Tag: acrylic painting

Posted on , by Etty Yaniv

Eunice Golden: Metamorphosis at SAPAR Contemporary

In Dialogue with curator Aliza Edelman


Eunice Golden painting Metamorphosis #20 in her East Hampton studio. Photo: © 2007 Walter Weissman

The excellent current exhibition Eunice Golden: Metamorphosis at SAPAR Contemporary, rigorously curated by scholar and curator Aliza Edelman, Ph.D., features paintings and photographs by the 93 years old prolific artist from 1979 to 2009. Based in the West Village and in East Hampton, New York, Eunice Golden has made throughout five decades an outstanding and bold body of work with consistent commitment to her artistic vision and to feminism, while keeping her work admirably fresh and urgent all the way. In her later paintings the body is fragmented and anthropomorphized into a landscape, described by the artist as a philosophical and spiritual outgrowth of her earlier radical oeuvre of sexual body landscapes. Golden says on these recent works, “I am concerned with tactility and the sensation of touch, but also of thought on a primal level, where there are no boundaries and where natural phenomenon are blurred by processes of metamorphosis.” In this interview Aliza Edelman elaborates on the genesis of this show and the ideas behind Eunice Golden’s work.

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Posted on , by Etty Yaniv

Nancy Elsamanoudi in Domestic Brutes at Pelham Art Center

In Dialogue with Nancy Elsamanoudi


Artist at home with paintings during lockdown, May 2020

Nancy Elsamanoudi says she was drawn to painting because of its fluid relationship to time from the viewer’s and the painter’s perspectives alike. The viewer gets a visceral sense of the painter’s vision in the past, and the painter experiences the fluidity of time throughout the process of painting. Elsamanoudi further specifies: “when you paint, you can, so to speak, go back and forth through time, adding layers-submerging the past or revealing the past by scraping or stripping away previous layers.”

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Posted on , by Etty Yaniv

Will Hutnick – Artist as Facilitator


At the Elizabeth Murray Artist Residency by Collar Works, Granville, NY, July 2019, Photo by Monica Hamilton

Will Hutnick is an artist, curator, co-director of Ortega Y Gasset Projects in Brooklyn from 2015 to 2020 and Director of Artistic Programming at the Wassaic Project upstate NY. In his paintings Will Hutnick is using rollers, and includes other mono-printing-like methods to create repetitive passages which form playful and unexpected relationships between shapes and colors. He shares with Art Spiel some of his work process, reflections on the ways his paintings have developed, and some of his other art related practices.

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Posted on , by Etty Yaniv

Artists on Coping: Cathy Diamond

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Studio Portrait, photo by Elizabeth Reagh, 2019

Cathy Diamond is a New York City-based painter. For decades, her imagery has fused elements of nature and figuration into a kind of narrative abstraction. Residency fellowships in Wyoming, Virginia, Maine and elsewhere form the building blocks of works developed in her Queens studio. Diamond spent two decades in Williamsburg, exhibiting there at Farrell-Pollock Fine Art, Sideshow Gallery, Gallery Boreas and Janet Kurnatowksi Gallery. She has shown extensively in New York City. Diamond’s paper works travelled to national print fairs with Oehme Graphics. She recently exhibited at 490 Atlantic Gallery and at SRO Gallery in Brooklyn. Diamond is Adjunct Lecturer of Painting and Drawing at Borough of Manhattan Community College.

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Posted on , by Etty Yaniv

Artists on Coping: Seren Morey

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Seren Morey and her Ridgeback/Boxer Chloe in front of her latest painting Ingress

Seren Morey makes fantastical, nature inspired sculptural painting abstractions that reference the energy force of the particles that connect all matter together. She was born in Massachusetts to a family of artists and went on to complete a BA at Bard College and an MFA at Pratt Institute. Upon graduating from Bard she became an assistant to Kiki Smith and later a professor in fine arts at Pratt Institute. Morey’s work has been exhibited in numerous shows and reviewed by Robin Pogrebin, Barry Schwabsky and Helen A. Harrison of The New York Times. She currently lives and works in Williamsburg, Brooklyn and is a partner in Guerra Paint & Pigment Corp., a specialty resource store for artists.

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Posted on , by Etty Yaniv

Artists on Coping: Ed Grant

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Studio view

Ed Grant is a painter, originally from Vermont, living and working in Brooklyn. He received his BA in Studio Art from the University of Vermont and his MFA in Painting from the University of Massachusetts/Amherst. He focuses in his paintings on liminality and experience as a continuum, while referencing both the microscopic (cells) and the macroscopic (universe). Ground Floor Gallery is exhibiting Ed’s recent paintings on Artsy. 

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Posted on , by Etty Yaniv

Artists on Coping: Gwyneth Leech

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Cocoon for Façade Replacement, 2019 , Oil on wood panel, 22” x 24”

Through her paintings of high rise constructions sites, Gwyneth Leech expresses the optimism and anxiety of a rapidly changing New York cityscape. She has been in solo and group shows throughout the United States and Great Britain, including Susan Teller Gallery in New York City; Studio 50 Gallery in Los Angeles; Pearl Fincher Museum of Fine Art in Houston Texas; and Aberdeen Art Gallery and Museum, Scotland. Her work has been featured in The New York Times, American Art Collector Magazine, The Village Voice, and City Realty. She is the subject of a multi-award winning short documentary, The Monolith.

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Posted on , by Etty Yaniv

Artists on Coping: Diane Englander

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Gatherings I (2019), 21 x 24 x 2 inches, mixed media

With color, composition, line, texture, Diane Englander is aiming for a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. Her inspiration to work on a specific piece comes from curiosity about the materials. She’s always thinking (though not necessarily in a conscious way), What would happen if I did this? What would this other thing do? But always bending back to the goal of creating a place of calm energized by tension.

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Posted on , by Etty Yaniv

Artists on Coping: Paul Behnke

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Paul Behnke and Gulley in his studio in Lambertville, NJ. Photo courtesy of Robin Stout.

Paul Behnke’s painting comingles references from pop culture, religion, and imagery associated with mysticism and the occult with an abstracted interplay of pure color and open and closed spaces and forms that become further complicated by realistic collaged references. His works ultimately relate to the intersection of pop culture and spirituality and how sacred beliefs become co-opted in a disconnected, consumptive society. Behnke’s work has been exhibited in the United States and internationally. He has edited Structure and Imagery art blog since 2011 and was the co-director of Stout Projects in Brooklyn. Behnke currently lives and works in Lambertville, NJ.

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Posted on , by Melissa Stern

Artists on Coping: Rhonda Dee

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Photo credit: ZakiP

Rhonda Dee is from Texas and currently resides in Australia. She holds a BFA, (CCA, Seattle), and MA, from Sydney College of the Arts. Her layered works explore the body as a site of transformation between human, animal hybrids and supernatural forces. Her works are in permanent collection at Macquarie University, Australia-China Arts Foundation, and Museu Brasileiro da Escultura, Sao Paulo, Brazil.  Recently, she’s begun creating public artworks with disadvantaged communities. She features in Artist Profile, The Art Life, Torrens University Blog, Arts Hub Australia and is currently designing podcasts with Casula Powerhouse Art Centre, in response to COVID19.

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