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Form or Function at ArtPort Kingston

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Exhibition view

The group exhibition Form or Function at ArtPort Kingston features works of various media, exploring the relationship of objects in between contemporary art, design and craft with an attempt to blur the lines and create dialogue. The exhibition overall prompts a question – “Looking at everyday images, objects, tools and materials, we have very diverse emotional bonds with them. An artist creates a dialogue with their materials, providing intentions. Is it an object’s form, their history, or the story we create that attracts us?”

The show is curated by Laurie De Chiara, featuring works by Chuck von Schmidt, Karen Jaimes, Staveley Kuzmanov, Traci Johnson, Barbara Marks, Ellie Murphy, Courtney Puckett, Jim Osman, Rachel Urkowitz and Gabriele Hamill, Inna Babaeva, Clemens Kois, Sophi Kravitz, Christina Kruse, Jeanne Atkin, Kathleen Vance, Erika DeVries, and Rodger Stevens. The show runs through June 6th.

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Shifting Sands at ChaShaMa

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From left to right: Spandita Malik ‘Salwar-Kameez on Clothesline’ 2021 Sun-printing, Phulkari silk thread embroidery on Khaddar fabric, 32 x 40 inches ; Geuryung Lee‘The movement’ 2019 Drypoint on paper 18 x 24 inches; Sofia Luisa Suazo Monsalve ‘Post-photographic landscape #1,2,3’ 2019 Digital chromogenic print on paper, 9 x 18 inches; j.p.mot ‘Stool + boogey’ 2017 Mixed media, 7ft x 5ft x 6ft; Hyun Jung AhnBlanket Windows’ 2021 Felt and linen, 72 x 62 inches

SHIFTING SANDS is a group exhibition showcasing the creative breadth of 20 artists from the 2020 New York Foundation for the Arts Immigrant Artist Mentoring Program. Each of these artists has crossed physical borders, leaving one part of the world for another – in doing so, they hold space for various identities and shifting realities. From this common experience emerges unique perspectives on identity, belonging, home, memory, hope and resilience. Many of the pieces exhibited were created during the pandemic. They express the rollercoaster of emotions, the shifting states of being, and new possibility.

Exhibiting artists: Zeshan AhmedKatya AkumaIvana Brenner, Hedwig BrouckaertZorica ColicCarin Kulb DangotBel FalleirosNathier FernandezVinay HiraJaejoon JangHyun Jung AhnAe Yun KimGeuryung LeeJiaoyang LiiSpandita MalikLevan Mindiashvili, j.p.motGhislaine SabitiLeila SeyedzadehSofia Suazo

Curated byYvette MolinaGhislaine Sabiti and Hedwig Brouckaert

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Leslie Kerby: Happy Place Project

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In early February, the bleakness of winter got to the New York City based artist Leslie Kerby. She decided to reach out to friends near and far, as she had done during lockdown, this time asking them to send photos of the places around their house where they were able to find some solitude. She contacted everyone individually which opened up possibilities for longed for exchange. To her delight she received many beautiful photos. It took her a couple of days to figure out how she would paint from them. Ultimately, she decided on watercolor, acrylic, and mixed media collage on vellum, which enabled painting on both sides, while letting the light in. “It was a gift to visit with everyone in their home. A testament to the value of human connection,” she says.

 NEW LINK to whole project

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Farideh Sakhaeifar: You Are in the War Zone

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Farideh Sakhaeifar, You are in the war zone., 2016-17. Gelatine Silver Print, 8 x 10 inches

In her latest solo exhibition at New York’s Trotter&Sholer gallery, Iranian artist Farideh Sakhaeifar invites the viewer to reflect on the human experiences that connect us all. You are in the war zone confronts conflict, war, and social injustice head-on. Presented in partnership with the non-profit arts organization KODA, and curated by Klaudia Ofwona-Draber, the exhibition covers Sakhaeifar’s rich artistic practice, from her performance pieces to her sculptures to her hand and digitally manipulated photographs made over a seven year period. The works in the show underscore the artist’s strong critique of US foreign policy and Western portrayal of war in the Middle East and North Africa, as well as her impactful representations of shared experiences, the subjectivity of the media, and the inevitable distortion of memories and information over time.

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Katerina Lanfranco: Nature Poems at Sweet Lorraine

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Katerina Lanfranco Rose Garden, 2020. Oil paint and mixed media on canvas, 22 x 28”

Art is a refuge both for the viewer and the maker. Katerina Lanfranco’s recent exhibition at Sweet Lorraine Gallery, Nature Poems, offers respite from these strange and unsettling times. The exhibition starts with an exquisite painting titled, Bouquet for You. Its deft placement in the gallery is significant as it presages the story of the entire show in microcosm. Three encapsulated womb-like flower forms grow amid a dense, swirling, chaotic background teeming with what look like sperm cells and luminous spinning orbs. Practically buzzing with a sparkler’s sizzle, this wellspring of life is shot through with skeins of golden paint tracing through and around the orbs. The golden trails recall the rays of golden light falling onto the Virgin in Renaissance Annunciation scenes. Here instead of symbolizing the conception of Christ, Lanfranco suggests the secular, “scientific” conception of the Universe.

