Kahori Kamiya,, performance Still at Amos Eno Gallery 10/29/2021
Multi-disciplinary artist Kahori Kamiya uses in her sculptures a wide range of materials and techniques to explore oppositions like suffering and healing, beauty and grotesque. Her current sculptures focus on motherhood, especially on breastfeeding.
Installation view: GJ Kimsunken, Figuration 21. 15, 2021, Oil on canvas; Debra Ramsay, Twilight & Dawn_ 2_3, Twilight & Dawn 9 3:1, Twilight and Dawn 4_9 3_1, 2021, Acrylic on cast acrylic
The two-person show Where We Met Ourselves at Yi Gallery’s new space in Brooklyn’s Industry City, features abstract paintings and works on paper by Debra Ramsay and GJ Kimsunken. Both artists share a minimalist sensibility to painting and each of them explores in their own way notions of transcendent spaces through form and color. Although they both use reduced color palettes to create elegant and restrained abstractions which are subtle and luminous, their work is grounded in different traditions.
Installation view, Jim Condron (front), Ilse Sorensen Murdock (back)
At first glance, Jim Condron’s whimsical sculptures and Sørensen Murdock’s landscape paintings are an unexpected match for a two-person exhibition. Yet, in Toss, the current show at Platform Project Space, artist and curator Elizabeth Hazan made it into an engaging duet. The show runs the gamut from landscape paintings on canvas to paintings and sculptures made of scavenged materials, but regardless of the used media, both artists prioritize color, texture, and composition.
On May 13, 2020, in the middle of the global pandemic, the NYU Abu Dhabi Arts Center in the United Arab Emirates hosted a streaming event consisting of a four-and-a-half-hour filmed version of HOLOSCENES, a durational performance installation that was originally presented there live in November of 2016. The event also included a conversation with Lars Jan, artist, writer and project director, as well as members of his team. HOLOSCENES is comprised of performers going about common, every-day tasks while the aquarium in which they are confined fills and empties with water. Although conceived as a commentary on “states of drowning” – rising seas, melting glaciers, intensifying storms, floods, and their impact on daily life – the project takes on additional meaning as we struggle with our own physical and psychological confinements during the great global quarantine.
The artist with her work, photo courtesy of Barabara Friedman
Susan Mastrangelo’s five paintings featured in her solo show at 490 ATLANTIC vibrate with vivid and visceral energy, a culmination of the emotional journey she has experienced this past year and a half. The artist says that as she is standing in front of this painting series, she remembers how the fear during COVID prompted her urge to “seize the moment and focus on being present every minute in the creation of each work.”
One finds a simple common thread between the three exhibitions of women artists in Andrew Edlin Gallery this fall 2021: spiritual internal guidance in the artistic process. The work of German artist and known medium healer Agatha Wojciechowsky (1896-1986), curated by Aurelie Bernard Wortsman, is in Spirits Among Us at the entry and main gallery space, while the work of French artist Margot (b. 1982) is in Margot’s Cosmic Sanctuary at the back gallery. The solo presentation of American artist Karla Knight (b. 1958) was at the recent Independent Art Fair in New York City, which briefly overlapped with these two fall season starters at the gallery. Led by their individual connection to the otherworldly, the artists make work that invites viewers to ponder the source of creation and artistic agency.
Back in about 2009 friends invited artist Sunny Chapman to a gallery opening in their apartment, a gallery of tiny art in an about 1 x 2 foot rectangular inset in one of their apartment walls. Sunny Chapman loved the idea and wanted to do one in her own apartment too but since they lived close by she thought it would be disrespectful. Yet, the idea of making a tiny gallery was always nagging at her.
Previewing – with gallery founder and curator Catherine Fosnot
Fred Gutzeit (2021) Future Life Puzzle, Acrylic on paper on canvas, 72” x 72”
The Opening Fall Season at the Fosnot Art Gallery will showcase Fred Gutzeit’s body of works from 1966-2021. Although he began as a painter of found objects and landscapes, Fred Gutzeit has never been satisfied with capturing the realism we “see“ in nature. He has continually sought a realism through abstraction that would capture the hidden complexity of nature juxtaposed with a human search for structure. Musings about complexity and chaos theories, string theory, mathematics modeling, and current scientific speculation about “multiverses” are employed as he explores consciousness, interaction, identity, and searches for structure. His bold use of color and dimensionality are wonderous and aesthetically pleasing allowing us to travel into the cosmos of his world.
Louisa Pancoast will perform her movement-based art installation Pinch Back at Main Window in DUMBO September 10th at 7:30pm. This will be the final performance on view at this non-profit public art space in Dumbo. The performance was commissioned by Main Window as a companion piece for Evan Paul English’s Inexterior.
In her solo art exhibition at Reeves-Reed Arboretum, Pamela Casper invites the garden-loving public to reconcile a personal relationship of guardianship that goes beyond admiring nature’s beauty. The artist says that the trajectory of the work in this show follows her own path of transformation—from observing beauty and imagining nature “above ground” to exploring the endless networks hidden below. The show is curated by Executive Director Jackie Kondel and runs through October 31tst, 2021.