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Drawing a Line at Five Myles

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Installation view

A line drawing is a dot that went for a walk,

-Paul Klee, Pedagogical Sketchbook

From line drawings and cutouts to wall reliefs and sculptures, lines shift forms throughout the group exhibition Drawing a Line at Five Myles. Curator Klaudia Ofwona Draber says she was inspired by the gallery founder Hanne Tierney’s vision to organize a drawing exhibition. Ofwona Draber’s interest in social justice and post-colonialism guided her choice of artists as well as the theme of the exhibition – drawing a line as an action of drawing boundaries, whether to protect personal boundaries in the quietude of one’s own home, or at the heart of a political conflict. “By drawing a line, we protect ourselves, our families and our communities from the violence and inequalities that are happening around us,” says Ofwona Draber.

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Remote Work

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Kris Grey (NYC) and Barbara Maria Neu (Austria), Miss(ing), 2021. Video (runtime: 4 minutes, 8 seconds), performance (15 minutes) and sculptures. Photos: un/mute team

How can artists unmute themselves and make work in creative dialogue with each other while they experience forced solitude at faraway places? How can collaborative practices be reinvented in social isolation? And how can virtual and chance encounters between strangers can lead to the making of jointly authored images and objects? The un/mute project, initiated by EUNIC New York and Undercurrent, the independent exhibition space in DUMBO, was an attempt to probe these questions by inviting 32 artists to work across borders, languages, and media, while sharing the global experience of the Covid-19 pandemic at distant locations, under varied social circumstances, and in cultural contexts.

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Evan Paul English – VIEWFOUND at Chashama

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VIEWFOUND by Evan Paul English at ChaShaMa Gallery, curated by Salt Gallery.

Brooklyn-based artist Evan Paul English uses a small viewfinder to discover compelling compositions within the fabrics he collects and enlarges them to abstract paintings of different scales, working across painting, sculpture, murals, and wallpaper. VIEWFOUND, his current solo exhibition in Brooklyn, features work along these lines and is on view at 324 5th Avenue through December 6th, 2021. Presented by Salt Gallery in collaboration with ChaShama, the show includes eight new works that translate American vintage floral design into paintings, referencing gender, sexuality, and class.

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Jon Bunge’s Presence at the Bonsack Gallery

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Installation view, 13.5′ x 10.5′ x 3.5′, 2021

In Jon Bunge’s exhibition, Presence, at the Bonsack Gallery of John Burroughs School in St. Louis, Missouri, 23 sculptures, moving and turning in invisible air currents, appear to float inches above a hardwood floor. Made from the branches of trees, they evoke both a sense of mystery and a clear expression of the universe’s forces. Eight more works are included in a display case outside of the installation.

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Joseph Fucigna: DRIP-DROP, TICK-TOCK, HERE + NOW at the Housatonic Museum of Art

Previewing with Joseph Fucigna

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DRIP-DROP, TICK-TOCK, HERE + NOW, Housatonic Museum of Art. Photo: Paul Mutino

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, and innovation, he creates sculptures, paintings and drawings that are known for their power to transform materials, ingenuity and odd but compelling subject matter. His one-person show, DRIP-DROP, TICK-TOCK, HERE + NOW, was originally scheduled to open at the Housatonic Museum of Art in Bridgeport, Connecticut in September 2018. Due to water damage from a fire above the space, it was rescheduled for September 2020, and postponed a second time due to COVID. At this time the exhibition opens for the third time on October 28th and runs through December 10th, 2021.

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Ballad of Spread – Michal Gavish at Delaware Contemporary

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Exponential Bloom, 2021

During the past year of the pandemic, Michal Gavish used her background as a scientist to research and draw on the sub-microscopic struggle between viruses and our body. Throughout this year of isolation, she became absorbed with the science and imagery of these biological attackers facing body defenders, the antigens against the antibodies. Imagining each virus from its initial exponential expansion to its final abrupt elimination, she sketches and experiments with color-field displays generated by genetic research. Her visual search incorporates mixed media in which she adopts the color-coded language of molecular modeling that she has learned as a chemist.

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Where We Meet Ourselves at Yi Gallery

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Installation view: GJ Kimsunken, Figuration 21. 15, 2021, Oil on canvas; Debra Ramsay, Twilight & Dawn_ 2_3, Twilight & Dawn 9 3:1, Twilight and Dawn 4_9 3_1, 2021, Acrylic on cast acrylic 

The two-person show Where We Met Ourselves at Yi Gallery’s new space in Brooklyn’s Industry City, features abstract paintings and works on paper by Debra Ramsay and GJ Kimsunken. Both artists share a minimalist sensibility to painting and each of them explores in their own way notions of transcendent spaces through form and color. Although they both use reduced color palettes to create elegant and restrained abstractions which are subtle and luminous, their work is grounded in different traditions.

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Jim Condron and Ilse Sørensen Murdock – Toss at Platform Project Space

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Installation view, Jim Condron (front), Ilse Sorensen Murdock (back)

At first glance, Jim Condron’s whimsical sculptures and Sørensen Murdock’s landscape paintings are an unexpected match for a two-person exhibition. Yet, in Toss, the current show at Platform Project Space, artist and curator Elizabeth Hazan made it into an engaging duet. The show runs the gamut from landscape paintings on canvas to paintings and sculptures made of scavenged materials, but regardless of the used media, both artists prioritize color, texture, and composition.

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