Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from11-5, 10/16 and 10/17.
Jennifer T. Ley, work in progress in the studio, 2021, Paper, Anishinaabe Bimishimo tin jingles, watercolor, digital photos, Photo courtesy the artist
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
In his first solo exhibition at 42 Social Club (Lyme CT), Kumasi Barnett explores American culture, police violence, and stereotypes through the lens of comic books. Barnett’s immaculate paintings over vintage comic book covers masterfully transform well-known superhero tropes into brutal social commentary. Kumasi Barnett and 42 Social Club founder, Jac Lahav, share their reflections on Barnet’s new work.
Lauren Whearty in her Philadelphia Studio, August 2021, photo courtesy of the artist
Lauren Whearty paints mostly still life from observation and preliminary sketches. Occasionally she takes photos of things which serve in her painting process as cues to spark a sense of memory rather than a source for likeness. She builds her compositions with a collage-like construction, adding and removing objects from both the paintings and the still life set ups. She loves the process of fitting things into the grid of the canvas, playing between representing objects and maintaining a close sense of the flat painted surface. “Color for me is expressive, connects to memory and play in the studio. In using repeated objects, the excitement in experimentation comes from how an object is painted, from their color to their expression and what I can get paint to do,” she says.
Adjusting “Sky Cache” on the Jersey City waterfront
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
Luisa Caldwell installing Curtain Call at the University of Iowa 2019, photo: Justin Torner
Brooklyn based artist Luisa Caldwell began to exhibit her candy wrapper work in 2002. She collects candy wrappers, from her daily walk on the city sidewalks or gets them from friends who send them to her from all over the world. Caldwell says she likes cleaning up the earth one wrapper at a time. Her current show at FIveMyles runs from September 18th through October 17th.
Becky Yazdan’s paintings are based on things she encounters in her daily life as well as her memory of events, feelings, and colors. For her the painting process is an active dialogue with the nature of things around her. “The paintings are like dreams—the events of the day reorganized and combined with other events and memories until a new, often surprising reality has taken shape,” she says.
Briana McLaurin in front of her painting titled, Hope, Love, and What Else…?, 2020, Oil, pencil, and sharpie on canvas, 40 x 30 in. Photo courtesy of the artist
Briana McLaurin takes on an intimate subject matter in her large scale oil paintings, as her practice primarily consists of painting her family members. Her vibrant portraits serve as a tribute to her own experiences and upbringing, while creating a relatable narrative that celebrates African American presence. The honesty and value of family are extremely present in McLaurin’s recent body of work, where she reflects on her relationships with loved ones by depicting intimate snapshots of domesticity.
Steady Breath, 2003, installation/ performance, bamboo, wool, fabric, thread, 320 cm x 300 cm x 228 cm , photo credit: Margerida Correia
Each of Marya Kazoun’s sculptures, performances, and installations evolves into its own open-ended narrative, deriving from the artist’s personal journey—childhood memories and cultural background. Throughout her versatile body of work, Marya Kazoun plays with the concepts of time and space by blurring their boundaries, excavating a wide array of imagery from the realms of the collective and the subconscious to form rich and poetic installations evoking parallel universes. The eclectic materials she is using in her work—fabric, bamboo, Murano glass, plastic, paper, and whatever inspires her—assume new life and new meaning within her idiosyncratic, imaginative, and elaborate visual vocabulary.