Denise Sfraga: Constructing and Disclosing

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(left) Malignant 40” x 32” flashe, pastel on paper 2019, (middle) Gone (series of 9) 8” x 6” each colored pencil on paper 2018, (right) New Mourn 40” x 32” flashe, pastel on paper 2018

The NYC based artist Denise Sfraga intersects in her work photography, drawing, and painting. The evolving processes, history, and aesthetics of photography altogether inform Denise Sfraga‘s thought process and practice. This results in an abstracted biomorphic imagery resonating with botany and other organic life forms. At first glance her well defined colorful shapes appear as beautiful abstractions but as you spend more time with them, you may realize that their beauty is a camouflage for darker, mysterious and disorienting undercurrents. Denise Sfraga first elaborates for Art Spiel how her way of thinking came about and then takes us through different series of work to reflect on her process in depth.

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Ron Milewicz – Axis Mundi at Elizabeth Harris

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Pink Moon, 2019 oil on linen, 18 x 13.5 inches, courtesy Elizabeth Harris Gallery

In Axis Mundi, his current painting exhibition at Elizabeth Harris, Ron Milewicz shows a body of work that reveals his continuous fascination with the mystery of trees. While focusing his gaze on a specific woodland landscape ,the Hudson Valley woodlands, Ron Milewicz is opening a portal not only to the universal meaning of trees, but also to the overall vulnerability and wonder of life on this planet. Ron Milewicz shares with Art Spiel some reflections on his approach to painting and on what draws him to his consistent thematic exploration.

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A Romantic Comedy hosted by Wallplay

Steven Pestana in dialogue with Art Spiel

Installation View, A Romantic Comedy. L to R: Kevin Frances, Andrew Allison, Amanda Thackray

A Romantic Comedy, co-curated by Steven Pestana and Sophia Sobers , is a large-scale installation-based group exhibition which explores the mystery and ambiguity of romance in the 2020s through the actions and objects of everyday life. The opening takes place during Armory Weekend and the show runs throughout the end of March. Steven Pestana describes for Art Spiel the curators’ background, elaborates on the genesis of the show, then gives some background on its host, Wallplay, and its venue at 25 Kent street in Williamsburg.

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Yasue Maetake – Intersubjective Narratives

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Urethane Flower on Steel Stem Clad with Foam (2013-2019), H91 x 110 x 67 inches (H233 x 284 x 177 cm), steel, polyurethane resin, epoxy clay, burnt and varnished Styrofoam, photo by Mark Waldhauser

The Japanese born Brooklyn based sculptor Yasue Maetake largely draws on laws of nature like gravity, as well as on her Japanese cultural heritage like Butoh dance/theater. The artist describes for Art Spiel her artistic impetus, layered ideas, and elaborate process.

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Controlled Entropy, Taher Jaoui at 81 Leonard Gallery

Taher Jaoui: Controlled Entropy installation view, photograph by Hannah Rozelle, photo courtesy of the artist

One might find Taher Jaoui introverted the moment meeting him. It might be less about an aloof temperament commonly found in an artist than a reserved and prudent character often associated with a science person. The way in which Jaoui’s artworks act out follows a similar interpersonal pattern. Those scratchy mathematics signs and formulas are the most prominent elements of the new series of monochrome paintings featured in Taher’s current solo exhibition Controlled Entropy at 81 Leonard Gallery, co-hosted by Uncommon Beauty Gallery. The juxtaposition of the handwritings of mathematical formulas and the gestural brushwork in an abstract expressionist manner not only prompts questions about Jaoui’s background, but also problematizes the hostile split between art and mathematics. Reminding viewers of a lecturer running a mathematical calculation across the blackboard with chalk, this series of paintings highlights the performative elements in mathematics, as well as the craft aspects of labor invested in this intellectual activity.

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Zac Hacmon at the Border

Eva Mayhabal Davis in dialogue with Art Spiel – Beyond the Pale

Installation view of Beyond the Pale by Zac Hacmon. Image courtesy of the artist. Photo by Etienne Frossard

Zac Hacmon‘s sound sculptures at the intimate Border project space are overpowering in size, as if cutting the air with their sharp diagonal tiled lines to create a sense of suffocating sterility. Their oddity is intriguing and repelling simultaneously, and their placement in the room forces the visitor to navigate around with considerate effort. The sound consists of a series of stories recorded at the Arizona-Mexico border, and adds another layer of urgency, creating altogether an inspired fusion of sound/form. Eva Mayhabal Davis, the curator of Beyond the Pale , elaborates on the premise behind the show.

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Catchat, following an Interview With a Cat

Kristen Clevenson in conversation with Noa Ginzburg, February 2020

Catchat, a screenshot of a skype conversation, 2019.
Photo by Hannah Bruckmueller

“This is an interview recorded at the Museum of Modern Art, Department of Eagles, 12 Burgplatz Düsseldorf,” announces the interviewer. “MIAOW! MIAOW!” replies the interviewee.” In 1970, the Belgian artist Marcel Broodthaers (1924-1976) conducted and recorded an Interview With a Cat. In Catchat, a trans-Atlantic collaboration between Hannah Bruckmüller, Michal Ron, and Noa Ginzburg which was recently published on PROTOCOLS, the three listen carefully to the protagonist cat and transcribe French and Cat tongues into Hebrew and Latin letters. Kristen Clevenson and Noa Ginzburg share with Art Spiel their conversation about cats, collaborating while in different time zones, transcribing illegible languages, and using deep listening to assert agency.

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Michael Alan is New York’s Past, Present and Future

Michael Alan In conversation with Markella K

(The American Legend, Image courtesy of Michael Alan)

It’s time to question the nature of a city when everything you loved or heard about it has changed so much. NYC now has changed into a huge playground with high end food prices, fancy cell phones and luxury condos. I came here full of dreams just like everyone else, hoping to fit in and to see what Warhol left behind.

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Kit Warren – Moments of Recognition

Altered States (untitled), 2019, Acrylic, flashe on birch panel, 36 x 36 inches, photo courtesy the artist

Kit Warren‘s works on paper present complex and elaborate visual cryptography – patterns of lines, dots, and bold colorful shapes. They evoke layered associations ranging from microcosmic to cosmic. Kit Warren shares with Art Spiel some of her ideas and work process.

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Susan Luss at the Museum of Art & Culture in New Rochelle

Artist in Residence Susan Luss highlights her installation in House 4 MAC Gallery and windows.

Partial installation view, today, I am…Photo credit: Susan Luss

In 2019 Artist Susan Luss was invited by the New Rochelle High School to be their first visiting artist working on site responsive installations. The school has its own museum and cultural center on its campus, called The Museum of Arts & Culture, which is the only Regents-chartered museum inside of a school in the state of New York. This collaborative project became a formative experience for the artist. Susan Luss describes the ways she formed her ideas, her collaborative work with students and faculty, as well as her takeaway from this multi layered project overall. The exhibition runs through Feb 13th.

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