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Public Events in all Five Boroughs

Local Artists and Cultural Organizations in Each Borough to Host Outdoor, Socially Distanced Press Conferences with Performances March 18-19


FreeDa Banana leading an outdoor dance class during LEIMAY Block Party. Image courtesy LEIMAY.
Image Credit: Shige Moriya

One year after New York City’s arts and cultural sector suddenly shut down over the period of one week in response to the COVID-19 pandemic, events in each borough will mark the somber anniversary. Comprised of speeches by local elected/cultural leaders and performances by New York artists, this day of programming memorializes the shut down while looking forward to the needs of a resilient NY artistic community. The events are united by the dual themes of #CultureRemembers and #CultureForward, and will take place on Thursday, March 18, and Friday, March 19. Local leaders and artists will participate in all of them.

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Beth Dary at The Front Room Gallery

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Installation view

The Front room Gallery hosts an online tour of “Aqua/Terra”, the beautiful and evocative solo exhibition of sculpture, installation, photograms, layered egg tempera and encaustic drawings by New York Artist, Beth Dary. The artworks in “Aqua/Terra” explore the power of water throughout natural forms and forces of nature, as a force to shape the land, sustain life, and destroy it. Beth Dary’s work also responds to the effect of human activity on land and water – bubbles of ancient carbon dioxide captured in Arctic ice, the rising tides due to the climate crisis, and fractal patterns formed by the liquid contaminants in urban runoff – in transition due to our culture’s impact on the environment.  

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On the Beauty of Collaboration – The Border and Home Gallery Co-Exhibition “Last Wash at Midnight”



“Last Wash at Midnight” at The Border Project Space, installation view courtesy of The Border Project Space, New York

At a time when one would have to work 78 hours at minimum wage to afford a studio apartment in most of the US, the idea of a rusting laundromat provides a fitting theme for an exhibition to reflect the struggles faced by so many in the US. While the show curated by Jamie Martinez evokes layers of meaning, the sagging laundry machine of Chelsea Nader, provides an ethos for the current state of the world grappling with economic stress in a pandemic.

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Belonging to P.A.D. (Project Art Distribution)

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“Popular Jewelry” featuring Arkadiy Ryabin, Johanna Stroebel, Clarissa Hurst, and Ann Treesa Joy, on September 26, 2020, photo credit to Adam Golfer, image courtesy of P.A.D.

The artist-run Project Art Distribution (better known as P.A.D. or @project_art_distribution on Instagram) hosts day-long outdoor exhibitions on versatile packing 72”x80” pads. Set up in Soho, one of New York’s art and retail hubs, the padded surfaces become the metaphorical and physical exhibition space of the usual pristine white cube galleries. Unlike the current Soho rental clientele of luxury brands and gallery spaces, P.A.D. has no walls. Lacking barriers in more than one way, the sidewalk gallery provides the public, the artists, the curators, and the organizational collaborators a welcomed openness to art and discussion. The project creates an ongoing network that ever-expands its community.

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Alexander Rutsch, The Voluptuous Eye at Kenise Barnes Fine Art


Sunset, mixed media on board, 36 x 44 inches, 1990s

My first encounter with the work of the artist Alexander Rutsch was through his daughter, the artist Alexandra Rutsch Brock (Alexi), a friend and one of my fellow co-founders of the London Calling Collective. I visited the Rutsch family home in Pelham where she grew up and where her mother still lives. The home, an eccentric, polymathic cacophony of hand-hewn art and embodied life, reflects my experience of Alexi as a passionate and energetic artist, teacher, and friend. A labyrinthine artist’s house- the type that real estate brokers abhor, is brim-full of paintings, sculptures, built-in furniture, object d’art, hand-tiled stone walls, curved nooks, hallways to a warren of rooms, and Alexander Rutsch’s overflowing attic studio, where the work from this exhibition came. I marvel at the fecundity of imagination a childhood in that house must have fostered. This history makes it a special honor to step back and review the exhibition, Alexander Rutsch, a Pop-Up, at Kenise Barnes Fine Art in Larchmont, NY, on view March 4-7 and March 11-14. 2021. The exhibition includes paintings on panel, works on paper, sketchbook pages, and whimsical bronze sculptures cast from industrial materials and found objects.

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