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Leslie Kerby: Happy Place Project

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In early February, the bleakness of winter got to the New York City based artist Leslie Kerby. She decided to reach out to friends near and far, as she had done during lockdown, this time asking them to send photos of the places around their house where they were able to find some solitude. She contacted everyone individually which opened up possibilities for longed for exchange. To her delight she received many beautiful photos. It took her a couple of days to figure out how she would paint from them. Ultimately, she decided on watercolor, acrylic, and mixed media collage on vellum, which enabled painting on both sides, while letting the light in. “It was a gift to visit with everyone in their home. A testament to the value of human connection,” she says.

 NEW LINK to whole project

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Farideh Sakhaeifar: You Are in the War Zone

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Farideh Sakhaeifar, You are in the war zone., 2016-17. Gelatine Silver Print, 8 x 10 inches

In her latest solo exhibition at New York’s Trotter&Sholer gallery, Iranian artist Farideh Sakhaeifar invites the viewer to reflect on the human experiences that connect us all. You are in the war zone confronts conflict, war, and social injustice head-on. Presented in partnership with the non-profit arts organization KODA, and curated by Klaudia Ofwona-Draber, the exhibition covers Sakhaeifar’s rich artistic practice, from her performance pieces to her sculptures to her hand and digitally manipulated photographs made over a seven year period. The works in the show underscore the artist’s strong critique of US foreign policy and Western portrayal of war in the Middle East and North Africa, as well as her impactful representations of shared experiences, the subjectivity of the media, and the inevitable distortion of memories and information over time.

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Katerina Lanfranco: Nature Poems at Sweet Lorraine

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Katerina Lanfranco Rose Garden, 2020. Oil paint and mixed media on canvas, 22 x 28”

Art is a refuge both for the viewer and the maker. Katerina Lanfranco’s recent exhibition at Sweet Lorraine Gallery, Nature Poems, offers respite from these strange and unsettling times. The exhibition starts with an exquisite painting titled, Bouquet for You. Its deft placement in the gallery is significant as it presages the story of the entire show in microcosm. Three encapsulated womb-like flower forms grow amid a dense, swirling, chaotic background teeming with what look like sperm cells and luminous spinning orbs. Practically buzzing with a sparkler’s sizzle, this wellspring of life is shot through with skeins of golden paint tracing through and around the orbs. The golden trails recall the rays of golden light falling onto the Virgin in Renaissance Annunciation scenes. Here instead of symbolizing the conception of Christ, Lanfranco suggests the secular, “scientific” conception of the Universe.

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Public Events in all Five Boroughs

Local Artists and Cultural Organizations in Each Borough to Host Outdoor, Socially Distanced Press Conferences with Performances March 18-19


FreeDa Banana leading an outdoor dance class during LEIMAY Block Party. Image courtesy LEIMAY.
Image Credit: Shige Moriya

One year after New York City’s arts and cultural sector suddenly shut down over the period of one week in response to the COVID-19 pandemic, events in each borough will mark the somber anniversary. Comprised of speeches by local elected/cultural leaders and performances by New York artists, this day of programming memorializes the shut down while looking forward to the needs of a resilient NY artistic community. The events are united by the dual themes of #CultureRemembers and #CultureForward, and will take place on Thursday, March 18, and Friday, March 19. Local leaders and artists will participate in all of them.

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Beth Dary at The Front Room Gallery

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Installation view

The Front room Gallery hosts an online tour of “Aqua/Terra”, the beautiful and evocative solo exhibition of sculpture, installation, photograms, layered egg tempera and encaustic drawings by New York Artist, Beth Dary. The artworks in “Aqua/Terra” explore the power of water throughout natural forms and forces of nature, as a force to shape the land, sustain life, and destroy it. Beth Dary’s work also responds to the effect of human activity on land and water – bubbles of ancient carbon dioxide captured in Arctic ice, the rising tides due to the climate crisis, and fractal patterns formed by the liquid contaminants in urban runoff – in transition due to our culture’s impact on the environment.  

