#artistsincoronavirus – Page 5

May 27, 2020May 27, 2020

Artists on Coping: Tamar Zinn

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Macintosh HD:Users:tamarzinn:Desktop:ART SPIEL coping in the time of coronavirs :1 ZINN_BehindClosedEyes19_2019.jpg — *Behind Closed Eyes 19*, 2019 / 33 x 28” / oil on panel

Tamar Zinn is a New York based artist whose work reflects the primacy of intuitive sensory experiences. Both painting and drawing are integral to her studio practice. Recent projects include a solo exhibition, At the still point, at Kathryn Markel Fine Arts, NYC, a 3-person exhibit, Thinking Sequentially at Key Projects, NYC and curating Explorations in Line at Garrison Art Center. Zinn’s work is in collections throughout the US, including Citibank, Fidelity, IBM, McKinsey, MD Anderson Cancer Center, and NYU-Langone Medical Center.

May 26, 2020May 27, 2020

Artists on Coping: Ashley Norwood Cooper

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

A graffiti covered wall

Description automatically generated — Easter Eggs, 2020, oil on linen, 80” x 72”

Ashley Norwood Cooper’s paintings are intensely colored, painterly figurative work, exploring the creative lives of women, the awkwardness of family relationships, and the schizophrenic role of the artist-mother-wife teacher. She has exhibited in solo and group exhibits throughout the US including First Street Gallery (NYC) and ZINC contemporary (Seattle). Her work has been featured in New American Paintings and on the I Like Your Work Podcast. Her recent debut at VOLTA NYC 2020 garnered write ups in the NY Times and Arcade Projects Zine (Columbia University).

May 26, 2020November 2, 2022

Artists on Coping: Jaynie Crimmins

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Jaynie Gillman Crimmins is a Brooklyn based artist who creates alternative narratives from quotidian materials. Her work has been exhibited at ART on PAPER NYC; the Sharjah Museum of Art, United Arab Emirates; SPRING/BREAK Art Show, NYC; Governor’s Island Art Fair, NYC; the National Museum of Romanian Literature; the Muscarelle Museum of Art at the College of William and Mary, VA; Hunterdon Art Museum, NJ; and the Zuckerman Museum of Art, Kennesaw State University, GA. She is represented by K. Imperial Fine Art, San Francisco, and shows with Thomas Deans Fine Art in Atlanta.

May 25, 2020November 2, 2022

Artists on Coping: Katherine Jackson

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

A picture containing object, indoor, candle, table

Description automatically generated — *Small Oils (Little Oil 79,80,81), glass, lightbox, 2019-20*

Katherine Jackson has been bringing glass and light together for many years, often deriving them from drawing. Recently, in a series called Little Oil, (alluding to Big Oil), and/or Small Oils, as in oil painting, she has cast solid glass versions of vintage oil cans and set them on lightboxes. Recent shows include Park Place Gallery, 1 Gap Gallery, Odetta (Chelsea), and Odetta Harlem. She will participate in the sculpture show of the Venice Architectural Biennale (August 29, 2020 – February 16, 2021); Kunstraum LLC.

May 25, 2020May 24, 2020

Artists on Coping: Galen Cheney

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Macintosh HD:Users:cheneyhaynes:Desktop:IMG_7884.jpg — *Perceiver, installed at University of Dallas, March 2020 (Photo credit: Sven Kahns)*

Galen Cheney has been working as an abstract painter for three decades. During that time she has consistently sought to make work that challenges her as an artist and vulnerable human, taking risks and pushing into new personal territory. Her work has been shown and collected throughout the U.S. and in Europe and China. She has a show installed at the University of Dallas that is closed to the public, due to the virus.

May 24, 2020November 2, 2022

Artists on Coping: Meryl Meisler

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Meryl Meisler studied photography at the University of Wisconsin, and with Lisette Model in New York where she began to capture the city’s street life and infamous nightlife. A 1978 C.E.T.A. Artist Grant supported her portfolio on Jewish identity, after which she began a three-decade career as a NYC public school art teacher. Upon retirement, she began releasing large bodies of previously unseen work, including two books, A Tale of Two Cities: Disco Era Bushwick, and Purgatory & Paradise SASSY ‘70s Suburbia & The City. She is currently working on her next monograph, New York PARADISE LOST Bushwick Era Disco, and is represented by CLAMPART.

May 24, 2020April 10, 2020

Artists on Coping: Rachel Klinghoffer

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Detail of installation at The Skirt at Ortega y Gasset Projects, March 2020

By repurposing materials, making and remaking them into paintings and sculptures, Klinghoffer prompts a reimagining of uses for these relic-like objects. Articles reflect the artist’s personal connection to femininity, craft-making, Judaism, romance, pushing the definition of painting. Through time, the items become specimens, icons. They are poked, prodded, stained, sprayed, stroked, rubbed, dipped, then pulled, torn, cracked open and broken apart making up and becoming the new work. Rachel Klinghoffer lives and works in South Orange NJ. Recently she has exhibited at Morgan Lehman Gallery and The Skirt at Ortega y Gasset, with a review in The Brooklyn Rail.

May 23, 2020May 6, 2020

Artists on Coping: Katrina Bello

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

*In the studio, with large drawing titled Terra Magnoliaceae, April 2020*

Born in the Philippines, Katrina Bello is an artist who lives and works in New Jersey. Her work is devoted to drawing, and her subjects are migration, ecology and our complex relationship with the natural world. She has exhibited in solo and group exhibitions throughout the United States and the Philippines, and has been awarded residencies in the United States. She recently received a studio fellowship from the Sustainable Arts Foundation though Gallery Aferro in Newark, New Jersey. Katrina is the founder of North Willow, an informal artist-run attic exhibition space in northern New Jersey.

May 23, 2020May 30, 2020

Artists on Coping: Lori Horowitz

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

C:\Users\Lori\Desktop\roots and finishe exodus\exodus install 1 110.jpg — *Exodus, 2020, mixed-media (fabric, torched copper, aluminum and brass, fiber and photography). Michael David & Co., Bushwick. Photo courtesy of the artist*

Using eclectic techniques and materials, Lori Horowitz explores the overlooked interactions between individuals, exploring their social disconnect as well as common humanity. Since 2015, she has had six solo exhibitions and participated in numerous national gallery and museum group shows. She is also an independent curator, as well as the former curator and executive director of Studio 5404 Art Space in Massapequa, NY. Currently, she serves on the board of directors and advisory boards for two not- for- profit arts groups. Recently, her work has been featured in the NY Times, as well as local and international publications such as 1340 Art International, Azucar and Apero Magazines, in Berlin, Amsterdam and Paris.

May 22, 2020June 10, 2020

Artists on Coping: Liz Sweibel

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping

Untitled, 2020, thread and vellum, 8×8 in

Liz Sweibel’s work is an exploration of liminal spaces, points of contact, and unseen forces: wind, history, values, math, gravity, emotion, memory. Her drawings, sculpture, and installations are spare and abstract, using specific yet ordinary materials and gestures. She often salvages materials, sources, and forms from her older work and uses them to make sense and establish identity in the present. Her studio process is low-tech, immediate, and improvisational.