Artists on Coping: Diane Englander

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Gatherings I (2019), 21 x 24 x 2 inches, mixed media

With color, composition, line, texture, Diane Englander is aiming for a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. Her inspiration to work on a specific piece comes from curiosity about the materials. She’s always thinking (though not necessarily in a conscious way), What would happen if I did this? What would this other thing do? But always bending back to the goal of creating a place of calm energized by tension.

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Artists on Coping: Alyse Rosner

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


How it looks right now in my studio March 2020 Graphite rubbing on yupo, Works in progress: Graphite and acrylic on raw canvas

Alyse Rosner is known for large scale abstract paintings melding graphite rubbings, gestural brushwork, obsessive mark making and transparent color reflecting her immediate surroundings, personal experience and environmental concerns. A graduate of the University of Michigan and The American University, Rosner received grants from the Connecticut Office of the Arts and The Sustainable Arts Foundation. Rosner has exhibited at the Newcomb Art Museum of Tulane University, The Aldrich Contemporary Art Museum, BravinLee Programs, Odetta and Kathryn Markel Fine Art, as well as Real Art Ways and Artspace in Connecticut, among others. Alyse Rosner is represented by Rick Wester Fine Art.

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Artists on Coping: Patricia Fabricant

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Patricia Fabricant, Alexi Rutsch Brock, Beth Dary at the opening for Among Friends, May 2019

Patricia Fabricant is a painter and book designer, from New York City. She received her BA from Wesleyan University and studied painting in Italy. Her abstract paintings have been exhibited widely at such galleries as SFA projects, M David & Co, Front Room, Morgan Lehman, the Painting Center and the National Arts Club. More recently she has worked figuratively, both on a political series, Paper Dolls, and on woven self-portraits, which she began in response to the 2016 election and its aftermath. She is also curating shows. She lives in Brooklyn and shares a studio at the EFA, in Manhattan.

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Artists on Coping: Sonomi Kobayashi

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Beauty of Chaos #1, 2018, Alcohol ink on Synthetic vellum paper cutouts, and collaged, 14 1/4” x 11 1/2”, © Sonomi Kobayashi All rights reserved

Born and raised in Japan, Sonomi Kobayashi, is a New York based artist who is interested in science, physics, stars, nature, and spirituality. Most of her work is symbolic and abstract.  They are based on images that she sees during her meditation.  She also paints symbolic shapes that she finds attractive in nature.

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Artists on Coping: Kay Sirikul Pattachote

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Kay Sirikul Pattachote in her studio. Photograph by Pratya Junkong

Kay Sirikul Pattachote‘s paintings utilize the abstracted forms of flowering plants as a vessel for channeling her daily meditations. These plant forms provide parameters for her interpretive brushwork and within them she is able to record her experienced energies and emotions. Ritualistic actions, such as sewing and repetition, further her meditative practice and deepen her ability to record the ephemeral on her surfaces.

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Denise Sfraga: Constructing and Disclosing

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(left) Malignant 40” x 32” flashe, pastel on paper 2019, (middle) Gone (series of 9) 8” x 6” each colored pencil on paper 2018, (right) New Mourn 40” x 32” flashe, pastel on paper 2018

The NYC based artist Denise Sfraga intersects in her work photography, drawing, and painting. The evolving processes, history, and aesthetics of photography altogether inform Denise Sfraga‘s thought process and practice. This results in an abstracted biomorphic imagery resonating with botany and other organic life forms. At first glance her well defined colorful shapes appear as beautiful abstractions but as you spend more time with them, you may realize that their beauty is a camouflage for darker, mysterious and disorienting undercurrents. Denise Sfraga first elaborates for Art Spiel how her way of thinking came about and then takes us through different series of work to reflect on her process in depth.

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Kit Warren – Moments of Recognition

Altered States (untitled), 2019, Acrylic, flashe on birch panel, 36 x 36 inches, photo courtesy the artist

Kit Warren‘s works on paper present complex and elaborate visual cryptography – patterns of lines, dots, and bold colorful shapes. They evoke layered associations ranging from microcosmic to cosmic. Kit Warren shares with Art Spiel some of her ideas and work process.

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Cartoon in a Cartoon Graveyard at Super Dutchess

In Dialogue with Andrew Woolbright

Installation view of Cartoon in a Cartoon Graveyard. Alex Kovacs, Fernando Pintado, Craig Taylor

Andrew Woolbright, a NY based artist, curator and founder of Super Dutchess, shares with Art Spiel the genesis of this lower east side art space, sheds some light on its key organizers, and describes the philosophy behind it. He elaborates on Cartoon in a Cartoon Graveyard, the 3-person current show that he has curated at the venue, with an upcoming reception on January 10th.

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In the Precipice – Karen Margolis at Foley

Karen Margolis, Separation Anxiety 2019, 24×36, Watercolor, gouache, thread, map fragments on Abaca

Karen Margolis’s intricate wall pieces and sculptures featured in her current solo show In the Precipice at Foley resemble topographic mindscapes or cosmic maps. The sum of her dense cell-like circular shapes in some works create a sense of condensing inward, and in others exploding outward. Close up it is like taking a journey through a complex network of neurons, galaxies or emotional states of mind. It is enjoyable to identify recognizable fragments such as remnants of old maps with readable places, trace the multiple burnt holes and biomorphic shapes created with a soldering iron, focus on the hypnotizing miniscule dots of paint on circular clusters painted with watercolor or gouache, and then follow a complex net of crisscrossing dark linear threads which create an engaging tension with the curvy forms.

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Riad Miah: Moving Pigments

Riad Miah, Untitled Spaces,, 2019, acrylic on Dura-lar and oil on canvas over panel, 49 1/4″ x 90 1/2″, photo courtesy of the artist

Riad Miah‘s vivid abstract paintings and bold installations reflect his deep ongoing preoccupation with representation of materiality, time, and light. Riad Miah shares with Art Spiel some thoughts on his own trajectory as a painter. He describes how his painting process has evolved, and elaborates on some projects, including his upcoming exhibition “Magical Spaces, Familiar Places” at Kean College Gallery.

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