving across the island dictate the mood as we bow and sway through graceful installations in deeply resonant forms at LMCC Art Center and Artcrawl Harlem.

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