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On the Beauty of Collaboration – The Border and Home Gallery Co-Exhibition “Last Wash at Midnight”



“Last Wash at Midnight” at The Border Project Space, installation view courtesy of The Border Project Space, New York

At a time when one would have to work 78 hours at minimum wage to afford a studio apartment in most of the US, the idea of a rusting laundromat provides a fitting theme for an exhibition to reflect the struggles faced by so many in the US. While the show curated by Jamie Martinez evokes layers of meaning, the sagging laundry machine of Chelsea Nader, provides an ethos for the current state of the world grappling with economic stress in a pandemic.

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Belonging to P.A.D. (Project Art Distribution)

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“Popular Jewelry” featuring Arkadiy Ryabin, Johanna Stroebel, Clarissa Hurst, and Ann Treesa Joy, on September 26, 2020, photo credit to Adam Golfer, image courtesy of P.A.D.

The artist-run Project Art Distribution (better known as P.A.D. or @project_art_distribution on Instagram) hosts day-long outdoor exhibitions on versatile packing 72”x80” pads. Set up in Soho, one of New York’s art and retail hubs, the padded surfaces become the metaphorical and physical exhibition space of the usual pristine white cube galleries. Unlike the current Soho rental clientele of luxury brands and gallery spaces, P.A.D. has no walls. Lacking barriers in more than one way, the sidewalk gallery provides the public, the artists, the curators, and the organizational collaborators a welcomed openness to art and discussion. The project creates an ongoing network that ever-expands its community.

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Alexander Rutsch, The Voluptuous Eye at Kenise Barnes Fine Art


Sunset, mixed media on board, 36 x 44 inches, 1990s

My first encounter with the work of the artist Alexander Rutsch was through his daughter, the artist Alexandra Rutsch Brock (Alexi), a friend and one of my fellow co-founders of the London Calling Collective. I visited the Rutsch family home in Pelham where she grew up and where her mother still lives. The home, an eccentric, polymathic cacophony of hand-hewn art and embodied life, reflects my experience of Alexi as a passionate and energetic artist, teacher, and friend. A labyrinthine artist’s house- the type that real estate brokers abhor, is brim-full of paintings, sculptures, built-in furniture, object d’art, hand-tiled stone walls, curved nooks, hallways to a warren of rooms, and Alexander Rutsch’s overflowing attic studio, where the work from this exhibition came. I marvel at the fecundity of imagination a childhood in that house must have fostered. This history makes it a special honor to step back and review the exhibition, Alexander Rutsch, a Pop-Up, at Kenise Barnes Fine Art in Larchmont, NY, on view March 4-7 and March 11-14. 2021. The exhibition includes paintings on panel, works on paper, sketchbook pages, and whimsical bronze sculptures cast from industrial materials and found objects.

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The Process of Weaving the Intentionally Fragmented at Transmitter


Installation of Patchwork at Transmitter, image courtesy of the gallery, Brooklyn, NY (2021)

The Brazilian educator and philosopher Paulo Freire speaks on the essential character of dialogue for revolution. Seen as the thread that connects communities to revolutionary ideas and actions, dialogue is a continual process. A continuum revolves visually and semiotically within the walls of Transmitter gallery these days with the new exhibition Patchwork. Time is of central significance as the theme of fragmentation provides illuminative access through each of the three artists in the show, highlighting complex pasts that beget the enormous project of both appreciation and reconciliation via understanding the significance of each layered memory.

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Mercedes Matter Awards Show at Margalit Startup City


Installation view

Artist, writer, and educator Mercedes Matter’s legacy is a memorable one. Matter studied and worked with many notable artists including Hans Hofmann, Lee Krasner, and Willem de Kooning during the 1930s and 40s, and then founded the New York Studio School in the tumultuous year of 1964. The Studio School became one of the defining institutions of the New York art scene and delivered high profile artists from that year on. One telling fact is that Leo Castelli and company were habitual goers, and this is still the case today.

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