Featured Artist

February 7, 2022November 2, 2022, by Art Spiel

Ellen Kozak – Vigil

Featured Artist

*Gallery View. Photo courtesy of David Richard Gallery*

Vigil, Ellen Kozak’s first solo painting exhibition with David Richard Gallery, featured two fully realized series of abstract oil paintings on panel. The painter, with studios in New York City and beside the Hudson River in Greene County, explores the relationship between the fluidity of paint and river surfaces affected by the intersection of natural and manmade phenomena. Altogether the paintings activated the gallery space into a cohesive site-responsive installation.

December 13, 2021November 2, 2022, by Art Spiel

Claire McConaughy: Nearby at 490 Atlantic Gallery

A picture containing plant, colorful

Description automatically generated — Delicate Rainbow, 2021, 24”x30”, oil on canvas, photo courtesy of the artist

In her solo show at 490 Atlantic Gallery, New York based painter Claire McConaughy features landscapes depicted in vivid colors and expressive linear marks. In Delicate Rainbow for instance, the painting plays on tension between horizontal, vertical, and diagonal orientations – an unexpected pale pink flow becomes a backdrop horizon to green vegetation spreading its limb-like branches diagonally upwards; on the top, blue-purple brush strokes depicting sky or water, lead the eye sideways, and then right above, a surprising orange linear brush stroke with the other rainbow colors hinted, stretch across the middle top.

December 11, 2021November 2, 2022, by Art Spiel

Paul Loughney – Consequences of Competing Narratives at Vorderzimmer

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Paul Loughney and Halona Hilbertz. Photo credit: Renée Ricarrdo

Paul Loughney’s collages resemble daydreams where seemingly unrelated elements coalesce into a fantastic mindscape where body parts, typography, geometric shapes, and hints of architectural elements scramble into unique environments that are oddly believable despite their quirky nature.

December 8, 2021November 23, 2021, by Etty Yaniv

Deborah Kruger – Plumas at PRPG in Mexico City

Featured Artist

Deborak Kruger in front of Accidentals, 2020, screen-printing on recycled plastic bags, sewing, wrapping, waxed linen thread, 92 x 167 x 6″

Plumas, featuring Deborah Kruger’s recent work, is PRPG.mx’s premiere show in their newly expanded exhibition and residency space in Mexico City. In this sculptural installation, curated by Micheal Swank, Kruger focuses on the extinction of Mexican bird species, the death of Mexican indigenous languages, and the impacts of climate change on migration.

December 2, 2021November 2, 2022, by Art Spiel

Rebecca Welz – Displacement at June Kelly

Featured Artist

The artist, photo courtesy of Candace Rudd

In Rebecca Welz’s recent sculpture series, the sculptor reflects on the global phenomena of people who have been displaced from their homes due to a wide range of hardships—political, economic, climate change. The steel structures in her Displacement series represents a quest for safety and belonging. This body of work is featured at the June Kelly Gallery through January 4^th, 2022.

November 13, 2021November 2, 2022, by Art Spiel

Fei Li -The Unofficial History of Tomorrow at First Street Gallery

Featured Artist

The artist and her work, photo courtesy of Christine Collado

Fei Li’s large-scale paintings in her solo show at First Street Gallery are layered with paint, collaged fragments of dollar bills, magazine cutouts and jetsam of daily life. These visual cues are immersed in vivid yellows, blues, and greens, altogether representing the chaos of our moment. Drawing on a wide array of sources—Chinese calligraphy, pop culture, science fiction, myth, and current events—Li invites us to engage with her own anarchic universe.

November 4, 2021October 18, 2021, by Etty Yaniv

Amanda Thackray: Surface Tension at NJCU

Featured Artist

A person standing under an umbrella

Description automatically generated with medium confidence — Amanda Thackray with *A Tangle; A Swarm; A Precondition of the Plastisphere*, 2021

In her solo exhibition at the Lemmerman Gallery in NJCU curated by Doris Cacoilo, Amanda Thackray presents her handmade paper installations, prints and sculpture which altogether comment on plastic pollution and the fragility of marine environment. The artist creates an allegorical environment which both reflects and distorts an aquatic world.

October 10, 2021November 2, 2022, by Art Spiel

Simonette Quamina – Canboulay at Smack Mellon

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The artist and her work, photo courtesy of Camille Thomas

Canboulay, Simonette Quamina’s solo exhibition at Smack Mellon, features a series of immersive wall-sized visual horizons which borrow the methodological framework of a caesura, a break in a poem. The notion of “break” exists within each work through cuts and rips as well as overall, separating elements of her continuous visual story into vignettes of individual works. Through her use of sophisticated variety of collage and printmaking techniques, Quamina integrates narratives referencing histories such as socioeconomic ramifications of sugarcane and familial subjugation, into complex, dark surfaces.

October 9, 2021November 2, 2022, by Art Spiel

An Architecture of Longing at Hopkins Art Center

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Keren Kroul, An Architecture of Longing, series of four works, 2021, watercolor on paper, 60” x 48” each. Photo courtesy of Keren Kroul.

Minnesota based artist Keren Kroul shows watercolor on paper in her current solo exhibition at the Hopkins Center for the Arts. The show runs through October 23^rd, 2021.

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September 24, 2021September 22, 2021, by Etty Yaniv

Tamara Kostianovsky – Between Wounds and Folds at Smack Mellon

Featured Artist

A picture containing person

Description automatically generated — The artist at Smack Mellon, photo courtesy of Rachel Vera Steinberg

Between Wounds and Folds, Tamara Kostianovsky’s solo exhibition at Smack Mellon, features sculptures which link issues of gender-based violence, personal memory, and ecological destruction through consumption into a complex and speculative ecosystem. Her dimensional forms, both soft and brutal, combine discarded fabric with industrial materials, often drawing their shape from mutilated fauna and flora in various states of decay, including tree stumps, cow carcasses, and birds of prey.