Climate Conversations at Easton’s PA Nurture Nature Center

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Susan Hoffman Fishman, In the Beginning There Was Only Water, 30 in. x 50 ft., acrylic, oil pigment stick and mixed media on paper, 2021, Installation view at Janice Charach Gallery, West Bloomfield, Michigan

During the height of the COVID-19 pandemic, from 2020 through 2021, eight women artists from the Midwest and the East Coast of the United States came together via Zoom to read and discuss All We Can Save: Truth, Courage and Solutions for the Climate Crisis, edited by Ayana Elizabeth Johnson, Ph.D. and Katharine K. Wilkinson, Ph.D. The book contains essays and poetry by a cadre of diverse women policy wonks, scientists, writers, journalists, lawyers, activists, and others who address the most critical existential issue of our time with the intention of offering different ways to effect change and mend the significant damage that we have caused to the Earth. The artists’ responses to the essays form the exhibition Climate Conversations: All We Can Save. The exhibition runs through June 30th, 2022.

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Journey Toward a Turning Point

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Blazing, California Dreamin’, acrylic painting incorporating original hand-painted paper on stretched canvas, 30”x 40

Over the past decade, we have witnessed a proliferation of climate-related disasters across the world. Storms have become stronger, wildfires more intense. Sea ice is melting at a higher rate as the earth grows hotter. Each of these problems alone endangers human welfare. Together, they represent an existential threat. Scientists often describe our position as nearing a “tipping point” at which we teeter at the precipice of an irreversible cascade of ecosystem collapse. My new collaboration with fellow artist Carin Walsh presents a different view of our role in this crisis. It serves as a reminder that we are not passive observers of this disaster, but active agents with the ability to change course and build a safer and healthier future. Our message is that while the climate is approaching a tipping point, our society is at a turning point. We have the power to choose whether we will continue on our current path, or whether we will turn to embrace the measures necessary to reverse climate change.

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Landscape Deconstructed at the Hammond: Linda Stillman

Part 1: Linda Stillman – Interview with Jennifer McGregor

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Linda Stillman, Daily Skies: 2020, February 15, 2020 focus, 2021, archival pigment print on paper, 19 x 13 inches

Landscape Deconstructed: Mimi Czajka Graminski and Linda Stillman is a virtual exhibition on view at the Hammond Museum and Japanese Stroll Garden website until June 2022. It is curated by Bibiana Huang Matheis. The opening on September 11, 2021, included a virtual conversation with Mimi Czajka Graminski and Linda Stillman moderated by Jennifer McGregor which has been distilled and reformatted for individual interviews with each artist.

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On Bearing Witness and Embracing Beauty

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Unprecedented, 8 ft. x 15 ft., mixed media on canvas, 2021. Photo by Joseph Hu

For over fifty years, Philadelphia-based painter, photographer, and activist Diane Burko has translated her love for large open spaces and monumental geological sites into powerful and alluring landscapes. Her exhibition at the American University in Washington, D.C. (August 28 – December 12, 2021), titled Diane Burko: Seeing Climate Change 2002 – 2021, contained 103 paintings, photographs, and time-based media depicting mountains, oceans, snow and ice, glaciers, volcanos, and fires that address the growing impact of the climate crisis.

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A message from the Underground at Mana Contemporary

Featured Project: with curator Maria De Los Angeles


Ryan Bonilla. Hope, 2004. Encapsulated Digital C Print, 20 in x 30 in.

The group show, A message from the Underground at Mana Contemporary Jersey City, curated by artist and curator Maria De Los Angeles, featuring 18 artists from Mana Contemporary whose work explores current political climate, love, and sense of place. The exhibition runs through 1/15/2022, 3rd floor, Mana Contemporary in Jersey City

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In the Beginning There Was Only Water

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In the Beginning There Was Only Water: Panels 19-22, each panel 30″ x 15″, acrylic, oil pigment stick and mixed media on paper, 2021

While some of us taught ourselves to bake sourdough bread or to mend socks during the pandemic, the American painter and arts writer Susan Hoffman Fishman plunged herself into her studio and emerged, a year later, with a revised creation story. The result: a magnificent, nearly 50-foot (15 meters) opus entitled In The Beginning There Was Only Water. Currently on exhibit at the Five Points Gallery in Torrington, Connecticut through December 19, 2021, In The Beginning There Was Only Water reframes the biblical creation myth – in which “man” was granted “dominion” over all the Earth’s plants and animals – into a new, non-human-centric story.

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Evan Paul English – VIEWFOUND at Chashama

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VIEWFOUND by Evan Paul English at ChaShaMa Gallery, curated by Salt Gallery.

Brooklyn-based artist Evan Paul English uses a small viewfinder to discover compelling compositions within the fabrics he collects and enlarges them to abstract paintings of different scales, working across painting, sculpture, murals, and wallpaper. VIEWFOUND, his current solo exhibition in Brooklyn, features work along these lines and is on view at 324 5th Avenue through December 6th, 2021. Presented by Salt Gallery in collaboration with ChaShama, the show includes eight new works that translate American vintage floral design into paintings, referencing gender, sexuality, and class.

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Fei Li -The Unofficial History of Tomorrow at First Street Gallery

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The artist and her work, photo courtesy of Christine Collado

Fei Li’s large-scale paintings in her solo show at First Street Gallery are layered with paint, collaged fragments of dollar bills, magazine cutouts and jetsam of daily life. These visual cues are immersed in vivid yellows, blues, and greens, altogether representing the chaos of our moment. Drawing on a wide array of sources—Chinese calligraphy, pop culture, science fiction, myth, and current events—Li invites us to engage with her own anarchic universe.

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Where We Meet Ourselves at Yi Gallery

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Installation view: GJ Kimsunken, Figuration 21. 15, 2021, Oil on canvas; Debra Ramsay, Twilight & Dawn_ 2_3, Twilight & Dawn 9 3:1, Twilight and Dawn 4_9 3_1, 2021, Acrylic on cast acrylic 

The two-person show Where We Met Ourselves at Yi Gallery’s new space in Brooklyn’s Industry City, features abstract paintings and works on paper by Debra Ramsay and GJ Kimsunken. Both artists share a minimalist sensibility to painting and each of them explores in their own way notions of transcendent spaces through form and color. Although they both use reduced color palettes to create elegant and restrained abstractions which are subtle and luminous, their work is grounded in different traditions.

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Harriett Finck: MVA Open Studios

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Harriett Finck in front of Gears, 2021, 52” x 52”,acrylic on paper

Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.

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