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Elizabeth Meggs: Found & Lost at Sweet Lorraine Gallery

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Installation view, photo courtesy of Lucas Zhao

Elizabeth Meggs’ work in Found & Lost includes prints, posters, fabric design, and clocks. The exhibit explores the discoveries and losses many have experienced in the world in recent years, from profound themes such as hope, time, or love, to mundane items such as umbrellas. Through this exhibition and opening event Elizabeth Meggs expresses a gratitude for life, and a catalyst for connecting with friends and building community through August, after recovering from being hit by a car and sustaining a head injury in late April of 2022.

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Heidi Norton – The Edges of Everything at Wave Hill

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Heidi Norton and Eileen Jeng Lynch, curator.

Heidi Norton’s site-specific installation at Wave Hill examines the intricate links between humans and the natural world. Inspired by Wave Hill’s grounds and the Sun Porch’s architecture. Activated by sunlight, Norton’s installation is made of sculptures and large, vibrant photographic scrolls draping from the ceiling and undulating through the space. Norton says that the configuration of scrolls encompasses landscapes of present and past, incorporating recent photos that the artist took of the gardens, as well as archival images. Norton’s work draws on her rural upbringing by New Age homesteaders. She upcycles discarded plant clippings from Wave Hill’s gardens, repurposes compost and deconstructs past work, incorporating it into new pieces—speaking to sustainability, contemplating how memories are embedded in materials and landscapes, as well as how a sense of place is recorded through time and changes in the land. Heidi Norton with her site specific installation, The Edges of Everything at Wave Hill, July 16th – August 28th, 2022. Meet the Artist recording can be found here

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Helen Twigge-Molecey: Fungi at Palazzo Mora

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Helen Twigge-Molecey with glass fungi sculptures photographed by Sylvain Deleu

UK based artist Helen Twigge-Molecey’s installation at Palazzo Mora in Venice depicts a group of colorful fungi. Each hand-blown recycled glass piece features individual shapes and interconnects with its neighbours through translucency and color. This installation is part of the Venice 2022 Art Biennial organized by the non-profit organization European Cultural Center, running from April 23, 2022 through November 27th, 2022.

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Daniel Wiener: At Home With Scallywags and Rapscallions at Pamela Salisbury

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Daniel Wiener, Six Custodians, 2021, Apoxie-Sculpt and dispersed pigments, 12.5” x 29” x 29”, photo courtesy of Daniel Wiener

The exhibition, At Home with Scallywags and Raspcallions, brings together Daniel Wiener’s work from the past 12 years. It focuses on his sculptures which also have a practical domestic use. As he says—the tables, stool, benches and bowl are familiar objects but in my hands, as with all of my work, they still uncover subconscious inner demons. 

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Chellis Baird – Redefining Sculpture

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Portrait of Chellis Baird in her studio. Photo courtesy of the artist

Chellis Baird’s work bridges the fine line between painting, sculpture and textile work, which is no easy feat. Baird’s sculptures require that extra layer of attention in order to really take in all the details: bright colors interwoven with gold accents, as well as the hint of foreign materials bulging from underneath. Her current exhibition, The Touch of Red, explores the significance of the color red in Baird’s practice. The color red is Baird’s favorite color, and holds much significance to her. The color conjures a wide range of symbols, feelings and history, including the contrasting emotions of love and pain, as well as symbols such as good luck, war and seduction. For this exhibition, Baird developed a shade of red with local suppliers in New York and Georgia and also developed her first metal and rosin works titled Serpentine and Flirt with the assistance of a foundry in Long Island City. The exhibition is up through April 8th at the National Arts Club.

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Sharon Yavo-Ayalon: Laminated Earth at ZAZ

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installation views; 7ft Mud Curtains, photo courtesy of Yunha Choi

Laminatede Earth, Sharon Yavo-Ayalon’s large-scale multimedia installation at ZAZ10TS intersects architectural representations of housing with land art practices—raw soil and synthetic matter coalesce. Sharon Yavo-Ayalon, an artist and architect, draws from both disciplines to transform the confined lobby of 10 Times Square into a shimmering dreamy landscape. The exhibition extends to the ZAZ corner billboard on 41st and 7th with video art, taken from a performance of the artist who builds, destructs, and rebuilds her own plastic home. The show is curated by Professor Lala Ben-Alon and runs in the gallery through April 28th, 2022.

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Barbara Laube: Morning Has Broken at Gold/Scopophilia Montclair

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Barbara Laube, installation view


These works are a way of repairing, an offering and a form of prayer 
They are a way of making sense of my life my loves and beliefs
They are about questioning and the acceptance of not knowing
They reflect my inner and outer life 
 
They teach me and I follow
 
I cut up of old paintings, 
the macro has become micro
and past and present have merged
 
The familial and collective transitioning of the world 
Piecing together a loved one’s psyche
 
Think of them as a cat. I cannot know their mind
I can offer saucers of milk
 
The work is complete when it has transcended the materials and a new presence is born
They are alive and ever changing

-BL, 2021

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